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Francis acquired what would become the nucleus of the Louvre's holdings, his acquisitions including Leonardo da Vinci's Mona Lisa.
The Mona Lisa, Leonardo da Vinci, oil on panel, 1503 – 19, probably completed while the artist was at the court of Francis I of France | Francis I.
The collection began with Francis, who acquired works from Italian masters such as Raphael and Michelangelo, and brought Leonardo da Vinci to his court.
Francis I of France receiving the last breath of Leonardo da Vinci, by Ingres, 1818
The concept emerged from the numerous great thinkers of that era who excelled in multiple fields of the arts and science, including Leonardo da Vinci, Michelangelo, Galileo Galilei, Nicolaus Copernicus, and Francis Bacon.
* January – Giovanni da Verrazzano, on board La Dauphine in the service of Francis I of France, sets out from Madeira for the New World.
* Leonardo da Vinci accepts Francis I's invitation to France.
Vasco da Gama's body was first buried at St. Francis Church, which was located at Fort Kochi in the city of Kochi, but his remains were returned to Portugal in 1539.
Francis I receiving the last breath of Leonardo da Vinci in 1519, by Ingres, painted in 1818.
Francis patronized many great artists of his time, including Andrea del Sarto and Leonardo da Vinci ; the latter was persuaded to make France his home during his last years.
( His four-act play took him nine years to write, is eighteen pages long, and features a romance between Savonarola and Lucrezia Borgia, and also cameos by Dante Alighieri, Leonardo da Vinci, and St. Francis of Assissi.
In 1524, Francis sent Italian-born Giovanni da Verrazano to explore the region between Florida and Newfoundland for route to the Pacific Ocean.
French interest in the New World began with Francis I of France, who in 1524 sponsored Giovanni da Verrazzano to navigate the region between Florida and Newfoundland in hopes of finding a route to the Pacific Ocean.
Once in royal hands, the château became a favourite of French kings, from Louis XI to Francis I. Charles VIII decided to rebuild it extensively, beginning in 1492 at first in the French late Gothic Flamboyant style and then after 1495 employing two Italian mason-builders, Domenico da Cortona and Fra Giocondo, who provided at Amboise some of the first Renaissance decorative motifs seen in French architecture.
In 1516, Francis I invited Leonardo da Vinci to Amboise and provided him with the Clos Lucé, then called Château de Cloux, as a place to stay and work.
The Order arose in 1520 when Matteo da Bascio, an Observant Franciscan friar native to the Italian region of the Marches, said he had been inspired by God with the idea that the manner of life led by the friars of his day was not the one which their founder, St. Francis of Assisi, had envisaged.
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Around 1523, the Italian navigator Giovanni da Verrazzano convinced the king, Francis I, to commission an expedition to find a western route to Cathay ( China ).
* Church of St. Francis ( 13th century ), housing frescoes by Matteo da Gualdo.
Its strategic value was obvious and it had been discussed for centuries, in particular when King Francis I brought Leonardo da Vinci to France in 1516 and commissioned a survey of a route from the Garonne at Toulouse to the Aude at Carcassonne.

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From left to right: Top row-Archimedes, Aristotle, Alhazen | Ibn al-Haytham, Leonardo da Vinci, Galileo Galilei, Antonie van Leeuwenhoek ; Second row-Isaac Newton, James Hutton, Antoine Lavoisier, John Dalton, Charles Darwin, Gregor Mendel ; Third row-Louis Pasteur, James Clerk Maxwell, Henri Poincaré, Sigmund Freud, Nikola Tesla, Max Planck ; Fourth row-Ernest Rutherford, Marie Curie, Albert Einstein, Niels Bohr, Erwin Schrödinger, Enrico Fermi ; Bottom row-J. Robert Oppenheimer, Alan Turing, Richard Feynman, E. O. Wilson, Jane Goodall, Stephen Hawking
* A Short Guide to Tristan da Cunha by James Glass and Anne Green, Tristan Chief Islanders ( 2005, Whitby Press, 12 pages ).
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* The Church of the Eremitani is an Augustinian church of the 13th century, containing the tombs of Jacopo ( 1324 ) and Ubertinello ( 1345 ) da Carrara, lords of Padua, and for the chapel of SS James and Christopher, formerly illustrated by Mantegna's frescoes.
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