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Michel and Serres
* Michel Serres ,( ed.
French philosopher Michel Serres noted that the 23 Tintin albums constituted a "" to which " the work of no French novelist is comparable in importance or greatness ".
It was critically acclaimed by the likes of Maurice Blochot, Michel Serres, Roland Barthes, Gaston Bachelard, and Fernand Braudel, but much to Foucault's upset, largely ignored in the leftist press.
Blaise Pascal's Écrits sur la grâce, based on what Michel Serres has called his " anamorphotic method ," attempted to conciliate the contradictory positions of Molinists and Calvinists by stating that both were partially right: Molinists, who claimed God's choice concerning a person's sin and salvation was a posteriori and contingent, while Calvinists claimed that it was a priori and necessary.
a portion of teaching buildings and library Michel Serres
As a student, Latour originally focused on philosophy and was deeply influenced by Michel Serres.
* Michel Serres
Initially created in an attempt to understand processes of innovation and knowledge-creation in science and technology, the approach drew on existing work in STS, on studies of large technological systems ( see large technical system ), and on a range of French intellectual resources including the semiotics of Algirdas Julien Greimas, the writing of philosopher Michel Serres, and the Annales School of history.
* Michel Serres ( born 1930 ), philosopher and author
Jacques Attali then enlarged his circle of acquaintances to Raymond Barre, Jacques Delors, Philippe Séguin, Jean-Luc Lagardère, Antoine Riboud, Michel Serres, Coluche.
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* Michel Serres ( 1930-), a French philosopher
* Conversations on Science, Culture, and Time ( Studies in Literature and Science ) – Michel Serres ; et al.
* Homi K. Bhabha, Rhonda K. Garelick, Michel Serres, Isabel Tejeda, Jorge Daniel Veneciano, Paul Virilio, and Lan Vu, " Faboulous Harlequin, Orlan and the patchwork self ", edited by the University of Nebraska, 2010 ( Received the First Price " Museum Publication Design " from the American Association Museums for 2011 )

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