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Vairocana and also
Its important to note that, because of the interdependence between emptyness and form, Vairocana is also a representation of collective phenomena, of the universe itself.
In Chinese and Japanese Buddhism, Vairocana is also seen as the embodiment of the Buddhist concept of Emptiness.
He is also mentioned in the Flower Garland Sutra ; however, the doctrine of Vairocana Buddha is based largely on the teachings of the Mahavairocana Sutra ( also known as the ) and to a lesser degree the Vajrasekhara Sutra ( also known as the Tantra ).
Vairocana features prominently in the Chinese schools of Tiantai, Hanmi Esoteric School and Hua-Yen Buddhism, also appearing in later schools including the Japanese Kegon and esoteric lineages of Tendai and Shingon.
The larger of the monumental statues that were destroyed at Bamyan in Afghanistan was also a depiction of Vairocana.
It tells us also that statues of Vairocana, the transcendent Buddha of the middle world region, were destroyed ; and the destruction was not limited to sculptures.
It tells us also that statues of Vairocana, the transcendent Buddha of the middle world region, were destroyed ; and the destruction was not limited to sculptures.

Vairocana and is
The Gandavyuha Sutra is thought to be the source of a cult of Vairocana that later gave rise to the Mahāvairocana-abhisaṃbodhi tantra, which in turn became one of two central texts in Shingon Buddhism and is included in the Tibetan canon as a carya class tantra.
In the Chinese tradition, Ksitigarbha is sometimes depicted wearing a crown like the one worn by Vairocana Buddha.
The Birojeon ( Vairocana Buddha Hall, 비로전 ), which sits below the Gwaneumjeon, houses national treasure No. 26 while the Geuknakjeon ( Hall of Supreme Bliss, 극락전 ), standing near the main compound, houses the gilt-bronze buddha that is the national treasure No. 27.
National Treasure No. 26 ( Bulguksa geumdong birojana buljwasang ), designated on December 20, 1962, is a seated gilt-bronze Vairocana Buddha statue at Bulguksa Temple.
In the conception of the Five Wisdom Buddhas of Vajrayana Buddhism, Vairocana is at the centre.
Vairocana is not to be confused with Virocana, who appears in the eighth chapter of the Chandogya Upanishad as the king of the Asuras.
Vairocana Buddha is first introduced in the Brahma Net Sutra:
In the case of Shingon and Hua-Yen schools, Vairocana is the central figure.
There are several realisations that can accrue to the Shingon practitioner of which Dohan speaks in this connection, as Dr. James Sanford points out: there is the realisation that Amida is the Dharmakaya Buddha, Vairocana ; then there is the realisation that Amida as Vairocana is eternally manifest within this universe of time and space ; and finally there is the innermost realisation that Amida is the true nature, material and spiritual, of all beings, that he is ' the omnivalent wisdom-body, that he is the unborn, unmanifest, unchanging reality that rests quietly at the core of all phenomena '.

Vairocana and celestial
The Pali Canon refers to many previous ones ( see List of the 28 Buddhas ), while the Mahayana tradition additionally has many Buddhas of celestial, rather than historical, origin ( see Amitabha or Vairocana as examples, for lists of many thousands Buddha names see Taishō Shinshū Daizōkyō numbers 439 – 448 ).

Vairocana and who
This is done through empowerment directly from the Root Guru, who himself proclaims to be an emanated being from the Pure Lands shed directly from Vairocana Buddha, then later achieving enlightenment in the human realm through his own rigorous practice and after being given several empowerments from other buddhas and bodhisattvas.

Vairocana and texts
This is a small class of texts that probably emerged after the 6th century and are entirely centred on the worship of the Buddha Vairocana.

Vairocana and Sutra
In those traditions that accept the Avatamsaka Sutra as its root instruction, Samantabhadra and Manjusri flank Vairocana Buddha, the central Buddha of this particular sutra.

