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pt: Sérgio Godinho
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pt and Sérgio
Other musicians-that helped to turn the traditional Brazilian music more flexible, with powerful rock or pop influences-were a relative hit too, like Elis Regina, Alceu Valença, Geraldo Azevedo, Belchior, Gonzaguinha, Zé Ramalho, Raimundo Fagner, Luiz Melodia, Boca Livre, Maria Alcina, Luli e Lucina and after the end of Novos Baianos, Baby Consuelo ( then: pt: Baby do Brasil ), Pepeu Gomes and Moraes Moreira, but there were musicians that made a more experimental mix, who didn't have the same good luck in their careers and access to the media, and because of this are known as " malditos ", the darns, but at a later time they will be an important reference for the second Brazilian alternative scene-they are: Ednardo, Walter Franco, Jorge Mautner, Jards Macalé, Taiguara, Arnaldo Baptista ( Mutantes ) and Sérgio Sampaio.
Sérgio and Godinho
The market showed a renewed interest for Lisbon ’ s urban song, as testified by the increasing attention given by the discographic industry through the re-edition of recorded registries, fado ’ s gradual interpretation in the popular festivities circuits at a regional scale, the progressive appearance of a new generation of interpreters, and even the approach of singers from other areas to fado such as José Mário Branco, Sérgio Godinho, António Variações and Paulo de Carvalho.
Many composers and singers became famous and persecuted by the political police, some of them being arrested or exiled, such as Zeca Afonso, Paulo de Carvalho, José Mário Branco, Sérgio Godinho, Adriano Correia de Oliveira, Manuel Freire, Fausto, Vitorino, Júlio Pereira and some others.
With artists like Sérgio Godinho and Luís Cília, Afonso helped form nova canção music, which, after the 1974 revolution, gained socially-aware lyrics and became canto livre.
One of its main protagonists was José ( Zeca ) Afonso ( 1929 – 1987 ) but others also contributed to its development, for example Adriano Correia de Oliveira, José Mário Branco, Luís Cilia, Francisco Fanhais, José Jorge Letria, José Barata Moura and Sérgio Godinho.
His coffin was covered with a red flag with no symbols, as he had wished, and it was borne by, among others, Sérgio Godinho, Júlio Pereira, José Mário Branco, Luís Cília and Francisco Fanhais.
Performers at this event included Brigada Victor Jara, Censurados, Delfins, Diva, Entre Aspas, Essa Entente, Frei Fado D ' El Rei, GNR, Madredeus, Mão Morta, Opus Ensemble, Peste & Sida, Resistência, Ritual Tejo, Sérgio Godinho, Sétima Legião, Sitiados, Tubarões, UHF, Vozes da Rádio, and Xutos & Pontapés.
This time she sang songs by Sérgio Godinho (" Liberdades Poeticas "), Amália Rodrigues (" Lágrima "), along with poems from António Lobo Antunes (" Nasci Para Morrer Contigo "), Rosa Lobato de Faria (" Fado Quimera " and " Velhos Amantes " based on a song by Jacques Brel ) and even a text by future Nobel prize winner José Saramago (" Fado Adivinha ").
Her 1999 album, " Paixões Diagonais " (" Diagonal Passions ") again used songs from a variety of writers, from João Monge, Amélia Muge, Antonio dos Santos or Vitorino Salomé, to Rosa Lobato de Faria or Sérgio Godinho.
Mixing pieces of the best works of the Portuguese guitarist Carlos Paredes with poems by Vasco Graça Moura ( and lyrics by Sérgio Godinho and Pedro Tamen ), Mísia created a musical work she would describe as belonging to her " gallery of impossible things ".
He's often considered the greatest name of the Portuguese popular music, after Zeca Afonso, even if their music styles are quite different, and Sérgio Godinho songs are often more of an urban style.
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