20th century erotic fiction includes such classics of the genre as: Suburban Souls ( 1901 ), published by Carrington and possibly written by him also ; The Confessions of Nemesis Hunt ( issued in three volumes 1902, 1903, 1906 ), probably by George Reginald Bacchus, printed by Duringe of Paris for Leonard Smithers in London ; Josephine Mutzenbacher ( 1906 ) by Felix Salten ; Sadopaideia ( 1907 ) by Anon ( possibly Algernon Charles Swinburne ); Les Mémoires d ' un jeune Don Juan ( 1907 ) and the somewhat disturbing Les onze mille verges ( 1907 ) by Guillaume Apollinaire ; The Way of a Man with a Maid ( 1908 ) and A Weekend Visit by Anon ; Pleasure Bound Afloat ( 1908 ), Pleasure Bound Ashore ( 1909 ) and Maudie ( 1909 ) by Anon ( probably George Reginald Bacchus ); Manuel de civilité pour les petites filles à l ' usage des maisons d ' éducation ( 1917 ) and Trois filles de leur mère ( 1926 ) by Pierre Louys ; Story of the Eye ( 1928 ) by Georges Bataille ; Tropic of Cancer ( 1934 ) and Tropic of Capricorn ( 1938 ) by Henry Miller ; The Story of O ( 1954 ) by Pauline Réage ; Helen and Desire ( 1954 ) and Thongs ( 1955 ) by Alexander Trocchi ; Ada, or Ardor ( 1969 ) by Vladimir Nabokov ; Journal ( 1966 ), Delta of Venus ( 1978 ) and Little Birds ( 1979 ) by Anaïs Nin and The Bicycle Rider ( 1985 ) by Guy Davenport.

Reluctant at first, she responds to the " firm hand " of Madame Anaïs, who names her ' Belle de Jour ', and has sex with the stranger.

Sylvia Beach, whose famous shop was on 12, rue de l ' Odéon, was still in Paris and came to Le Mistral to see the writers of the new generation, whom Anaïs Nin called Xerox artists, read aloud their new work.

* Anaïs de Thémines, Charles ' wife

The book was later filmed as Henry & June, with Fred Ward as Miller, Uma Thurman as June, and Maria de Medeiros as Anaïs Nin.

The story told is one of a love triangle between the Millers and Anaïs Nin ( Maria de Medeiros ).

* Maria de Medeiros as Anaïs Nin

* A book by Anaïs de Raucou Bazin ;

Sainte-Beuve wrote that to flâner “ is the very opposite of doing nothing .” Honoré de Balzac described flânerie as “ the gastronomy of the eye .” Anaïs Bazin wrote that “ the only, the true sovereign of Paris is the flâneur .” Victor Fournel, in Ce qu ’ on voit dans les rues de Paris ( What One Sees in the Streets of Paris, 1867 ), devoted a chapter to “ the art of flânerie .” For Fournel, there was nothing lazy in flânerie.

de: Andreu Nin

Her first shows in 1925 during a European tour and in the South of France were shared with Joaquin Nin the composer and soloist, the singer Alicita Felici, with Mme Ginesty-Brisson at the piano, or with the opera singer Dolores de Silvera.

In her journal, Nin wrote, " Harvey Breit, Robert Duncan, George Barker, Caresse Crosby, all of us concentrating our skills in a tour de force, supplying the old man with such an abundance of perverse felicities, that now he begged for more.

de: Nin

de: Khadja Nin

Anaïs Nin (; born Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell, February 21, 1903 – January 14, 1977 ) was a French-Cuban author, based at first in France and later in the United States, who published her journals, which span more than 60 years, beginning when she was 11 years old and ending shortly before her death, her erotic literature, and short stories.

Anaïs Nin was born in Neuilly, France, to artistic parents.

After her parents separated, her mother moved Anaïs and her two brothers, Thorvald Nin and Joaquin Nin-Culmell, to Barcelona, and then to New York City.

Anaïs Nin is perhaps best remembered as a diarist.

Previously unpublished works are coming to light in A Café in Space, the Anaïs Nin Literary Journal, which most recently includes " Anaïs Nin and Joaquín Nin y Castellanos: Prelude to a Symphony — Letters between a father and daughter.

Portrait of Anaïs Nin in the 1970s by Elsa Dorfman

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