Dominici, Michael, John the Baptist and John the Evangelist "), Sandro Botticelli (" Lamentation of Christ "), Fra Filippo Lippi (" The Annunciation "), Lorenzo Lotto (" The Mystic Marriage of St. Catherine "), Raphael (" The Canigiani Holy Family ") (" Madonna della tenda "), (" Madonna Tempi "), Leonardo da Vinci (" Madonna of the Carnation "), Antonello da Messina (" Annunciata "), Titian (" Vanity ") (" Charles V "), Tintoretto (" Christ in the House of Mary and Martha "), Guido Reni (" The Assumption of the Virgin "), Luca Giordano (" A cynical philosopher "), Tiepolo (" The Adoration of the Kings "), Francesco Guardi (" Regatta on the Canale della Guidecca "), Canaletto (" Piazetta in Venice ") and others.

Mining the vein of the small-scale historical genre piece, in 1815 he painted Aretino and the Envoy of Charles V as well as Aretino and Tintoretto, an anecdotal painting whose subject, a painter brandishing a pistol at his critic, may have been especially satisfying to the embattled Ingres.

A painter and goldsmith, of his three paintings known to survive, one was for centuries erroneously attributed to Tintoretto ; and from his own, personal workshop came the main part of the famous silver coffin of St. Adalbert of Prague at the Cathedral in Gniezno.

Jesus at the house of the Pharisean, by Jacopo Tintoretto, Escorial

Accompanied by his manservant Juan de Pareja, whom he trained in painting, Velázquez sailed from Málaga in 1649, landing at Genoa, and proceeded from Milan to Venice, buying paintings of Titian, Tintoretto and Veronese as he went.

These include The Descent from the Cross by Rogier van der Weyden, The Garden of Earthly Delights by Hieronymous Bosch, Knight with his Hand on his Breast by El Greco, The Death of the Virgin by Mantegna, The Holy Family, known as " La Perla ", by Raphael, Charles V at Mülhberg by Titian, Christ Washing the Disciples ’ Feet by Tintoretto, Dürer's Self-portrait, Las Meninas by Velázquez, The Three Graces by Rubens, and The Family of Charles IV by Goya.

His real name " Comin " has only recently been discovered by Miguel Falomir, the curator of the Museo del Prado, Madrid, and was made public on the occasion of the retrospective of Tintoretto at the Prado in 2007.

Tintoretto had only been ten days in the studio when Titian sent him home once and for all, the reason being that the great master observed some very spirited drawings, which he learned to be the production of Tintoretto ; and it is inferred that he became at once jealous of so promising a scholar¹.

It is said, however, that Tintoretto at one time painted a ceiling in Pietro's house ; at another time, being invited to do his portrait, he attended, and at once proceeded to take his sitter's measure with a pistol ( or a stiletto ), as a significant hint that he was not exactly the man to be trifled with.

He was well-acquainted with many of the great masters from first hand observation, as he wrote in 1874, " I have learned in Venice to admire Tintoretto immensely and to consider him perhaps second only to Michelangelo and Titian.

In the Sala deilo Scrutinio Tintoretto painted the Capture of Zara from the Hungarians in 1346 amid a Hurricane of Missiles ; in the hail of the senate, Venice, Queen of the Sea ; in the hall of the college, the Espousal of St Catherine to Jesus ; in the Sala dell Anticollegio, four extraordinary masterpieces-Bacchus, with Ariadne crowned by Venus, the Three Graces and Mercury, Minerva discarding Mars, and the Forge of Vulcan which were painted for fifty ducats each, besides materials, towards 1578 ; in the Antichiesetta, St George and St Nicholas, with St Margaret ( the female figure is sometimes termed the princess whom St George rescued from the dragon ), and St Jerome and St Andrew ; in the hall of the great council, nine large compositions, chiefly battle-pieces.

His son Domenico Tintoretto frequently assisted his father in the groundwork of great pictures.

He studied the great Italian masters of his time-Titian, Tintoretto, and Michelangelo-when he lived in Italy from 1568 to 1577.

* Tintoretto ( The Agony in the Garden, The Last Supper and The Washing of the Disciples ' Feet, all in the sacristy )

Mr. Sansom can be eloquent in a spectacular way which recalls ( to those who recall easily ) the statues of Bernini and the gigantic paintings of Tintoretto.

Next to the doorways are four canvases that Tintoretto painted for the Square Atrium, but which were brought here in 1716 to replace the original leather wall panelling.

In the works produced for this room by Tintoretto, Christ is clearly the predominant figure ; perhaps a reference to the Senate ‘ conclave ’ which elected the Doge, seen as being under the protection of the Son of God.

Almost completely destroyed in the 1577 fire, the remains of that fresco were, in 1903, rediscovered under the large canvas Il Paradiso which Tintoretto was commissioned to paint.

One of the long walls, behind the Doge ’ s throne, is occupied by the longest canvas painting in the world, Il Paradiso, which Tintoretto and his workshop produced between 1588 and 1592.

His father, Giovanni, was a dyer, or tintore ; hence the son got the nickname of Tintoretto, little dyer, or dyer's boy, which is anglicized as Tintoret.