Vairocana and Buddha
Monks were taken to Male and beheaded, The Satihirutalu ( the chattravali or chattrayashti crowning a stupa ) were broken to disfigure the numerous stupasm and the statues of Vairocana, the transcendent Buddha of the middle world region, were destroyed ; and the destruction was not limited to sculptures.
* Retired Emperor Shōmu takes part in the dedication ceremony of the great statue of Vairocana Buddha at the Tōdai-ji, and declares himself a Buddhist.
File: Spring Temple Buddha picturing Vairocana, in Lushan County, Henan, China. png | Spring Temple Buddha, the world's tallest statue, overall 502 feet in height, completed 2002.
These examples are seen in present-day Nara and Kyoto, most notably a colossal bronze statue of the Buddha Vairocana in the Tōdai-ji temple.
Several of the structures at Narita-san temple have been designated National Important Cultural Properties ; the Kōmyō-dō, built in 1701 and dedicated to the Dainichi Nyorai Buddha ( Vairocana ), the principal image of Shingon Buddhism ; the three-storied, 25-meter high pagoda built in 1712 ; the Niōmon main gate, built in 1830 ; the Shaka-dō ( Shakyamuni Hall ), built in 1858 ; and the Gaku-dō ( Votive Tablet Hall ), built in 1861.
Some buddhist sculptures, such as Buddha Vairocana, Boddhisattva Avalokiteshvara and Maitreya, were discovered in numerous sites in Sumatra and Malay Peninsula.
Vairocana Buddha
In Sino-Japanese Buddhism, Vairocana was gradually superseded as an object of reverence by Amitabha Buddha, due in large part to the increasing popularity of Pure Land Buddhism, but Vairocana's legacy still remains in the Tōdai-ji temple with its massive bronze statue and in Shingon Buddhism, which holds a sizeable minority among Japanese Buddhists.
The Shingon Buddhist monk, Dohan, regarded the two great Buddhas, Amida and Vairocana, as one and the same Dharmakaya Buddha and as the true nature at the core of all beings and phenomena.
The Vairocana statue in Nara's Tōdai-ji in Japan was the largest bronze image of Vairocana Buddha in the world.
In Java, Indonesia, the 9th-century Mendut temple near Borobudur in Magelang was dedicated to Dhyani Buddha Vairocana.
Built by the Sailendra dynasty, the temple featured a three-meter tall stone statue of Dhyani Buddha Vairocana, seated and performing the Dharmachakra mudra.
The Spring Temple Buddha of Lushan County, Henan, China, with a height of 126 meters, is now the tallest Vairocana Buddha statue, as well as the tallest statue in the world ( see List of statues by height ).

Vairocana and ).
Its Great Buddha Hall ( 大仏殿 Daibutsuden ), houses the world's largest bronze statue of the Buddha Vairocana, known in Japanese simply as Daibutsu ( 大仏 ).
This is a Garbhadhatu mandala, representing Vairocana Buddha surrounded by eight Buddhahood | Buddhas and bodhisattva s ( clockwise from top: Ratnaketu, Samantabhadra, Samkusumitaraja, Manjusri, Amitabha, Avalokitesvara, Dundubhinirghosa, Maitreya ).

also and is
It is also possible, but equally doubtful, that he actually shot down the hundreds of men with which his legend credits him.
Recognizing that the Rule of Law is `` a dynamic concept which should be employed not only to safeguard the civil and political rights of the individual in a free society '', the Congress asserted that it also included the responsibility `` to establish social, economic, educational and cultural conditions under which his legitimate aspirations and dignity may be realized ''.
At General Power's seat in the balcony there is also a gold phone.
In addition to the authentication and acknowledgment procedures which precede and follow the sending of the go messages, again in special codes, each message also contains an `` internal authenticator '', another specific signal to convince the recipient that he is getting the real thing.
He added that he also stresses the works of these favorite masters on tour, especially Mahler's First and Fourth symphonies, and Das Lied Von der Erde, and Bruckner's Sixth -- which is rarely played -- and Seventh.
The test of form is fidelity to the experience, a gauge also accepted by the abstract expressionist painters.
Though he is also concerned with freeing dance from pedestrian modes of activity, Merce Cunningham has selected a very different method for achieving his aim.
The answers derived by these means may determine not only the temporal organization of the dance but also its spatial design, special slips designating the location on the stage where the movement is to be performed.
It is because there is not only darkness but also light that our situation becomes inexplicable.
but there is also compassion.
also he is a drunk, and has lost his job on that account.
And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.
By `` image '' is meant not only a visual presentation, but also remembered sensations of any of the five senses plus the feelings which are immediately conjoined therewith.
he is questioning, also, every epistemology which stems from Hume's presupposition that experience is merely sense data in abstraction from causal efficacy, and that causal efficacy is something intellectually imputed to the world, not directly perceived.
it is true that they are also extremely dull.
Now the detective must save his own skin by informing on the girl he loves, who is also the real murderer.
But it is also the climax to one of the absorbing chapters in our current political history.
Since a civilizational crisis involves also a crisis in private interests and in the ruling class, reaction is normally found among those who feel themselves to be among the ruling class.
`` The Rocking Horse Winner '' is also a story about a boy's love for his mother.
Evidence is plentiful that early and later also he has been indebted to the Gothic romancers, who deal in extravagant horror, to the symbolists writing at the end of the preceding century, and in particular to the stream-of-consciousness novelists, Henry James and James Joyce among them.

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