* Common Language Infrastructure, C #, Visual Basic. NET, J #, C ++/ CLI ( formerly Managed C ++)

* Thomas D. Rossing and Christopher J. Chiaverina, < cite > Light Science: Physics and the Visual Arts </ cite >, Springer, New York, 1999, hardback, ISBN 0-387-98827-0

Its other nominations were for Best Sound Mixing ( Greg P. Russell, Peter J. Devlin and Kevin O ' Connell ), Best Visual Effects, and Best Original Song for " There You'll Be ".

& Landes, J., " A Study of the Braid Effect: Hypnosis by Visual Fixation ", Journal of Psychology: Interdisciplinary and Applied, Vol. 47, ( January 1959 ), pp. 67 – 80.

* The Work Made For Hire Exception To The Visual Artists Rights Act Of 1990 ( Vara ): Carter V. Helmsley-Spear, Inc. by James J. Mastroianni, 4 Villanova Sports & Entertainment Law Journal 417 ( 1997 )

As part of the 2009 National Artist of the Philippines controversy, Gloria Macapagal Arroyo proclaimed Carlo J. Caparas a National Artist under the category of " Visual Art and Film ", but it was unclear whether the honor was given under the separate categories of " Visual Art " and " Film ", or as a new, combined category.

Visual J # ( pronounced ' jay-sharp ') programming language is a discontinued transitional language for programmers of Java and Visual J ++ languages, so they may use their existing knowledge and applications on. NET Framework.

J # is generally not considered to be a language on par with C # or Visual Basic. NET, and does not have the same level of support, samples, or updates as the other languages do.

* That Microsoft would produce an updated version of Visual J # 2. 0, including a 64-bit redistributable version, called J # 2. 0 Second Edition to meet customer demand for 64-bit runtime support.

Microsoft released Visual J # 2. 0 Second Edition on 18 May 2007.

* Retirement of the J # language and Java Language Conversion Assistant from future versions of Visual Studio, since the existing J # feature set largely meets customer needs and usage of J # is declining.

A link to download Visual J # 2005 Express Edition is no longer available from Microsoft's website ; however, the old link which was previously available is still valid.

* Visual J # Design Choices An interview with Pratap Lakshman

ru: Visual J Sharp

tg: Visual J Sharp

uk: Visual J Sharp

The languages it encompasses ( Visual Basic, Visual C #, Visual J #, etc.

* Microsoft Visual C ++ ( C90.

* http :// msdn. microsoft. com / en-us / library / aa289157 ( v = vs. 71 ). aspx " Microsoft Visual C ++ Floating-Point Optimization ", by Eric Fleegal, MSDN, 2004

All editions support many compilers, including the GCC C ++ compiler and the Visual Studio suite.

As a typical example, a Visual Basic program using a COM object is agnostic towards whether that object was allocated ( and must later be deallocated ) by a C ++ allocator or another Visual Basic component.

While high-level languages like Visual Basic manage reference counts automatically, C / C ++ programmers are entrusted to increment and decrement reference counts at the appropriate time.

* is a keyword used under the Managed Extensions for C ++ to Visual C ++ 2010 that, when added before the keyword indicates that objects of this class cannot be inherited from.

CATIA V5 & V6 can be adapted using Visual Basic and C ++ programming languages via CAA ( Component Application Architecture ); a component object model ( COM )- like interface.

PagePlus is primarily written in C ++ using Visual Studio 2008, with a heavy dependence on the Microsoft MFC framework.

Borland later deprecated it in favour of the Visual Component Library ( VCL ), which is written in Object Pascal and available in both Delphi and C ++ Builder.

Such software entities are known as generics in Ada, Eiffel, Java, C #, F #, and Visual Basic. NET ; parametric polymorphism in ML, Scala and Haskell ( the Haskell community also uses the term " generic " for a related but somewhat different concept ); templates in C ++ and D ; and parameterized types in the influential 1994 book Design Patterns.

The latest incarnation of Microsoft BASIC is Visual Basic. NET which incorporates some features from C ++ and C # and can be used to develop web forms, Windows forms, console applications and server-based applications.

Microsoft Visual C ++ ( often abbreviated as MSVC or VC ++) is a commercial ( free version available ), integrated development environment ( IDE ) product from Microsoft for the C, C ++, and C ++/ CLI programming languages.

The predecessor to Visual C ++ was called Microsoft C / C ++.

* Visual C ++ 1. 0, which included MFC 2. 0, was the first version of Visual C ++, released in February 1993.

* Visual C ++ 1. 5 was released in December 1993, included MFC 2. 5, and added OLE 2. 0 and ODBC support to MFC.

It was the first version of Visual C ++ that came only on CD-ROM.

** Visual C ++ 1. 51 and 1. 52 were available as part of a subscription service.

** Visual C ++ 1. 52b is similar to 1. 52, but does not include the Control Development Kit.

** Visual C ++ 1. 52c was a patched version of 1. 5.

* Visual C ++ 1. 0 ( original name: Visual C ++ 32-bit Edition ) was the first version for 32-bit development.

Visual J # ( pronounced " Jay Sharp ") is a Microsoft language whose syntax is close to Java, part of the. NET Framework.

It won for Outstanding Music Composition For A Series ( Dramatic Underscore ) ( Jay Chattaway ) and Outstanding Special Visual Effects for a Series, in both cases beating the Voyager episode " Workforce ", which was also nominated in those categories.

In 2011, Marcus Banks and Jay Ruby published the first history of the field-Made To Be Seen: Historical Perspectives on Visual Anthropology.

* Visual Anthropology-Encyclopedia of Cultural Anthropology, article by Jay Ruby

In an interview with the Journal of Visual Culture, academic Martin Jay explicates the rise of this tie between the visual and the technological: “ Insofar as we live in a culture whose technological advances abet the production and dissemination of such images at a hitherto unimagined level, it is necessary to focus on how they work and what they do, rather than move past them too quickly to the ideas they represent or the reality they purport to depict.