They also sang " Peggy Sue " on The Arthur Murray Party on December 29 and were given a polite introduction by Kathryn Murray.

They sang, had a band / orchestra, composed songs, and gave much attention to its cultivation.

They skirted the land of the Sirens, who sang an enchanting song that normally caused passing sailors to steer toward the rocks, only to hit them and sink.

They sang the newly-popular hymn Stabat Mater during their processions.

They set the boat adrift in the river toward the Falls of Rauros, and sang a " Lament of the Winds " as his funeral song.

They also sang the alto parts in Handel's choruses, and it was as choral singers within the Anglican church tradition ( as well as in the secular genre of the glee ) that countertenors survived throughout the 18th and 19th centuries.

They included Giorgio Ronconi, who created the title role in Verdi's Nabucco ; Felice Varesi, who created the title roles in Macbeth and Rigoletto as well as Germont in La traviata ; Antonio Superchi, the originator of Don Carlo in Ernani ; Francesco Graziani, who was the original Don Carlo di Vargas in La forza del destino ; Leone Giraldoni, the creator of Renato in Un ballo in maschera and the first Simon Boccanegra ; Enrico Delle Sedie, who was London's first Renato ; Adriano Pantaleoni, renowned for his performances as Amonasro in Aida as well as other Verdi roles at La Scala, Milan ; Francesco Pandolfini, whose singing at La Scala during the 1870s was praised by Verdi ; Antonio Cotogni, a much lauded singer in Milan, London and Saint Petersburg, the first Italian Posa in Don Carlos and later a great vocal pedagogue, too ; and Giuseppe Del Puente, who sang Verdi to acclaim in the United States.

They included Mattia Battistini ( known as the " King of Baritones "), Giuseppe Kaschmann ( born Josip Kašman ) who, atypically, sang Wagner's Telramund and Amfortas not in Italian but in German, at the Bayreuth Festival in the 1890s ; Giuseppe Campanari ; Antonio Magini-Coletti ; Mario Ancona ( chosen to be the first Silvio in Pagliacci ); and Antonio Scotti, who came to the Met from Europe in 1899 and remained on the roster of singers until 1933.

They sang French opera, too, as did the American-born but Paris-based baritone of the 1920s and ' 30s, Arthur Endreze.

They reported that Anastasia and her family, contrary to custom, fell on their knees during the prayer for the dead, and that the girls had become despondent, hopeless, and no longer sang the replies in his service.

They thus sang his fate: Clotho said that he would be noble, Lachesis that he would be brave, but Atropos looking at a brand burning on the hearth and said, “ He will live only as long as this brand remains unconsumed .” When Althaea, the mother, heard this, she leaped from the bed, put out the fatal brand, and buried it in the midst of the palace, so that it shouldn ’ t be destroyed by fire.

Sting sang on " Do They Know It's Christmas?

They dressed up as various items ( from water bottles to lobsters ) and sang catchy tunes that related to whatever the Liquidator said.

They prayed for the future of the settlement, sang “ My Country ' Tis of Thee ” and several Slovak hymns, closing with the singing of “ Kto Za Pravdu Horí ” ( Whoever Seeketh the Truth ), after which they walked to the parked buses on U. S. Highway 41 and left for Brooksville.

They sang three songs: " Jive Talkin '", " To Love Somebody " and " You Should Be Dancing ".

They sang about being ( and wanting to be ) rejected, girls, fishing, and other emotionally sensitive subjects.

They sang " Blue Tail Fly " together.

They also appeared together in a 1930 ' film revue ' entitled Comets, featuring British stage, musical and variety acts, in which they sang in duet ' The Ballad of Frankie and Johnnie.

They sang ( 風箏與風 ), ( 下一站天后 ), ( 女校男生 ), ( 飲歌 ), ( 戀愛大過天 ) and ( 人人彈起 ).

They sang and danced together in Black minstrel shows, and for several years toured with F. S.

