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Toscanini and conducted
Original poster for Puccini's ToscaLa bohème was premiered in Turin in 1896, conducted by Arturo Toscanini.
Toscanini, then the musical director of the Met, conducted.
Arturo Toscanini conducted the vast forces of combined orchestras and choirs composed of musicians from throughout Italy at the state funeral for Verdi in Milan.
Prior to Verdi's body's being driven from the cemetery to the official memorial service and its final resting place at the Casa di Riposo per Musicisti, Arturo Toscanini conducted a chorus of 820 singers in " Va, pensiero ".
* March 26 – The first half of Giuseppe Verdi's opera Aida, conducted by legendary conductor Arturo Toscanini, and performed in concert ( i. e. no scenery or costumes ), is telecast by NBC, live from Studio 8H at Rockefeller Center.
Toscanini conducted the entire opera from memory, with great success.
Complete concert version of the opera, the first to be televised ( on the NBC television network ), conducted by Toscanini with Herva Nelli as Aida and Richard Tucker as Radamès.
The world premiere performance of La bohème was in Turin on 1 February 1896 at the Teatro Regio and conducted by the young Arturo Toscanini.
In 1946, fifty years after the opera's premiere, Toscanini conducted a performance of it on radio with the NBC Symphony Orchestra.
The world première performance of La bohème took place in Turin on 1 February 1896 at the Teatro Regio and was conducted by the young Arturo Toscanini.
The first performance was held at the Teatro alla Scala in Milan on April 25, 1926 and conducted by Arturo Toscanini.
The first performance of the opera as completed by Alfano was the following night, 26 April, although it is disputed whether this was conducted by Toscanini again or by Ettore Panizza.
It was conducted by Arturo Toscanini.
Two authors believe that the second and subsequent performances of the 1926 La Scala season, which included the Alfano ending, were conducted by Ettore Panizza and Toscanini never conducted the opera again after the first performance.
Arturo Toscanini conducted.
It was rebuilt and reopened on 11 May 1946, with a memorable concert conducted by Arturo Toscanini — twice La Scala's principal conductor and an associate of the composers Giuseppe Verdi and Giacomo Puccini — with a soprano solo by Renata Tebaldi, which created a sensation.
The original plan was that Arturo Toscanini would conduct the opening concerts, but he was unwell, and the inaugural concerts were conducted by Sir Malcolm Sargent and Sir Adrian Boult.
It did not maintain a regular place in the repertory, despite the advocacy of Arturo Toscanini, who conducted it in New York three years in succession, and Sir Thomas Beecham, who pronounced it " one of the finest lyrical dramas of our time ," and staged it at Covent Garden in 1937.
The orchestra was conducted by Arturo Toscanini.
Among its guest conductors in its first years was Arturo Toscanini, who judged it the finest orchestra he had ever conducted.
Arturo Toscanini, widely regarded at the time as the world's leading conductor, conducted the BBC SO in 1935 and later said that it was the finest he had ever directed.
Toscanini conducted ten concerts that first season, making his NBC debut on December 25, 1937.
RCA has only reissued recordings that were personally approved by Toscanini, including some broadcast performances such as the seven complete operas he conducted at NBC between 1944 and 1950 ; however, other labels have released discs taken from off-the-air recordings of NBC broadcast concerts.
Today, Grofé remains most famous for his Grand Canyon Suite ( 1931 ), a work regarded highly enough to be recorded for RCA Victor with the NBC Symphony conducted by Arturo Toscanini ( in Carnegie Hall in 1945, with the composer present ).

Toscanini and world
Arturo Toscanini performed as cellist in the orchestra at the world premiere and began his friendship with Verdi ( a composer he revered as highly as Beethoven ).
Notwithstanding his growing reputation in Britain, Barbirolli's name was little known internationally, and most of the musical world was taken by surprise in 1936 when he was invited to conduct the New York Philharmonic Orchestra in succession to Arturo Toscanini.
Toscanini was often criticized for neglecting American music ; however, on November 5, 1938, he conducted the world premieres of two orchestral works by Samuel Barber, Adagio for Strings and Essay for Orchestra.
In 1988 Howell played Arturo Toscanini in the story of the world renown conductor in Franco Zeffirelli's Il Giovane Toscanini with Irma Capece Minutolo and Elizabeth Taylor, which was one of his very first straight-to-video releases.
At Carnegie Hall in New York, Christmas 1931, he sang in the world premiere of Maria egiziaca ( Mary in Egypt ), unexpectedly conducted by the composer Ottorino Respighi himself when famed conductor Arturo Toscanini fell ill at the last minute.
Wanda Toscanini appeared in several filmed documentaries about her husband, most notably The Last Romantic, in which she responded to her husband's artistry and reflected on her life in the world of music as daughter and wife of two incomparable musicians.

Toscanini and premieres
This was followed by foreign premieres in Frankfurt on 19 April of the same year, New York at the Manhattan Opera House on 19 February 1908, and at La Scala, Milan with Arturo Toscanini conducting on 2 April 1908.
Arturo Toscanini was the conductor of the Turin Opera from 1895 to 1898, during which time several production of works of Wagner were given Italian premieres.

Toscanini and many
The legendary conductor Arturo Toscanini introduced many Americans to classical music through his popular NBC Symphony Orchestra radio broadcasts.
During the 1930s and 1940s, its roster of artists included Arturo Toscanini, Sir Edward Elgar, and Otto Klemperer, among many others.
Toscanini worked with many great singers and musicians throughout his career, but few impressed him as much as Vladimir Horowitz.
There are many pieces which Toscanini never recorded in the studio ; among these, some of the most interesting surviving recordings ( off-the-air ) include:
Toscanini fans and record collectors were dismayed because, although Toscanini had not approved the release of these performances in every case, many of them were found to be further proof of the greatness of the Maestro's musical talents.
Another criticism leveled at Toscanini stems from the constricted sound quality that comes from many of his recordings, notably those made in NBC's Studio 8-H.
The show, hosted by NBC announcer Ben Grauer, who had also hosted many of the original Toscanini broadcasts, featured interviews with members of the conductor's family, as well as musicians of the NBC Symphony, David Sarnoff, and noted classical musicians who had worked with the conductor, such as Giovanni Martinelli.
The Library also has many other collections that have Toscanini materials in them, such as the Bruno Walter papers, the Fiorello H. La Guardia papers, and a collection of material from Rose Bampton.
In its early years, with financial support of the Maharaja of Mysore the orchestra engaged many prominent conductors, including Arturo Toscanini, Richard Strauss and Wilhelm Furtwängler.
Furtwängler, whom many regard as the greatest interpreter of Wagner ( although Toscanini was also admired in this composer ) and Bruckner, conducted Beethoven and Brahms with a good deal of inflection of tempo – but generally in a manner that revealed the structure and direction of the music particularly clearly.
The years from 1934 to 1937 were a golden period when the famed conductors Arturo Toscanini and Bruno Walter conducted many performances.
Nikisch's conducting style was greatly admired by Leopold Stokowski, Arturo Toscanini, Sir Adrian Boult, Fritz Reiner, Ervin Nyíregyházi, and many others, including George Szell, who called Nikisch " an orchestral wizard.
Slezak's autobiography, published in 1938 in English as Song of Motley: Being the Reminiscences of a Hungry Tenor, contains pen-portraits of many of the musicians and artists with whom he worked, including Gustav Mahler, Arturo Toscanini and Cosima Wagner.
Perosi was deeply admired not only by Rolland and by the above-named Veristi, but also by Boito, Toscanini, and many others.

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