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This is true also of a painter like Jackson Pollock.
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is and true
The true artist is like one of those scientists who, from a single bone can reconstruct an animal's entire body.
That is particularly true of sovereignty when it is applied to democratic societies, in which `` popular '' sovereignty is said to exist, and in federal nations, in which the jobs of government are split.
On Fridays, the day when many Persians relax with poetry, talk, and a samovar, people do not, it is true, stream into Chehel Sotun -- a pavilion and garden built by Shah Abbas 2, in the seventeenth century -- but they do retire into hundreds of pavilions throughout the city and up the river valley, which are smaller, more humble copies of the former.
The resulting picture might appear a maze of restless confusions and contradictions, but it is more true to life than a portrait of an artificially contrived order.
that is, he is suspect, guilty, punishable, as is anyone in Mann's stories who produces illusion, and this is true even though the constant elements of the artist-nature, technique, magic, guilt and suffering, are divided in this story between Jacoby and Lautner.
A broader concept of imitation is needed, one which acknowledges that true invention is important, that the artist's creativity in part transcends the non-artistic causal factors out of which it arises.
It is true that New England, more than any other section, was dedicated to education from the start.
Though it centers around the brilliant and enigmatic figure of Charles 12,, the true hero is not finally the king himself.
Years ago this was true, but with the replacement of wires or runners by radio and radar ( and perhaps television ), these restrictions have disappeared and now again too much is heard.
is and also
It is also possible, but equally doubtful, that he actually shot down the hundreds of men with which his legend credits him.
Recognizing that the Rule of Law is `` a dynamic concept which should be employed not only to safeguard the civil and political rights of the individual in a free society '', the Congress asserted that it also included the responsibility `` to establish social, economic, educational and cultural conditions under which his legitimate aspirations and dignity may be realized ''.
In addition to the authentication and acknowledgment procedures which precede and follow the sending of the go messages, again in special codes, each message also contains an `` internal authenticator '', another specific signal to convince the recipient that he is getting the real thing.
He added that he also stresses the works of these favorite masters on tour, especially Mahler's First and Fourth symphonies, and Das Lied Von der Erde, and Bruckner's Sixth -- which is rarely played -- and Seventh.
The test of form is fidelity to the experience, a gauge also accepted by the abstract expressionist painters.
Though he is also concerned with freeing dance from pedestrian modes of activity, Merce Cunningham has selected a very different method for achieving his aim.
The answers derived by these means may determine not only the temporal organization of the dance but also its spatial design, special slips designating the location on the stage where the movement is to be performed.
And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.
By `` image '' is meant not only a visual presentation, but also remembered sensations of any of the five senses plus the feelings which are immediately conjoined therewith.
he is questioning, also, every epistemology which stems from Hume's presupposition that experience is merely sense data in abstraction from causal efficacy, and that causal efficacy is something intellectually imputed to the world, not directly perceived.
Now the detective must save his own skin by informing on the girl he loves, who is also the real murderer.
Since a civilizational crisis involves also a crisis in private interests and in the ruling class, reaction is normally found among those who feel themselves to be among the ruling class.
Evidence is plentiful that early and later also he has been indebted to the Gothic romancers, who deal in extravagant horror, to the symbolists writing at the end of the preceding century, and in particular to the stream-of-consciousness novelists, Henry James and James Joyce among them.
is and painter
Leila ( Malia Phillips ), 25, is a Greenwich Village painter of Persianesque miniatures who has red hair that cascades almost to her ankles.
Roy Mason is essentially a landscape painter whose style and direction has a kinship with the English watercolorists of the early nineteenth century, especially the beautifully patterned art of John Sell Cotman.
In a sense, perhaps, Thurber is indebted artistically to the surrealist painter ( was it Salvador Dali??
One is not sure who emerges as the main personality of this book -- Mijbil, with his rollicking ways, or Maxwell himself, poet, portrait painter, writer, journalist, traveller and zoologist, sensitive but never sentimental recorder of an unusual way of life, in a language at once lyrical and forceful, vivid and unabashed.
His period of activity as a painter is traditionally limited to the two decades between 1639 and 1660, fitting directly within the generally accepted limits of the Dutch Golden Age ’ s most significant period, 1640-1665.
He is known to have been married to Cornelia Bosman in 1658, a date coinciding so directly with the end of his productivity as a painter that it has been accepted that his marriage played some sort of role in the end of his artistic career.
While it is assumed that the younger Cuyp did work with his father initially to develop rudimentary talents, Aelbert became more focused on landscape paintings while Jacob was a portrait painter by profession.
What is meant by stating that Aelbert learned form from his father is that his eventual transition from a specifically landscape painter to the involvement of foreground figures is attributed to his interaction with his Jacob.
The evidence for Aelbert ’ s evolution to foreground figure painter is in the production of some paintings from 1645-50 featuring foreground animals that do not fit with Jacob ’ s style.
It is this reluctance which was felt by the Rijksmuseum to reattribute works to other painters ( Abraham van Calraet does not even appear in a Museum catalogue until 1926, and even then he is not given his own entry ) which shows how important it is to art historians that painters are accurately connected to their works — and this is continuously necessary for those of Aelbert Cuyp, as Dordrecht ’ s most famous painter may not in fact be Dordrecht ’ s most famous painter.
Mixing artist or student quality acrylic paint with household acrylic emulsions is possible, allowing the use of pre-mixed tints straight from the tube or tin, so presenting the painter with a vast color range at his or her disposal.
It is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter.
While presenting the Carnegie Institute's Gold Medal to Beaux in 1899, William Merritt Chase stated " Miss Beaux is not only the greatest living woman painter, but the best that has ever lived.
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