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da: Antonio Canova
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da and Antonio
* 1546 – Antonio da Sangallo the Younger, Italian architect, designed the Apostolic Palace ( b. 1484 )
In Parma at the convent of San Paolo, Antonio Allegri da Correggio painted the chamber of the Abbess Giovanna Piacenza's apartment.
The most highly sought ( and expensive ) instruments come from Italy and include basses made by Giovanni Paolo Maggini, Gaspar da Salo, the Testore family ( Carlo Antonio, Carlo Giuseppe, Gennaro, Giovanni, Paulo Antonio ), Celestino Puolotti, and Matteo Gofriller.
Other instruments associated with Paganini include the Antonio Amati 1600, the Nicolò Amati 1657, the Paganini-Desaint 1680 Stradivari, the Guarneri-filius Andrea 1706, the Le Brun 1712 Stradivari, the Vuillaume c. 1720 Bergonzi, the Hubay 1726 Stradivari, and the Comte Cozio di Salabue 1727 violins ; the Countess of Flanders 1582 da Salò-di Bertolotti, and the Mendelssohn 1731 Stradivari violas ; the Piatti 1700 Goffriller, the Stanlein 1707 Stradivari, and the Ladenburg 1736 Stradivari cellos ; and the Grobert of Mirecourt 1820 ( guitar ).
* The Romanesque Cathedral houses both 12th century sculpture by Benedetto Antelami and a 16th century fresco masterpiece by Antonio da Correggio.
After fifteen years of battles and sieges, Pisa was reconquered in 1509 by the Florentine troops led by Antonio da Filicaja, Averardo Salviati and Niccolò Capponi.
Our knowledge of 15th century Italian dances comes mainly from the surviving works of three Italian dance masters: Domenico da Piacenza, Antonio Cornazzano and Guglielmo Ebreo da Pesaro.
File: Antonio da Fabriano II-Saint Jerome in His Study-Walters 37439. jpg | Saint Jerome in His Study.
da and Canova
The leader of the next generation of Italian lutenists, Francesco Canova da Milano ( 1497 – 1543 ), is now acknowledged as one of the most famous lute composers in history.
Francesco Canova da Milano ( Francesco da Milano, also known as Il divino, Francesco da Parigi, etc.
The following year he excerpted the section of his monograph concerned with the Vitruvian Man and published it as Delle opinioni di Leonardo da Vinci intorno alla simmetria de ' Corpi Umani ( 1811 ), with a dedication to his friend Antonio Canova.
From the outset, the fantasia had the sense of " the play of imaginative invention ", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán.
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