Kid Rock released monthly demo tapes dubbed The Bootleg Series which featured demos of him and other up-and coming rappers and garage rock bands in the Detroit area.

As a result of the single's success, Blur became pop stars and were accepted into a clique of bands who frequented The Syndrome club in London dubbed " The Scene That Celebrates Itself ".

As a result of the single's success, Blur became pop stars and were accepted into a clique of bands who frequented The Syndrome club in London dubbed " The Scene That Celebrates Itself ".

They were christened the " The " bands by the media, and dubbed " The saviours of rock ' n ' roll ", leading to accusations of hype.

In Britain the combination of indie with dance-punk was dubbed new rave in publicity for Angular's Klaxons and the term was picked up and applied by the NME to bands including Trash Fashion, New Young Pony Club, Hadouken !, Late of the Pier, Test Icicles and Shitdisco, forming a scene with a similar visual aesthetic to earlier rave music.

Their solid live performances soon garnered the band a large fanbase in London, and, along with bands like Eggs over Easy, Brinsley Schwarz were soon dubbed " pub rock " by rock journalists.

The sonic experimentation and emphasis placed on texture by these bands led them to be dubbed " space rock ", although most would more readily be categorized in other genres such as shoegazing or stoner metal.

Many pits marched back to work behind brass bands, in processions dubbed " Loyalty Parades ".

Typical bands dubbed " krautrock " in the 1970s included Tangerine Dream, Faust, Can, Amon Düül II, Ash Ra Tempel and others associated with the celebrated Cologne-based producers and engineers Dieter Dierks and Conny Plank, such as Neu !, Kraftwerk and Cluster.

Embrace was a short-lived post-hardcore band from Washington, D. C., which lasted from the summer of 1985 to the spring of 1986 and was one of the first bands to be dubbed in the press as emotional hardcore, though the members had rejected the term since its creation.

In the latter part of the 90s, a second wave of alternative metal emerged ; dubbed nu metal, it often relies more on hip hop influences, and others, as opposed to the influences of the original first wave of alternative metal bands, with this style subsequently becoming more popular than alternative metal.

They were christened by the media as the " The " bands, and dubbed " The saviours of rock ' n ' roll ", leading to accusations of hype.

The success of these bands and others such as Trivium, who have released both metalcore and straight-ahead thrash albums, and Mastodon, who played in a progressive / sludge style, inspired claims of a metal revival in the United States, dubbed by some critics the " New Wave of American Heavy Metal ".

Initially dubbed as ' C86 ' after the 1986 NME tape, and also known as " cutie ", " shambling bands " and later as " twee pop ", indie pop was characterised by jangling guitars, a love of sixties pop and often fey, innocent lyrics.

In Britain the combination of indie with American pioneered dance-punk was dubbed new rave in publicity for The Klaxons and the term was picked up and applied by the NME to a number of bands, including Trash Fashion, New Young Pony Club, Hadouken !, Late of the Pier, Test Icicles, and Shitdisco forming a scene with a similar visual aesthetic to earlier rave music.

The band were frequently classified as industrial rock, but were often quite different from many bands so dubbed, with a distinctive instrumental lineup that encompassed twin bass guitars, found metal percussion, and no lead guitar.

and bands at Lytton Plaza, which they dubbed “ The People ’ s Plaza .” This often led to clashes with police

Along with The Disco Biscuits and Sound Tribe Sector 9, the group was among the first to blend rock, jazz, funk, and electronica into the milieu of what has been dubbed livetronica ( a subgenre of the jam band movement where live bands blend the structures of DJ-produced sequenced electronic music into a more traditional live band setting ).

The positive reviews came from increasingly mainstream publications such as Rolling Stone, who claimed at the time, " If there's to be a nirvana among the bands that are imprecisely dubbed alternative country, look to Whiskeytown.

These and other bands in their wake would be dubbed the " Nuevo Rock Argentino ", or New Argentine Rock.

Many of the bands would emerge from the distant suburbs of Buenos Aires, thus their style being dubbed " rock suburbano ", or " suburban " rock ( which goes under other terms including " rock chabón ", " rock barrial " and " rock fierita ").