Two of these, now in the Venetian Academy, are Adam and Eve and the Death of Abel, both noble works of high mastery, which leave us in no doubt that Tintoretto was by this time a consummate painter-one of the few who have attained to the highest eminence in the absence of any formal training.

It was probably in 1560, the year in which he began working in the Scuola di S. Rocco, that Tintoretto commenced his numerous paintings in the ducal palace ; he then executed there a portrait of the doge, Girolamo Priuli.

The Bob Jones University Museum and Gallery, which will indefinitely reflect the personal taste of its creator, is especially strong in Baroque paintings and includes notable works by Rubens, Tintoretto, Veronese, Cranach, Gerard David, Murillo, Mattia Preti, Ribera, van Dyck, and Doré.

It also highlights the picture gallery of the alcázar, with works by Tintoretto, Veronese, Ribera, Bosch, Sánchez Coello, Van Dyck, El Greco, Annibale Carracci, Leonardo da Vinci, Guido Reni, Raphael, Jacopo Bassano and Correggio, many which were lost in the disaster of 1734.

In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles ( epitomized by Palma the Younger and the successors of Tintoretto and Veronese ).

Elsheimer is believed to have produced some significant works in Venice, such as The Baptism of Christ ( National Gallery, London ) and The Holy Family ( Gemäldegalerie, Berlin ) which show the influence of the Venetian painters Tintoretto and Paolo Veronese, as well as Rottenhammer.

* The Pinacoteca del Castello Sforzesco, with an art collection which includes Andrea Mantegna's Trivulzio Madonna and masterpieces by Canaletto, Tiepolo, Vincenzo Foppa, Tiziano Vecellio and Tintoretto.

Not surprisingly, the gallery is especially strong in Baroque paintings and includes notable works by Rubens, Tintoretto, Veronese, Cranach, Gerard David, Murillo, Mattia Preti, Ribera, van Dyck, and Doré.

The international collection includes works by Bernini, Bordone, Canaletto, Cézanne, Constable, Correggio, van Dyck, Gainsborough, El Greco, Manet, Modigliani, Monet, Memling, Poussin, Rembrandt, Ribera, Rodin, Rothko, Rubens, Picasso, Pissarro, Tiepolo, Tintoretto, Turner, Uccello, Veronese, and other masters.

The international collection includes works by Old Masters such as Domenico Veneziano, El Greco, Tintoretto, Jan van Eyck, Jan Brueghel the Elder, Peter Paul Rubens, and Rembrandt, plus a smattering of works by impressionists such as Claude Monet and Alfred Sisley.

The gallery's collection includes works by Gian Lorenzo Bernini, Caravaggio, Giovanni Baglione, Hans Holbein, Perugino, Nicolas Poussin, Giulio Romano, Raphael, Carlo Saraceni Tiepolo, Tintoretto and Tiziano.

Starting from 1574 he worked as a reproductive engraver, copying works of 16th century masters such as Federico Barocci, Tintoretto, Antonio Campi, Veronese and Correggio.

The Origin of the Milky Way by Jacopo Tintoretto.

Die Porträtstudien von Tintoretto bis Flaubert, Tübingen: Gunter Narr Verlag, 1996.

The trends in composition were adopted in particular by the Venetian painters Tintoretto and Veronese.

* May 31 – Tintoretto, Italian painter ( b. 1518 )

* September 29 – Tintoretto, Italian painter ( d. 1594 )

Miracle of the Slave by Tintoretto ( c. 1548 ).

The son of a master dye r, Tintoretto used Carmine Red Lake pigment, derived from the cochineal insect, to achieve dramatic color effects.

* Estense Gallery, with works by Tintoretto, Paolo Veronese, Guido Reni, Correggio, Cosmé Tura and brothers Annibale and Agostino Carracci.

The Rape of Helen by Tintoretto ( 1578 – 1579, Museo del Prado, Madrid ); Helen languishes in the corner of a land-sea battle scene.

* The town hall has a small but valuable gallery ( Perin del Vaga, Ghirlandajo, Bellini, Benedetto Coda, Tintoretto, Agostino di Duccio ); the Gambalunga Library ( 1677 ) has valuable manuscripts.

Various paintings representing the life of Jesus Christ are present in this room, as well as a portrait of the French King Henry III ( perhaps by Tintoretto ) due to his visit to the city in 1574 on his way from Poland to take up the French throne left vacant with the death of his brother Charles IX.

The decoration dates from the 16th century, during Doge Girolamo Priùli's reign, who appears in Tintoretto ’ s ceiling painting with the symbols of his office, and accompanied by scenes of biblical stories and allegories of the four seasons, probably by Tintoretto ’ s workshop, Girolamo Bassano and Veronese.

Painted by Tintoretto from 1578 onwards, the frescoes of mythological subjects and of the cities and regions under Venetian dominion were designed to show a close link between Venice ’ s foundation, its independence, and the historical mission of the Venetian aristocracy.

Other paintings are by Tintoretto and show various Doges with the Christ, the Virgin and saints.