es: Federico Augusto II de Sajonia

es: Guillermo Augusto de Cumberland

es: Federico Augusto Porter Barnard

es: Carlos Augusto de Morny

es: Cristián Augusto de Anhalt-Zerbst

es: Augusto II de Polonia

es: Augusto III de Polonia

es: Federico Augusto III de Sajonia

es: Augusto César Sandino

es: Aeropuerto Internacional Augusto C. Sandino

es: Afonso Augusto Moreira Pena

es: Augusto Fragoso

es: Augusto Rademaker

es: Augusto Barcia Trelles

es: Ernesto Augusto IV de Hannover

es: Emílio Augusto Goeldi

es: Pedro Augusto de Schleswig-Holstein-Sonderburg-Beck

es: Augusto Felipe de Schleswig-Holstein-Beck

es: Estádio Estadual Jornalista Edgar Augusto Proença

es: Augusto el Joven, duque de Brunswick-Lüneburgo

es: Mausoleo de Augusto

ca: Augusto Boal

de: Augusto Boal

eo: Augusto Boal

fr: Augusto Boal

it: Augusto Boal

nl: Augusto Boal

no: Augusto Boal

pt: Augusto Boal

ro: Augusto Boal

fi: Augusto Boal

sv: Augusto Boal

Partly inspired by Antonio Gramsci's interpretation of culture, the seminal theatre practitioner Augusto Boal developed a series of techniques known as the Theatre of the Oppressed from his work developing community theatre in Latin America.

Theatre of the Oppressed, a form of Community Theatre founded by Augusto Boal is practiced by Centre for Community Dialogue and Change at Bangalore and Janasanskriti, Kolkatta.

* Boal, Augusto.

On graduation, although advised to take a one year post-graduate acting course, he joined Dukes as an actor, and under director Jonathan Petherbridge who used workshops based upon the methods of Augusto Boal, spent 18 months acting in a broad range of productions from Brecht through Shakespeare to modern British playwrights.

* Theatre of the Oppressed, a form of theatre pedagogy developed by Brazilian director Augusto Boal

* Augusto Boal

The Conference networks a wide variety of people with interests in Freire and Augusto Boal — liberatory education and theatre, community organizing, community-based analysis, TIE, race / gender / class / sexual orientation / geography analysis, performance / performance art, comparative education models, etc.

* Honorary Doctorate, the University of Nebraska at Omaha, 1996, along with Augusto Boal, during their residency at the Second Pedagogy and Theatre of the Oppressed Conference in Omaha.

The Brazilian theater practitioner Augusto Boal & Panagiotis Assimakopoulos developed the form during his time in Argentina in the 1970s as part of his Theater of the Oppressed, which focused on oppression and social issues.

* Augusto Boal.

For example, Bertolt Brecht wanted to mobilise his audiences by asking them questions and not giving them answers, thereby getting them to think for themselves ; Augusto Boal wanted his audiences to react directly to the action ; and Antonin Artaud wanted to affect them directly on a subconscious level.

Augusto Boal used the Legislative Theatre on the people of Rio to find out what they wanted to change about their community, and he used the audience reaction to change legislation in his role as a councillor.

* Augusto Boal