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From left to right: Top row-Archimedes, Aristotle, Alhazen | Ibn al-Haytham, Leonardo da Vinci, Galileo Galilei, Antonie van Leeuwenhoek ; Second row-Isaac Newton, James Hutton, Antoine Lavoisier, John Dalton, Charles Darwin, Gregor Mendel ; Third row-Louis Pasteur, James Clerk Maxwell, Henri Poincaré, Sigmund Freud, Nikola Tesla, Max Planck ; Fourth row-Ernest Rutherford, Marie Curie, Albert Einstein, Niels Bohr, Erwin Schrödinger, Enrico Fermi ; Bottom row-J. Robert Oppenheimer, Alan Turing, Richard Feynman, E. O. Wilson, Jane Goodall, Stephen Hawking
* Robert A. Heinlein's book Tramp Royale ( about a world trip in 1953-54, unpublished until 1992 ) devoted an entire chapter to his ( almost ) visit to Tristan da Cunha, arguably the most remote human settlement on earth.
1977 ); Hughes, Glenn: Pierrot's Mother ( 1923 ); Johnstone, Will B .: I'll Say She Is ( 1924 revue featuring the Marx Brothers and two " breeches " Pierrots ; music by Tom Johnstone ); Macmillan, Mary Louise: Pan or Pierrot: A Masque ( 1924 ); Millay, Edna St. Vincent: Aria da Capo ( 1920 ); Renaud, Ralph E .: Pierrot Meets Himself ( 1933 ); Rogers, Robert Emmons: Behind a Watteau Picture ( 1918 ); Shephard, Esther: Pierrette's Heart ( 1924 ).
* American ( U. S. A .)— Baksa, Robert: Aria da Capo ( 1968 ); Bilotta, John George: Aria da Capo ( 1980 ); Blank, Allan: Aria da Capo ( 1958 – 60 ); Smith, Larry Alan: Aria da Capo ( 1980 )— all libretti by Edna St. Vincent Millay ( see above under Plays, playlets, pantomimes, and revues ).
Robert and Siodmak
Directors such as Fritz Lang, Robert Siodmak, and Michael Curtiz brought a dramatically shadowed lighting style and a psychologically expressive approach to visual composition, or mise-en-scène, with them to Hollywood, where they would make some of the most famous of classic noirs.
Perhaps no director better displayed that spirit than the German-born Robert Siodmak, who had already made a score of films before his 1940 arrival in Hollywood.
Justinian was portrayed by Orson Welles in the 1968 German film Kampf um Rom I, directed by Robert Siodmak.
Robert Siodmak was considered an actor's director, discovering Burt Lancaster and skillfully directing actresses such as Ava Gardner, Olivia de Havilland, Dorothy McGuire, Yvonne de Carlo, Barbara Stanwyck and Ella Raines.
Laughton played a henpecked husband who eventually murders his wife in The Suspect ( 1944 ), directed by Robert Siodmak, who would become a good friend.
He worked in Germany with several other beginners ( Billy Wilder and Robert Siodmak also worked with him on the 1929 feature People on Sunday ) before going to America to study film.
Chaney had run-ins with actor Frank Reicher ( whom he nearly strangled on camera in The Mummy's Ghost ) and director Robert Siodmak ( over whose head Chaney broke a vase ).
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