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film and strip
** Various television and film adaptations of the comic strip:
In 1959 Daphne Oram produced a novel method of synthesis, her " Oramics " technique, driven by drawings on a 35 mm film strip ; it was used for a number of years at the BBC Radiophonic Workshop.
In the United States the response was from the famous strip cartoon artist Winsor McCay, who drew much more realistic animated figures going through smoother, more naturalistic motion in a series of films starting with the film Little Nemo, made for Vitagraph in 1911.
A film strip
Pathe began to supplement its operation in 1910 by purchasing film prints, strip the emulsion from the film base and re-coating it.
A short strip of undeveloped 35 mm color negative film.
Starring Alberto Sordi in the title role, the film is a revised version of a treatment first written by Michelangelo Antonioni in 1949 and based on the fotoromanzi, the photographed cartoon strip romances popular in Italy at the time.
It was in these early years that Remi developed a love of cinema, particularly favouring Windsor McCay's pioneering animated film Gertie the Dinosaur and the films featuring Charlie Chaplin, Harry Langdon and Buster Keaton ; his later work in the comic strip medium would display an obvious influence from these early films in style and content.
The fictional British Secret Service agent has also been adapted for television, radio, comic strip and video game formats as well as being used in the longest continually running and the second-highest grossing film franchise to date, which started in 1962 with Dr. No, starring Sean Connery as Bond.
The drawings are called " frames " because their position in time is measured in frames on a strip of film.
James Stuart Blackton and Winsor McCay directed a ten-minute short film based on the comic strip, of which two minutes were animated.
Magnetic tape is a medium for magnetic recording, made of a thin magnetizable coating on a long, narrow strip of plastic film.
* The Phantom ( 1996 film ), a movie adaptation from 1936 of the comic strip, " The Phantom "
His grades were not high enough to get into the school's film program, so he invented a daily comic strip entitled Los Hooligans with many of the characters based on his siblings – in particular, one of his sisters, Maricarmen.
In 1980, Marc Paul Chinoy directed the 1st feature-length clay animated film ; a film based on the famous Pogo comic strip.
It creates the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter.
The film union seal shows a vulture with a twisted strip of film in its talons.
Leone was a fan of the original Alex Raymond comic strip, but turned down the film because the script didn't resemble Raymond's work.
Due to extremely high cost of modern digital projection installations, a new projection system option, based on the proven 6 perf pull-down, first used in 3 strip Cinerama is now being offered for low cost film based 3D stereoscopic presentations.
A strip of single perf 16 mm film with Super 16-sized frames.
During processing, the film is split down the middle and the two pieces spliced together to produce a single strip for projection in a Super 8 projector.
In 1960, the film Beat Girl cast Christopher Lee as a sleazy Soho strip club owner who gets stabbed to death by a stripper.

film and is
A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).
The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.
For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).
The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.
Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.
If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.
Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.
If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.
This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.
The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.
The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.
Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.
In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.
In narrative, time is essential, as it is in film.
Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.
The Great Train Robbery is a one-reel film.
The material of the Porter film is simplicity itself ; ;
The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.
The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.
The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

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