They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel-inspired call-and-response.

They sang their normal backup verses for the songs " Heard it Through the Grapevine " and " Midnight Train to Georgia ;" during the parts where Gladys would sing, the camera panned on a lone-standing microphone.

They sang a satirical tribute to Alan Colmes, as he would leave Fox News a month later.

They also sang backup on Bruce Springsteen's " Hungry Heart ", from his album The River.

They either sang this at the end of each show or it was used as a theme tune during the credits ( although in their BBC shows they used other songs as well, notably " Following You Around ", " Positive Thinking " and " Don't You Agree ").

They tend to interpret biblical verses on homosexual acts to mean that the heterosexual family was created by God and that same-sex relationships contradict God ’ s design for marriage and violate his will.

They consider some verses such as those they say support slavery or the inferior treatment of women as not being valid today, and against the will of God present in the context of the Bible.

They view certain verses, which they believe refer only to homosexual rape, as not relevant to consensual homosexual relationships.

They may have been expecting verses similar to the satirical ones Poe had been writing about commanding officers.

They see as giving exclusive instructions about who is to be baptized: " Go therefore and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, teaching them to observe all things that I have commanded you " ( verses 19-20, NKJV ).

They dragged him from his horse, stripped him, and scrawled Biblical verses against corruption and arrogance on his skin.

They remained Muslims, but did not accept any of the verses in the Qur ' an written after the date of the split.

They dragged him from his horse, stripped him, and scrawled Biblical verses against corruption and arrogance on his skin.

They consist of 185 tercet antiphons arranged in three parts ( stáseis or " stops "), which are interjected with the verses of Psalm 119, and nine short doxastiká (" Gloriae ") and Theotókia ( invocations to the Virgin Mary ).

They act as a Greek chorus, intermittently narrating the story through verses of " The Ballad of Cat Ballou ", which, along with the other songs in the film, was written by Mack David and Jerry Livingston.

They resorted to metaphorical interpretations of Qur ' anic verses or Prophetic reports with seemingly anthropomorphic content, e. g., the hand is the metaphorical designation of power ; the face signifies the essence ; the fact that God is seated on the Throne is a metaphorical image of the divine reign, and so on.

They began in the 18th century when Father Francisco Vigil de Quiñones, the priest of the Grand Cathedral of Remedios, in order to get the people to come to midnight masses the week before Christmas had the idea to put together groups of children and provide them with jars, plates and spoons so they could run around the village making noise and singing verses.

They included Memoirs of the civil wars after the death of Caesar, used by Suetonius and Plutarch ; bucolic poems in Greek ; translations of Greek speeches ; occasional satirical and erotic verses ; essays on the minutiae of grammar.

They were said to sing “ old ditties ,” along with which a few verses to one or more songs is given.

They selected and polished verses they felt appropriate, and may even have enlisted the services of a local poet to help polish and create verses.

They say that Slavery opposed Islamic principles which they believe to be based on justice and equality and verses relating to slavery or " Ma malakat aymanukum " now can not be applied due to the fact that the world has changed.

They dissed Em, took our verses and added them to the song so they can bring traffic and make it seem like we turning on Em ... as a desperate attempt to be heard after ducking and dodging Em for 7 years.

They claim that the details of the encounter fit very well into the context of the surrounding verses.

They are therefore impromptu verses, often declaring their loyalty or steadfastness.

They ( Sahabas ) were more concerned with writings of verses of the Koran as revealed to Muhammad, and his sayings ( hadiths ) and ways of life ( sunnah ).

They were taken in large part from the work of Stephanus ( Robert Estienne of Paris ), who had divided the Greek Testament into verses in 1551, during a journey which he was compelled to make between Paris and Lyon.

They sequences are always either 16 or 32 bars long, and require music that is in turn " sequenced " ( composed of verses that are either 16 or 32 bars long ).

They based their interpretations on their own traditions emphasizing a more literal understanding of the verses.