Warheads are typically detonated by a proximity fuze or by an impact fuze if it scores a direct hit.

* Warheads which are fitted to a Delivery System, or discarded if there is not one available for them.

The Warheads women are assisted by Feral who gains vast powers due to magical influence.

The names of the Warheads troops are a direct reference to the names of the 10 Sephiroth emanations of God in the Kabbalah.

Warheads are limited and combat for the player will inevitably transition to short-range dogfighting once the warhead supply is depleted.

Unlike most of the other Marvel UK titles tied into the Mys-Tech concept, the Warheads were not enemies of Mys-Tech-instead, they were portrayed as expendable soldiers employed by a callous corporation.

* Warheads: Proximity fuze, high explosive

Warheads can include conventional high explosive, chemical, biological, or nuclear warheads.

The weapons include the deadly Trilithium Warheads ( a fictional high explosive in Trek Canon ) and improved Disruptors ( weapons usually used by the Klingon Empire ).

* Warheads: High explosive expanding ring with proximity fuse

Warheads evolved from Missile Command, and the player uses three ground batteries to destroy an onslaught of missiles from the sky.

* Tactical Missile Warheads, Joseph Carleone ( ed.

Warheads for the German V-1 flying bomb and V-2 rockets also contained amatol.

Also, the sheer number of Warheads make interception by Anti-ballistic missiles unlikely.

Titles such as Warheads ( wormhole-hopping mercenaries ), Motormouth ( later Motormouth and Killpower ) ( streetwise girl and escaped genetically-modified super assassin hop around the universe having adventures ) and a second volume of Knights of Pendragon.

Warheads was a Marvel UK comic book series which ran for 14 issues in the early 1990s ( January 1992-May 1993 ) and was followed by the two-issue mini-series Warheads: Black Dawn.

The Warheads were mercenaries employed by the nefarious and Faustian Mys-Tech organisation to capture advanced technology or mystical artifacts from alien worlds, time periods or other dimensions.

Paul Neary was instrumental in creating the whole Mys-Tech concept for Marvel UK, including the original Warheads outline.

The characters in Warheads were first visualised by artist Gary Erskine with the first scripts for the strips provided by Nick Vince, followed by John Freeman and Craig Houston, who is now a computer games script writer whose credits include Call of Duty 3.

Other Warheads artists included Simon Coleby, Dave Taylor, Stuart Jennett and Charlie Adlard.

Mark Harrison painted an unpublished spin-off, called Loose Cannons, available online, about the all-female Virago Troop ( Holly, Elan, Nix ( who is killed and replaced with the genetically enhanced Lamia, a creation of Dr. Oonagh Mullarkey ), team psychic Syster Sphynx, and team leader Bodecia " Bo " Kildare ) and provided Warheads several covers for Overkill.

The Warheads find themselves in a seemingly abandoned Australian town.

Liger's first step towards rebellion is taken when his bosses say the loss of three Warheads is worth the information they ultimately stole from the X-Men.

Later, the Warheads fight S. H. I. E. L. D.

Really, you are most indiscreet to drive him here yourself '', he said, frowning with displeasure.

Accidental war is so sensitive a subject that most of the people who could become directly involved in one are told just enough so they can perform their portions of incredibly complex tasks.

Now we must become vague, for we are approaching one of the nation's most guarded secrets.

These things are important to almost all Persians and perhaps most important to the most ordinary.

The men crying love poems in an orchard on any summer's night are as often as not the lutihaw, mustachioed toughs who spend most of their lives in and out of the local prisons, brothels, and teahouses.

The most effective political inventions seem to make maximum use of natural harbors and are aware that restraining breakwaters can play only a minor part in the whole scheme.

The most primitive feelings are rudimentary value feelings, both positive and negative: a desire to appropriate this or that part of the environment into oneself ; ;

Our most elemental and unavoidable impressions, he says, are those of being involved in a large arena of powers which have a longer past than our own, which are interrelated in a vast movement through the present toward the future.

they are the most valuable of commodities -- and the most salable, for their demand far exceeds supply.

True, ideas are important, perhaps life's most precious treasures.

Its ontological status is itself most tenuous because apart from individual men, who are its `` matter '', tradition, the `` form '' of society exists only as a shared perception of truth.

The ingredients of Faulkner's novels and stories are by no means new with him, and most of the problems he takes up have had the attention of authors before him.

nor is there need to add that among them are some of the most highly individualized and most successful of his characters.

The problem is rather to find out what is actually happening, and this is especially difficult for the reason that `` we are busily being defended from a knowledge of the present, sometimes by the very agencies -- our educational system, our mass media, our statesmen -- on which we have had to rely most heavily for understanding of ourselves ''.

The men who speculate on these institutions have, for the most part, come to at least one common conclusion: that many of the great enterprises and associations around which our democracy is formed are in themselves autocratic in nature, and possessed of power which can be used to frustrate the citizen who is trying to assert his individuality in the modern world ''.

and, `` I do think that families are the most beautiful things in all the world '', burst out Jo some five hundred pages later in that popular story of the March family, which had first appeared when Henrietta was eight ; ;

By the same test predispositions destructive of human personality exercise their most sinister impact, with the result that men of good will are often trapped and nullified.

I assume that the number of readers of this anthology who regard themselves as morally perfect is small, and that most readers are willing to consider procedures by which they may gain more insight into themselves and better understanding of others.

This understanding, of course, may in its turn take many forms and some of these -- especially those most interesting to the student of comparative literature -- are essentially historical.

In this essay, we are, along with most historians, interested in the more general or more inclusive ideas, that are so to speak `` writ large '' in history of literature where they recur continually.