Bishop King had arranged for the vaulting of the choir, to a design by William and Robert Vertue.

George Vertue, whose family had property in Hawksmoor's part of Nottingham shire, wrote in 1731 that he was taken as a youth to act as clerk by ' Justice Mellust in Yorkshire, where Mr Gouge senior did some fretwork ceilings afterwards Mr. Haukesmore came to London, became clerk to Sr. Christopher Wren & thence became an Architect '.

Bennett-Jones and his friend and former colleague Andre Ptaszynski, who had worked with Moffat on the sitcoms Joking Apart and Chalk, told Moffat and Vertue that each fancied the other.

The fourth episode, " Inferno ", was written shortly after Vertue had found a similar tape in the VCR, although Moffat added the ' spanking ' element to the script as he " didn't think the real tape was quite pervy enough.

Sue Vertue says that the live audience reinvigorated the company because no-one had laughed at the material for a few days as everyone knew it so well.

Vertue had a deep interest in antiquarian research, and much of his labour was given to this subject.

From 1762 on, Walpole had published the first history of art in Britain, based on the manuscript notebooks of George Vertue, the most important source of information concerning British art before the mid-eighteenth century.

Vertue stated that Hoskins had a son, and Redgrave added that the son painted a portrait of James II in 1686 and was paid £ 10, 5s.

After signing on for the role, he met with Moffat and Hartswood Films executive producer Beryl Vertue to discuss the character, and had several make-up tests.

A well-known painting identified by George Vertue in 1727 as Lady Frances Brandon and her second husband Adrian Stokes has now been correctly identified as Mary Nevill or Neville, Baroness Dacre and her son Gregory Fiennes, 10th Baron Dacre.

It has been claimed that Shakespeare's friend Richard Burbage ( 1567 – 1619 ) painted the Chandos portrait, but the first known reference to the painting is in a note by George Vertue, who states that it was painted by John Taylor, a respected member of the Painter-Stainers ' company who may also have been the same John Taylor who acted with the Children of Paul's.

The interior contains fine fan vaulting by Robert and William Vertue, who designed similar vaulting for the Henry VII chapel, at Westminster Abbey.

The house in which Moffat and Vertue lived at the time was used as the exterior for Steve's flat, with the surrounding area used for other sequences.

TV producer Beryl Vertue came across the novel and tracked down Nye, believing it was suited for television adaptation.

George Vertue ( 1684 – July 24, 1756 ) was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period.

Appointing Beryl Vertue from ALS as deputy chairman, Vertue was responsible for selling the formats to American producers of the TV series's All in the Family and Sanford and Son, which were adapted from the popular British TV shows Til Death Us Do Part and Steptoe and Son.

George Vertue was one of the work's many admirers ; it showed, he thought, " the greatness of his genius in his invention, design and execution, in every part equal, if not superior, to any others " outshining " for nobleness and skill all those before done by the best sculptors this fifty years past " The mourning figure of Eloquence, the notably unkind John Thomas Smith found to be " such a memorial of his powers, that even his friend Pope could not have equalled it by an epitaph ".

The antiquary and engraver George Vertue was a figure in the London art scene for most of the period, and his copious notebooks were adapted and published in the 1760s by Horace Walpole as Some Anecdotes of Painting in England, which remains a principal source for the period.

Mr. Overall is of opinion that Vertue, having become possessed of the parts of a copy of the map made by some unknown Dutch engraver in the reign of William III, caused them to be " tinkered ," probably for the purpose of deceiving his antiquarian friends.

A relationship blossomed and they left their respective production companies to join Hartswood Films, run by Beryl Vertue, Sue's mother.

After production wrapped on Chalk in 1997, Moffat announced to the cast that he was marrying Vertue.

The interior fan vaulting ceiling, originally installed by Robert and William Vertue, was restored by Sir George Gilbert Scott between 1864 and 1874.

The series was inspired by Moffat's relationship with producer Sue Vertue, to the extent that they gave their names to two of the characters.

The show was inspired by Moffat's relationship with producer Sue Vertue, to the extent that they gave their names to two of the characters.

Engraving of Fra Paolo Sarpi by George Vertue ( 1684 – 1756 )

An engraver was employed by the society since its inception — the earliest were George Vertue, James Basire and successors — labouring to produce the copperplate used in the printing of the folio editions.

Playwright and novelist Eliza Haywood, by George Vertue, 1725.

Produced by Hartswood Films, it reunited Morrissey with personnel from Men Behaving Badly: specifically writer Simon Nye, executive producer Beryl Vertue and director Martin Dennis.

It was produced by Sue Vertue.

A volume of The Medals, Coins, Great Seals and other Works of Thomas Simon, engraved and described by George Vertue, was published in 1753.

King's College Chapel, Cambridge, the world's largest fan vault, built from 1512 to 1515 by John Wastell, with William Vertue.

* King's College Chapel, Cambridge, the world's largest fan vaulted structure ( by William Vertue )

* Henry VII's Lady Chapel, Westminster Abbey, London, England, 1503-1509 ( with pendants, by William Vertue )

* Bath Abbey, Somerset, England, nave and chancel ( 1860s restoration ; originally by William Vertue )

He became a member of the Rose and Crown Club, with Peter Tillemans, George Vertue, Michael Dahl, and other artists and connoisseurs.

* July 24 – George Vertue, English engraver and antiquary ( b. 1684 )

Retaining this semi-autobiographical trend, Coupling was based on him meeting his wife, Sue Vertue, and on the issues that arise in new relationships.

According to an interview with The New York Times, Moffat met Vertue at the Edinburgh International Television Festival in 1996.

According to Vertue, Steven Moffat wrote at the top of their house.

Vertue worked seven years under Michael Vandergucht, before operating independently.

From 1713 on, Vertue was a keen researcher on details of the history of British art, accumulating about forty volumes of notebooks.