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it: Enrico I di Sassonia
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Enrico and I
One day I tired of following the Hetman's advice of `` shadowing '' and of the `` ring-around-the-rosie '' approach to a report that Enrico Caruso had pinched a lady's hip while visiting the Central Park monkey house.
In 1942, Antonioni co-wrote Un pilota ritorna with Roberto Rossellini and worked as assistant director on Enrico Fulchignoni's I due Foscari.
* Jean-Pierre Mouchon: " Un duo inédit de Frances Alda et Enrico Caruso: Parle-moi de ma mère ( Georges Bizet, Carmen, acte I )" in " Étude " n ° 26, avril-mai-juin 2004, Association internationale de chant lyrique TITTA RUFFO.
* Harold V. Lichtenberger-Member of Enrico Fermi's team at Chicago Pile-1 reactor and participant in the first artificial, self-sustaining, nuclear chain reaction there on Dec. 2, 1942 ; project engineer at Experimental Breeder Reactor I and pulled the switch at 1: 50pm on December 20, 1951, when it became the world's first electricity-generating nuclear power plant.
The Via Panisperna boys ( Italian: I ragazzi di Via Panisperna ) were a group of young scientists led by Enrico Fermi.
In 1987 Amelio released I ragazzi di via Panisperna, about the lives of 1930 Italian physicists such as Enrico Fermi and Edoardo Amaldi, which won the award for best screenplay at the Bari Film Festival.
Enrico and di
Nespolo graduated at the Accademia Albertina di Belle Arti of Turin with Enrico Paulucci and obtained a degree in Modern Literature at the University of Turin, with a thesis on Semiology.
The opera quickly became popular throughout Italy and productions were soon mounted by the following companies: The Teatro di San Carlo ( 14 March 1896, with Elisa Petri as Musetta and Antonio Magini-Coletti as Marcello ); The Teatro Comunale di Bologna ( 4 November 1896, with Amelia Sedelmayer as Musetta and Umberto Beduschi as Rodolfo ); The Teatro Costanzi ( 17 November 1896, with Maria Stuarda Savelli as Mimì, Enrico Giannini-Grifoni as Rodolfo, and Maurizio Bensaude as Marcello ); La Scala ( 15 March 1897, with Angelica Pandolfini as Mimì, Camilla Pasini as Musetta, Fernando De Lucia as Rodolfo, and Edoardo Camera as Marcello ); La Fenice ( 26 December 1897, with Emilia Merolla as Mimì, Maria Martelli as Musetta, Giovanni Apostolu and Franco Mannucci as Rodolfo, and Ferruccio Corradetti as Marcello ); Teatro Regio di Parma ( 29 January 1898, with Solomiya Krushelnytska as Mimì, Lina Cassandro as Musetta, Pietro Ferrari as Rodolfo, and Pietro Giacomello as Marcello ); And the Teatro Donizetti di Bergamo ( 21 August 1898, with Emilia Corsi as Mimì, Annita Barone as Musetta, Giovanni Apostolu as Rodolfo, and Giovanni Roussel as Marcello ).
Among the cast was the young Enrico Caruso, who performed with great success the Lamento di Federico: È la solita storia del pastore, the romance which was to keep alive the memory of the opera even to the present day.
They included Giorgio Ronconi, who created the title role in Verdi's Nabucco ; Felice Varesi, who created the title roles in Macbeth and Rigoletto as well as Germont in La traviata ; Antonio Superchi, the originator of Don Carlo in Ernani ; Francesco Graziani, who was the original Don Carlo di Vargas in La forza del destino ; Leone Giraldoni, the creator of Renato in Un ballo in maschera and the first Simon Boccanegra ; Enrico Delle Sedie, who was London's first Renato ; Adriano Pantaleoni, renowned for his performances as Amonasro in Aida as well as other Verdi roles at La Scala, Milan ; Francesco Pandolfini, whose singing at La Scala during the 1870s was praised by Verdi ; Antonio Cotogni, a much lauded singer in Milan, London and Saint Petersburg, the first Italian Posa in Don Carlos and later a great vocal pedagogue, too ; and Giuseppe Del Puente, who sang Verdi to acclaim in the United States.
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