Their streamlined design gave them high-speed capability as well as making them instantly recognizable, and one of the class, 4468 Mallard, has the official record as the fastest steam locomotive in the world.

Their shells are streamlined to aid in swimming.

Their streamlined bodies are adapted for burrowing.

Their body shape is typically slender, streamlined and serpentine, and its flexibility allows grooming of almost all their fur.

Their primary mode of transportation was the Hushmobile, a streamlined car that made virtually no noise while being driven, making it perfect for following criminals unnoticed.

Their music was fast, unpolished in production and with raspy or grunted vocals.

Their first line of production took place in Düsseldorf.

Their enormous commercial success encouraged them to turn out sequel after sequel, and led to an explosion in horror film production in the UK that would last for nearly two decades.

Their pre-war economic policies, resembling Keynesianism, were in the beginning the brainchildren of their non-Nazi Minister of Economics, Hjalmar Schacht, who was later made to focus more on war production ( cf: Military Keynesianism ), and was eventually replaced by a Nazi, Hermann Göring.

Their work on production of sal ammoniac from soot led to their partnership in a profitable chemical works, manufacturing the crystalline salt which was used for dyeing, metalworking and as smelling salts and previously was available only from natural sources and had to be imported from Egypt.

Their production work as BeMusic was collected on two LTM compilation CDs, Cool As Ice: The BeMusic Productions and Twice As Nice ( which also included production work by Donald Johnson, of A Certain Ratio, and Arthur Baker ).

Their viscoelastic properties determine the mechanical performance of the final products of these industries, and also the success of processing methods at intermediate stages of production.

Their next release in 1966, "( You're My ) Soul and Inspiration " was a Phil Spector sound-alike song, produced by Bill Medley, who was able to fully simulate the Spector style of production.

Their discovery led to the development of recombinant DNA technology that allowed, for example, the large scale production of human insulin for diabetics using E. coli bacteria.

Their quality was largely dependent on their faithfulness to the plot or theme of the original, casting, direction, and production values.

Their cumulative energy fixation in carbon compounds ( primary production ) is the basis for the vast majority of oceanic and also many freshwater food webs ( chemosynthesis is a notable exception ).

Their first professional production was the 1920 Poor Little Ritz Girl.

Their skin, being both rigid and strong, as well as soft and supple, is recognized as being ideal for the production of leather gloves.

Their next Broadway production was Camelot.

Their production comes to market in the months of May, June and July, when it is very common to observe seasonal traders along the streets of Colombo.

Their daughter, Kelsey Wirth, is the co-founder of the orthodontic production company Align Technology, makers of Invisalign and currently serves on the Board of Directors of Grist Magazine, The Environmental Working Group and the Winslow Foundation.

Their breakthrough was published in 1973, and commercial production began in 1976.

Their hypothesis predicts that: ( 1 ) anatomic position of endorphin production should mirror its presumed role in foetal-maternal conflict ; ( 2 ) endorphin levels should co-vary positively with nutrient carrying capacity of maternal blood system ; ( 3 ) postpartum psychological symptoms ( such as postpartum blues, depression, and psychosis ) in humans are side-effects of this mechanism that can be interpreted as endorphin-deprivation symptoms ; ( 4 ) shortly after parturition, placentophagy could play an adaptive role in decreasing the negative side-effects of foetal manipulation ; ( 5 ) later, breast-feeding-induced endorphin excretion of the maternal pituitary saves mother from further deprivation symptoms.

Their on-screen erotic intensity soon translated into an off-camera romance and by the end of their first production, Flesh and the Devil ( 1927 ), they began living together.

Their projected fifth album is currently in the production stage.

Reorganization at Paramount Pictures brought fears that money due the Brothers would never be paid ; as a result, the Brothers threatened to leave Paramount and start their own company, Marx Bros., Inc. Their first planned independent production was a film adaptation of the Pulitzer Prize-winning Broadway musical Of Thee I Sing, with Norman McLeod leaving Paramount to direct.

Their production is crude and, for the most part, badly done until the final monologue of Nick Bottom as Pyramus and the final monologue of Francis Flute as Thisbe.

Their method of chemotaxis is different.

Their objection is methodological: if mass comparison is not a valid method, it cannot be expected to successfully have brought order out of the chaos of African languages.

Their omnivorous diet, aggressive behaviour, and their feeding method of rooting in the ground all combine to severely alter ecosystems unused to pigs.

Their method crawls web pages with high PageRank from different communities in less iteration in comparison with crawl starting from random seeds.

André-Marie Ampère achieved the same results three years later by another method ( in his -- On the Determination of Proportions in which Bodies Combine According to the Number and the Respective Disposition of the Molecules by Which Their Integral Particles Are Made ), but the same indifference was shown to his theory as well.

Their training at Cambridge University had given them facility with the method of image charges and associated methods of images for spheres and inversion.

Their ability to spread further south is restricted as their prey hunting method, pursuit diving, becomes less efficient in warmer waters.

Their most likely method of locomotion is that of synchronous " crutching motions ", similar to modern mudskippers.

Their first effort at limited animation, Gerald McBoing-Boing, won an Oscar, and it provided the impetus for this animation method to be accepted at the major Hollywood cartoon studios, including Warner Brothers and MGM.

Their current name, earlier known in English as " union pipes ", is a part translation of the Irish-language term píobaí uilleann ( literally, " pipes of the elbow "), from their method of inflation.

Their duties and method of selection are governed by the corporation's charter.

Their method involved ABX listening tests.

Their method included printing posters on dumpsters that said " kitchen " and a " House " poster was placed on bus shelters.

Their Sound Alloy patent implies that they have a method for making sheet metal cymbals of this alloy, which would make these a unique third category.

Their working method was based on spontaneity and experiment, and they drew their inspiration in particular from children ’ s drawings, from primitive art forms and from the work of Paul Klee and Joan Miró.

Their new method, as described by Leeb, was just finding what " sounds good.

Their method was co-operation between parallel constitutions of royals, nobilities and laymen.

Their usual method of improving the speed of their car is " Getaway Power ," which is achieved by extending their feet through the floor of the car and running.

" The series was very popular and in 1921, Max and Dave Fleischer formed their own studio, Out of the Inkwell Films, Inc. Their films were distributed through the States Rights method through Warner Brothers, Winkler Pictures, Standard, and finally The Red Seal Pictures Corporation.

Their usual method for creating the music was to first write the songs, although many of their early acts ( such as Hazell Dean, Dead or Alive, and Bananarama ) often wrote their own material ; next they would record the music with extensive use of synthesizers, drum machines ( drums were often credited to " A Linn ", a reference to the Linn brand of drum machine ) and sequencers ; and then finally bring in a singer solely to record the vocal track.

Their notation was entirely different to that of Fisher, and his method predominates.

Their method of singing can be sampled on numerous 78-rpm gramophone recordings.

Their method itself was simplified, in that it did not include lifting flows and hence was mainly applied to ship hulls and aircraft fuselages.

Their method was something similar to the method of carburization of wrought iron.