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French painters who prepared the way for Impressionism include the Romantic colourist Eugène Delacroix, the leader of the realists Gustave Courbet, and painters of the Barbizon school such as Théodore Rousseau.
It was in Paris in the middle 1840s that Millet befriended Constant Troyon, Narcisse Diaz, Charles Jacque, and Théodore Rousseau, artists who, like Millet, would become associated with the Barbizon school ; Honoré Daumier, whose figure draftsmanship would influence Millet's subsequent rendering of peasant subjects ; and Alfred Sensier, a government bureaucrat who would become a lifelong supporter and eventually the artist's biographer.
Another major Victorian benefactor was Constantine Alexander Ionides, who left 82 oil paintings to the museum in 1901, including works by Botticelli, Tintoretto, Adriaen Brouwer, Jean-Baptiste-Camille Corot, Gustave Courbet, Eugène Delacroix, Théodore Rousseau, Edgar Degas, Jean-François Millet, Dante Gabriel Rossetti, Edward Burne-Jones, plus watercolours and over a thousand drawings and prints
The leaders of the Barbizon school were Jean-Baptiste Camille Corot, Théodore Rousseau, Jean-François Millet, and Charles-François Daubigny ; other members included Jules Dupré, Constant Troyon, Charles Jacque, Narcisse Virgilio Diaz, Pierre Emmanuel Damoye, Charles Olivier de Penne, Henri Harpignies, Gabriel-Hippolyte Lebas ( 1812 – 1880 ), Albert Charpin, Félix Ziem, François-Louis Français, Emile van Marcke, and Alexandre Defaux.
Around 1831 Díaz encountered Théodore Rousseau, for whom he possessed a great veneration, despite the fact that Rousseau was four years his junior.
Pierre Étienne Théodore Rousseau ( April 15, 1812 – December 22, 1867 ), French painter of the Barbizon school.
Théodore Rousseau shared the difficulties of the romantic painters of 1830, in securing for their pictures a place in the annual Paris exhibition.
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