" Laura Mulvey's germinal essay " Visual Pleasure and Narrative Cinema " ( written in 1973 and published in 1975 ) expands on this conception of the passive role of women in cinema to argue that film provides visual pleasure through scopophilia, and identification with the on-screen male actor.

Laura Mulvey, in response to these and other criticisms, revisited the topic in “ Afterthoughts on ‘ Visual Pleasure and Narrative Cinema ’ inspired by Duel in the Sun ” ( 1981 ).

Mulvey is best known for her essay, " Visual Pleasure and Narrative Cinema ", written in 1973 and published in 1975 in the influential British film theory journal Screen.

" Visual Pleasure and Narrative Cinema " was the subject of much interdisciplinary discussion among film theorists that continued into the mid 1980s.

She addressed many of her critics, and changed some of her opinions, in a follow-up article, " Afterthoughts on ' Visual Pleasure and Narrative Cinema '" ( which also appears in the Visual and Other Pleasures collection ).

Mulvey incorporates the Freudian idea of phallocentrism into " Visual Pleasure and Narrative Cinema ".

Early work on visual culture has been done by John Berger ( Ways of Seeing, 1972 ) and Laura Mulvey ( Visual Pleasure and Narrative Cinema, 1975 ) that follows on from Jacques Lacan's theorization of the unconscious gaze.

Like Miller ’ s later essays on homosexuality and Hollywood cinema “ Visual Pleasure in 1959 ” ( 1997 ) and “ On the Universality of Brokeback Mountain ” ( 2007 ), “ Anal Rope ” maintained that this threat was not marginal, but rather “ central ” to the making and maintenance of heterosexual identity.

The critical reception of Rope, like that of Suddenly, Last Summer and Brokeback Mountain, allowed Miller to locate “ a homosexual closet constructed for heterosexual use, for the indulgence, in other words, of a homosexual fantasy that we must understand as not the peculiar coinage of the gay male brain, but the common, even central daydream of the normal world ” (“ Visual Pleasure in 1959 ”).

" Visual Pleasure in 1959 ," October 81, 1997: 35-58.

Laura Mulvey's vital and deliberately-polemical article, Visual Pleasure and Narrative Cinema ( 1975 ) started the debate by demonstrating the domination of the male gaze, within and without the screen, at the expense of the woman's ; so much so that the female spectator had little to do, gaze upon or identify with.

( 2005 ) The Pre-Raphaelite Art of the Victorian Novel: Narrative Challenges to Visual Gendered Boundaries.

* GameShadow Innovation in Games Awards nominee ( Best Game, Innovative Visual Effects, Best Narrative )

Eisner wrote a companion volume to Comics and Sequential Art, Graphic Storytelling and Visual Narrative, which was published in 1996.

* Graphic Storytelling and Visual Narrative

Visual Explanations: Images and Quantities, Evidence and Narrative.

* Malcom Charles Pollard, The novels of Philippe Sollers: Narrative and the Visual, 1994, ( ISBN 90-5183-707-0 )

Visual Explanations: Images and Quantities, Evidence and Narrative.

An entire issue of the online journal Image and Narrative: The Online Magazine of the Visual Narrative, Issue # 12 ( ISSN 1780-678X ) is dedicated to study, analyze, deconstruct, and explain Greenaway's project.

The artwork featured in this station under the Art in Transit programme is A Visual Narrative Of Pandemonic Rhythmic Movement by Yek Wong.

The Design, Film and Video Production, Digital Cinema, Visual Journalism, Wedding Photography and Master of Fine Arts in Screenwriting programs are based in Ventura.

He recorded a commentary track for the Special Collector's Edition DVD of Billy Wilder's Sunset Boulevard, and is often called upon as a film expert for articles and documentaries, such as the 10-part American Cinema series produced by the New York Center for Visual History in association with the BBC and PBS.

Cinema Barlovento ); XVI Visual Arts Biennial, Museum of Modern Art, S. D.

C # Builder was released in 2003 as a native C # development tool, competing with Visual Studio. NET.

The primary environment was based on HP's VUE ( Visual User Environment ), itself derived from the Motif Window Manager ( mwm ).

In 1964, Sib Tower 12 was absorbed by MGM and was renamed MGM Animation / Visual Arts.

Visual display was prized.

Fortran 6 or Visual Fortran 2001 was licensed to Compaq by Microsoft.

His greatest award success was for scoring The Last Emperor ( 1987 ), which won him the Academy Award for Best Original Score, Golden Globe Award for Best Original Score, and Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media, as well as a BAFTA nomination.

As a typical example, a Visual Basic program using a COM object is agnostic towards whether that object was allocated ( and must later be deallocated ) by a C ++ allocator or another Visual Basic component.

In the series, we learn that Geordi was born blind and wears a VISOR ( Visual Instrument and Sensory Organ Replacement ), an arc-shaped prosthetic attached at the temples that provides him with vision.

Following his discharge, Ditko learned that his idol, Batman artist Jerry Robinson, was teaching at the Cartoonists and Illustrators School ( later the School of Visual Arts ) in New York City.

* Gilliam was honored with the Director with Unique Visual Sensitivity Award at the Camerimage film festival in Łódź, Poland in 2009.

Its Center for Visual Arts addition by Frank Gehry was added recently and the Museum's new Glass Pavilion across Monroe Street opened in August 2006.

Artistic use of steam fog was pioneered in the collaborative Center Beam artwork by the Center for Advanced Visual Studies at MIT.

* Microsoft's Design Guidelines discourage developers from using Hungarian notation when they choose names for the elements in. NET Class Libraries, although it was common on prior Microsoft development platforms like Visual Basic 6 and earlier.

Visual DialogScript was originally created by Julian Moss of JM-Tech.

Most development involving AutoLISP since AutoCAD 2000 is actually performed within Visual LISP since the original AutoLISP engine was replaced with the Visual LISP engine.

His collection of American art was strong in Abstract expressionism, Pop Art, Minimalism, Neo-Dada, Color Field, Lyrical Abstraction, and Neo-Expressionism and he often donated important works from his collection to institutions like MoMA, and other important private museums and University collections like the Norton Simon Museum, the Sheldon Museum of Art and the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University among many others.

It was nominated for nine Academy Awards in 1982, including Best Picture, and won four ( Best Art Direction, Best Film Editing, Best Sound, Best Visual Effects ) as well as winning a fifth Special Achievement Academy Award in Sound Effects Editing.

As head of Toho's Visual Effects Department ( which was known as the " Special Arts Department " until 1961 ), that he established in 1939, he supervised around an average of sixty craftsmen, technicians and cameramen.

From 1964 to 1971, the name of the category was Best Special Visual Effects.

The name was since changed, in 1977, to Best Visual Effects.