We were coming to an intersection, turning right, chuffing to a stop.

We were off the road, gleaming barbed wire pulling taut.

We were in a field, in a tight, screeching turn.

We were back on the road.

We were slowing.

We enjoyed a paradoxical freedom when we were still too young for school.

We were not, however, entirely unacquainted with the varying aspects of the street.

We were forbidden to swing on the gates, lest they sag on their hinges in a poor-white-trash way, but we could stand on them, when they were latched, rest our chins on the top, and stare and stare, committing to memory, quite unintentionally, all the details that lay before our eyes.

We can also argue that the three brothers Karamazov and Smerdyakov were the external representatives of an internal conflict within one man, Dostoevsky, a conflict having to do with father-murder and the wish to possess the father's woman.

`` We were possessed by visions of a new civilization to come, very pure and elevated '', he has said, `` in fact some ideal form of socialism such as we had dreamed of since the war of 1914-1918 ''.

We were given a job and we carried it out, and later, his case was taken up by the Disciplinary Committee.

`` We were requested by the Secretary General, as I understand it, to discuss with you such matters as appear to us to be relevant, and we are not of course either a formal group or a committee in the sense of being guided by any rules or regulations of the Secretariat.

We were struck by the notable absence of banana skins and beer cans, but just so that we wouldn't go overboard on Greek refinement, perfection was side-stepped by a couple of braying portable radios.

We were almost the same age, she was fifteen, I was twelve, and where I felt there was a life to look forward to Lilly felt she had had as much of it as was necessary.

We may say of some unfortunates that they were never young.

We were at a party once and heard an idealistic young European call that awful charge glorious.

`` We have just returned from Roswell, N.M., where we were defeated, 34 to 9 '', the young man noted.

We were less than a quarter of a mile from the road, and we could trace its shape from the ribbon of powder smoke and dust that hung over it.

`` We were on our vacation in Canada '', Howard explained, in a muffled voice that must have been used to booming, `` and the news didn't catch up with us till we were nearly home.

We blushed and were flustered, and it turned out to be the fleetest brush of lips upon cheek.

We would have the means to seek out and destroy the enemy's force -- whether it were fixed or mobile.

We were in business!!

We were camping a few weeks ago on Cape Hatteras Campground in that land of pirates, seagulls and bluefish on North Carolina's famed Outer Banks.

We shared the expenses of the studio, and we all lived within walking distance of it, in cheap lodgings of one kind or another.

John R. Freuler, the studio President, explained, " We can afford to pay Mr Chaplin this large sum annually because the public wants Chaplin and will pay for him.

Impressed with the results, Melson later recalled, " We stood in the studio, listening to the playbacks and thought it was the most beautiful sound in the world ".

Crow has also recorded a studio version of " So Glad We Made It " for the " Team USA Olympic Soundtrack " in conjunction with the 2008 US Olympic team sponsors AT & T.

In 1985 Jennings joined with USA for Africa to record " We Are the World ", but he left the studio due to a dispute over the song's lyrics that were to be sung in Swahili.

*" Telluride ", a song from Josh Gracin's second studio album, We Weren't Crazy ( 2008 ); a cover of the Tim McGraw song of the same name

We went into the studio, we wrote some songs, Jon demoed the songs on his computer, and then we took them into the studio and played them live and tweaked them a little bit.

The band continued the acoustic and organic approach that was featured on Furthermore for their fifth studio album entitled Who We Are Instead, which released on November 4, 2003.

We had location shooting rather than cheap studio backdrops, and very authentic costumes.

There were rumours about Kent releasing an EP, as they had been spotted in studio and guitarist Sami had said, " We might release an EP, but if we do it will only be digitally released.

We bumped into some trouble with some opinions-Eddie Manix, the studio manager, thought the Halloween sequence was wrong, but it was left in.

We worked out all the moves by rehearsing in a little studio.

That same year, Stonehill released Until We Have Wings, also produced by Mark Heard, an album that was split with half live material and half studio material.

Roine Stolt also talked about the recordings of Banks of Eden: We always record live in the studio nowadays, it gives the music more muscle and an organic elasticity in groove and dynamics that is sorely missing in many modern prog bands production when they use sequencer and build it up around drum-machines.

We then see Henry leaving his studio.

We had the idea to re-record two tunes, just because they'd never been done officially in the studio.

For the press release to promote the " Get Back " single, McCartney wrote, " We were sitting in the studio and we made it up out of thin air ... we started to write words there and then ... when we finished it, we recorded it at Apple Studios and made it into a song to roller-coast by.

Also, in the US finale, the original ' USA for Africa ' studio track for " We Are the World " was overlaid in places where the microphone was absent ( in fact, if you listen closely, you can hear the vocals of Kenny Rogers and James Ingram, two artists who did not even take part in Live Aid ).

All of his studio albums and EPs charted on the Billboard 200, and many of his singles —" Eazy-Duz-It ", " We Want Eazy ", " Real Muthaphuckkin G's ", and " Just tah Let U Know "— also charted in the U. S. On March 30, 1995, four days after Eazy-E's death, Tom Elerwine, a Daily Arts editor for The Michigan Daily covered Eazy's career in a feature story.

Their last Epic studio album was All That We Let In, released in 2004 with an accompanying tour.

In November 2009 he released his fifth solo studio album Here We Go Again featuring the title track as the first single with an accompanying music video.

We had to come to grips with starting a song from scratch in the studio and making it into something, rather than playing it live, rehearsing it and then getting a good take of a live performance.

The double disc official release, entitled Forged Prescriptions, comprised alternate mixes of the original album tracks together with previously unreleased alternate versions, demos and covers ( e. g. The Spades ' " We Sell Soul " and The Troggs ' " I Want You ") from the same studio sessions.

We just went into Matt Sorum's studio and recorded it!