In 1997, a major retrospective of 25 years of Bill Viola's work was organized and internationally toured by the Whitney Museum of American Art.

The opera was premiered at the Opéra National de Paris in 2005 and Viola's video work was subsequently shown as LOVE / DEATH The Tristan Project at the Haunch of Venison Gallery and St Olave's School, London, in 2006.

During 2007, the Centro Andaluz de Arte Contemporaneo in Sevilla www. caac. es, organized an exhibition at the Palace of Charles V in la Alhambra-Granada-in which Viola's work dialogues with the Fine Arts Collection of the museum.

According to art critic James Gardner of the National Review, Viola's conceptual work is forgettable just like most video art.

On the other hand, Gardner feels that Viola's visual work such as " The Veiling ", and his combination of both the conceptual and visual such as " The Crossing " are impressive and memorable.

In particular, Viola's obsession with capturing the essence of emotion through recording of its extreme display began at least as early as his 1976 work, The Space Between the Teeth, a video of himself screaming, and continues to this day with such works as the 45-second Silent Mountain ( 2001 ), which shows two actors in states of anguish.

Viola's work has received critical accolades.

In general, the distortion of time, along with the lack of sound or voice over, form the most immediately "" new "" aspects of Viola's work for the first-time viewer.

Viola's persistence in transvestism through her betrothal in the final scene of the play often engenders a discussion of the possibly homoerotic relationship between Viola and Orsino.

He would usually come home inebriated, and would suffer from Viola's wrath as often as his sons.

It has been noted that the play's setting also has English characteristics such as Viola's use of " Westward ho!

This was a major collection of Viola's emotionally charged slow motion works inspired by traditions within Renaissance devotional painting.

Using his trademark extreme slow motion, Viola's pieces used actors to portray the metaphorical story behind Wagner's story, seeing for example the first act as an extended ritual of purification in which the characters disrobe and wash themselves before finally plunging headlong into water together ( in Wagner's story, the two characters maintain the facade of being indifferent to each other ( necessary because Isolde is betrothed to Tristan's uncle ) before, mistakenly believing they are going to die anyway, and reveal their true feelings ).

If Viola's depictions of emotional states with no objective correlative -- emotional states for which the viewer has no external object or event to understand them by — are one feature of many of his works, another, which has come to the forefront, is his reference to medieval and classical depictions of emotion.

When I arrived at Viola's I was shown, to my surprise, into the kitchen.

" ( an Elizabethan term for " actor ") Viola's reply, " I am not that I play ", epitomising her adoption of the role of Cesario, is regarded as one of several references to theatricality and " playing " within the play.

It wasn't long before I sensed that there was something deeper than overvaulting ambition back of his desire for Viola's destruction.

A dreadful fear entered my consciousness that perhaps he had entertained aspirations toward Viola's favors -- or, even more serious perhaps, that he had attained a share of them and had then been superseded by some luckier chap.

Bill Viola's exhibition profile, which includes the National Gallery, London, Guggenheim Berlin, Guggenheim New York, Whitney Museum of American Art, Getty Los Angeles, California, and the Metropolitan Museum of Art, New York marks him as a major contemporary artist.

Viola's husband reaches the school first.

Darling threw 11 no-hit innings for Yale, matched by Viola's 11 shutout innings for St. John's.

Given only a short time to prepare, Wei was only able to demonstrate Viola's equivalent capabilities for local rather than remote files at the 2003 Eolas v. Microsoft trial, and thus fell short of proving prior art to the court's satisfaction.

Argentines braced for a recession after the excesses of the plata dulce (" sweet money ") years, which destabilized Viola's position.

The official explanation given for the ousting was Viola's alleged health problems.

When Papa went out to do God's work, Stevie often accompanied him in the buggy, which was drawn by Violet, the new black mare.

More often than not I have found easy excuse to leave my own work and stand at a respectable distance where I could watch this man transform raw nature into a composed, not imitative, painting.

If the artist would study his work more thoroughly and move certain units in his design, often only slightly, finer pictures would result.

Actual practice does not often work out this way.

To be sure, in tool-and-die work and in the building trades, the first job must be often on an apprentice basis, but two years of half-time vocational training enables the young man thus to anticipate one year of apprentice status.

The brief notes introducing each work offer salient historical or technical points, and many listeners are probably grateful for being intelligently taken by the hand through an often difficult maze.

It wasn't just the pressure of work, although that was the excuse I often used, even to myself.

As a first step, Algerian literature was marked by works whose main concern was the assertion of the Algerian national entity, there is the publication of novels as the Algerian trilogy of Mohammed Dib, or even Nedjma of Kateb Yacine novel which is often regarded as a monumental and major work.

* That ethnographic work was often ahistorical, writing about people as if they were " out of time " in an " ethnographic present " ( Johannes Fabian, Time and Its Other ).

* Argument ( literature ), a brief summary, often in prose, of a poem or section of a poem or other work

Readers unacquainted with its reputation as a satirical work often do not immediately realize that Swift was not seriously proposing cannibalism and infanticide, nor would readers unfamiliar with the satires of Horace and Juvenal recognize that Swift's essay follows the rules and structure of Latin satires.

Hospitals are without medicines or basic equipment, schools are without books, and public employees often lack the basic supplies for their day-to-day work.

Many amateurs are beginners or hobbyists, while others have a high degree of experience in astronomy and often assist and work alongside professional astronomers.

After the mid-1960s, he became much less prolific, but his later work — including his final two epics, Kagemusha ( 1980 ) and Ran ( 1985 )— continued to win awards, including the Palme d ' Or for Kagemusha, though more often abroad than in Japan.

Any person or entity wishing to use intellectual property held under copyright must receive permission from the copyright holder to use this work, and often will be asked to pay for the use of copyrighted material.

Since amateurs often do not have formal training, some amateur work may be considered sub-par.

Old people who have long desisted from their outdoor work are often found to be as white as western men.

Scholars have often believed that Ammianus ' work was intended for public recitation for two reasons: the overwhelming presence of accentual clausulae, which implies that it was intended to be read aloud ; and epistle 1063 of Libanius to a Marcellinus of Rome which refers to public recitations.

He was already well-known from his earlier work, and had developed a reputation as a brilliant researcher, but his laboratory was often untidy.

Students are often performers, such as actors, dancers, musicians, athletes and public speakers, or people who work on computers, or who are in frequent pain for other reasons.

Sessions include chair work and table work, often in front of a mirror, during which the instructor and the student will stand, sit and lie down, moving efficiently while maintaining a correct positioning of the head, neck and spine.

He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays.

Fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work.

Actors and actresses will often have many instructors and teachers for a full range of training involving, but not limited to, singing, scene-work, monologue techniques, audition techniques and partner work.