nl: American Film Institute

nl: Frank Film

nl: Film in 1990

nl: Film in 1962

nl: Film in 1958

nl: Film in 1912

nl: Film in 1908

nl: Film in 1907

nl: Film in 1906

nl: Film in 1905

nl: Film in 1904

nl: Sciencefiction # Film en televisie

nl: Hammer Film Productions

nl: Film in 1895

nl: Film in 1896

nl: Film in 1899

nl: Film in 1898

nl: Thin Film Transistor

nl: Film in 1892

nl: Film in 1891

nl: British Independent Film Award

nl: Los Angeles Film Critics Association

nl: Film

nl: Nederlandse Film en Televisie Academie

nl: 1911

nl: Categorie: Film uit 1911

nl: Categorie: 1911

nl: Categorie: Sport in 1911

nl: Atlantisch orkaanseizoen 1911

In April 1911, Gaston Méliès moved his Star Film Company from San Antonio, Texas to a site just north of Santa Paula.

Gaston Méliès brought his Star Film Company to the city in 1911, filming movies such as The Ghost of Sulphur Mountain.

In 1911, her career took a leap when she was hired by Edwin Thanhouser of the Thanhouser Film Corporation in New Rochelle, New York.

With some friends he established a production company, Le Film Français, and began directing his own films in 1911 with La Digue ( ou Pour sauver la Hollande ), a historical film which featured the first screen appearance of Pierre Renoir.

Al had worked with David Horsley at his Centaur Film Company in Bayonne, New Jersey and moved to California in 1911 to run Nestor Studios, the first ever motion picture studio in Hollywood.

da: Kategori: Film fra 1911

fr: Catégorie: Film sorti en 1911

it: Categoria: Film del 1911

Val Guest ( 11 December 1911 – 10 May 2006 ) was a British film director, best known for his science-fiction films for Hammer Film Productions in the 1950s, but who also enjoyed a long, varied and active career in the film industry from the early 1930s up until the early 1980s.

As Nordisk Film, it became a publicly traded company in 1911.

In 1911, with director August Blom as the new head of production, Nordisk Film was the first of the major European companies to devote itself entirely to full-length feature films.

Other Continental musicals that Ross anglicized included A Waltz Dream ( 1908 ), The Dollar Princess ( 1909 ), The Girl in the Train ( 1910 ), The Count of Luxembourg ( 1911 ), The Girl on the Film ( 1913 ) and The Marriage Market ( 1913 ), most of which had enduring success throughout the English-speaking world.