The British media had already reported an intense rivalry between the two bands and this clash of releases was seen as a battle for the number one spot, dubbed the ' Battle of Britpop '.

Reviewing 2003 Slayer box set Soundtrack to the Apocalypse, Adrien Begrand of PopMatters dubbed the album " a unique record [...] It's as if they're stepping in to show the young bands how to do it right, as songs like ' Bitter Peace ', ' Death's Head ', and the terrific ' Stain of Mind ' blow away anything that young pretenders have put out.

Along with the Toasters, Let's Go Bowling was then dubbed, on national television, one of the flagship bands of the genre.

Examples of the genre include music by the bands The Zeros, Los Illegals, The Brat, The Plugz, Manic Hispanic, Los Crudos, The Casualties, and the Cruzados ; these bands emerged from the California punk scene.

The UK punk scene of the late 1970s introduced bands that glorified their working-class heritage: Sham 69 had a hit song " The Cockney Kids are Innocent ".

They gained a large underground fanbase in the international punk rock community, and were one of the first American hardcore bands to make a significant impact in the United Kingdom.

Unlike other leftist punk bands who use more direct sloganeering, Dead Kennedys ' lyrics were often snide.

Starting earlier, in 1976, Punk was published in New York and played a major part in popularizing punk rock ( a term coined a few years earlier in Creem ) as the term for the music and the bands being written about.

As a result, in part, of the popular and commercial resurgence of punk in the late 1980s and after, with the growing popularity of such bands as Sonic Youth, Nirvana, Fugazi, Bikini Kill, Green Day and The Offspring, a number of other punk zines have appeared, such as Punk Planet, Razorcake, Tail Spins, Sobriquet, Profane Existence and Slug and Lettuce.

Punk bands and independent labels often sent records to the zines for review and many of the people who started the zines became critical connections for punk bands on tour.

Mainly prevalent in the 70s and 80s, all music styles were covered, whether the bands were playing rock, punk, metal, futurist, ska or dance.

Recent years saw a resurgence in the early positive punk and deathrock sound, in reaction to aggrotech, industrial, and synthpop, which had taken over many goth clubs, bands with an earlier goth sound are becoming popular.

Siege's goal was maximum velocity: " We would listen to the fastest punk and hardcore bands we could find and say, ' Okay, we're gonna deliberately write something that is faster than them '", drummer Robert Williams recalled.

" Lee Dorian of Napalm Death indicated that " Unfortunately, I think the same thing happened to grindcore, if you want to call it that, as happened to punk rock-all the great original bands were just plagiarised by a billion other bands who just copied their style identically, making it no longer original and no longer extreme.

Internationally-recognised musicians such as metal acts Striborg and Psycroptic, indie-electro bands The Paradise Motel and The Scientists of Modern Music, singer / songwriters Sacha Lucashenko ( of The Morning After Girls ), Michael Noga ( of The Drones ), and Monique Brumby, two-thirds of indie rock band Love of Diagrams, post punk band Sea Scouts, blues guitarist Phil Manning ( of blues-rock band Chain ), power-pop group The Innocents are all successful expatriates.

He has also covered songs by hardcore punk bands such as The Exploited, Jello Biafra, and Black Flag.

They influenced some early punk and post-punk bands, among them the Ramones and The Cult.

Along with the fellow Washington, D. C. hardcore band Bad Brains and California band Black Flag, Minor Threat set the standard for many hardcore punk bands in the 1980s and 1990s.

Meat Puppets II turned the band into one of the leading bands on SST Records, and along with the Violent Femmes, the Gun Club and others, helped establish the genre called " cow punk ".

* Oil: Chicago Punk Refined, a compilation CD of punk bands from Chicago, U. S.

Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed perceived excesses of mainstream 1970s rock.

By the turn of the century, pop punk had been adopted by the mainstream, as bands such as Green Day and The Offspring brought the genre widespread popularity.

In the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands.

However, punk rock bands in the movement's second wave and afterward have often broken from this format.