it: La casa 2

Other noteworthy recent Italian films include: Jona che visse nella balena directed by Roberto Faenza, Il grande cocomero by Francesca Archibugi, Il mestiere delle armi by Olmi, L ' ora di religione by Marco Bellocchio, Il ladro di bambini, Lamerica, Le chiavi di casa by Gianni Amelio, Io non ho paura by Gabriele Salvatores, Le fate ignoranti, La finestra di fronte by Ferzan Özpetek, La bestia nel cuore by Cristina Comencini.

The most characteristic differences, for instance, between Roman Italian and Milanese Italian are the gemination of initial consonants and the pronunciation of stressed " e ", and of " s " in some cases: e. g. va bene " all right ": is pronounced by a Roman ( and by any standard-speaker ), by a Milanese ( and by any speaker whose native dialect lies to the north of La Spezia-Rimini Line ); a casa " at home " is for Roman and standard, for Milanese and generally northern.

it: La casa dei Rothschild

Following this, Bodas de Sangre ( Blood Wedding ), Yerma and La casa de Bernarda Alba ( The House of Bernarda Alba ) were successfully played on the main Spanish stages.

* La casa de Bernarda Alba ( The House of Bernarda Alba: written 1936, first production 1945 )

* Bernarda Alba, the mother in Federico García Lorca's drama, La casa de Bernarda Alba

* Torrione, M., « La casa de Farinelli en el Real Sitio de Aranjuez.

# The House on the Edge of the Park ( original title: La casa sperduta nel parco ) – released with 11 minutes 43 seconds cut in 2002 ; re-released with 42 seconds cut in 2011

** La casa dorata di Samarcanda-La Maison dorée de Samarkand ( 1980 )

* Premio Nadal: José Félix Tapia, La luna ha entrado en casa

it: La piccola casa nella prateria

** La casa nova

* April 2009: La casa del libro, Granada, Spain ISBN 978-84-96013-52-0 ( Spanish of Spain, Europe ), Publisher: Grupo Editorial AJEC

it: La casa dei 1000 corpi

* 1977: La casa y el ladrillo (" The House and the Brick ")

His subsequent books of poetry included Diálogos fantásticos (' Fantastic Dialogues ', 1899 ), Flores de escarcha (' Frost Flowers ', 1900 ) and La casa de primavera (' The House of Spring ', 1907 ).

* 1988: La casa al final de la calle ( TV series ) Claudio Juárez

it: La casa dei fantasmi ( film 2003 )

es: La casa deshabitada

Later on, she starred in La familia hoy duerme en casa and Había una vez un circo, with the famous Spanish clowns: Gaby, Fofó and Miliky ( 1970 ).

* 1985: La casa que arde de noche

it: La caduta della casa degli Usher

His best known films are La jetée ( 1962 ), A Grin Without a Cat ( 1977 ), Sans Soleil ( 1983 ) and AK ( 1985 ), an essay film on the Japanese filmmaker Akira Kurosawa.

Marker became known internationally for the short film La jetée ( The Pier ) in 1962.

La Jetée was the inspiration for Mamoru Oshii's 1987 debut live action feature The Red Spectacles ( and, later for, parts of Oshii's 2001 film Avalon as well ) and also inspired Terry Gilliam's 12 Monkeys ( 1995 ).

The resulting film was the two and a half hour documentary La Spirale, released in 1975.

Marker also reminds the reader that only one short scene in La Jetée is of a moving image, as Marker could only borrow a movie camera for one afternoon while working on the film.

* Description of Marker's ' cine roman ' titled La jetée, based on the film of the same name.

* The Blood Spattered Bride ( La Novia Ensangrentada ) is a 1972 Spanish horror film written and directed by Vicente Aranda, is based on the text.

The artistic challenge was resurrected with increasing ambition as art became more and more realistic with the invention of photography, film ( see Arrival of a Train at La Ciotat ), and immersive computer simulations.

In Jean Cocteau's 1946 film La Belle et la Bête it is Diana's power which has transformed and imprisoned the beast.

In his 1968 film La Mariée était en noir François Truffaut plays on this mythological symbol.

Argentine boxer Carlos Monzon, who didn't have a clear diction, had his voice dubbed by a professional actor when he played the lead in the drama La Mary, and Gert Frobe, who played Auric Goldfinger in the James Bond film of that name ( Goldfinger ) was because of his heavy German accent dubbed by Michael Collins.

* Lady for a Day ( 1933 )— Adapted by Robert Riskin, who suggested the name change from Runyon's title " Madame La Gimp ," the film garnered Academy Award nominations for Best Picture, Best Director ( Frank Capra ), Best Actress ( May Robson ), and Best Adaptation for the Screen ( Riskin ).

In the Italian Ambrosio companies film La mala planta ( The Evil Plant ), directed by Mario Caserini, which involves a case of poisoning, there is an Insert shot of a snake slithering over the ‘ Evil Plant ’.

The war comedy La Grande Vadrouille ( 1966 ), from Gérard Oury with Bourvil, was the most successful film in French theaters for more than 30 years.

The 1979 film La Cage aux Folles ran for well over a year at the Paris Theatre, an art house cinema in New York City, and was a commercial success at theaters throughout the country, in both urban and rural areas.

Mathieu Kassovitz's 1995 film Hate ( La Haine ) received critical praise and made Vincent Cassel a star, and in 1997, Juliette Binoche won the Academy Award for Best Supporting Actress for her role in The English Patient.

In 2001 Nanni Moretti's film The Son's Room ( La stanza del figlio ) received the Palme d ' Or at the Cannes Film Festival.

* La Révolution française ( film )

He also contributed to film magazines from all around the world, including Spanish speaking La Cosa: Cine Fantástico magazine, from Argentina, where he had a monthly column for over four years.

( Opper ’ s Happy Hooligan would provide the visual inspiration for Gelsomina in Fellini's 1954 film La strada ; McCay ’ s Little Nemo would directly influence his 1980 film City of Women.

Exploiting La Dolce Vita ’ s success, financier Angelo Rizzoli set up Federiz in 1960, an independent film company, for Fellini and production manager Clemente Fracassi to discover and produce new talent.

It is also true that none of Cocteau's works has inspired as much imitation: Francis Poulenc's opera La Voix humaine, Gian Carlo Menotti's " opera bouffa " The Telephone and Roberto Rosselini's film version in Italian with Anna Magnani L ' Amore ( 1948 ).

* 1946 La Belle et la Bête ( film journal )