The truth table of p ↔ q is as follows :< ref > p <=> q .&# 32 ; Wolfram &# 124 ; Alpha

Indeed, special relativity largely comes down to studying a kind of noneuclidean trigonometry in Minkowski spacetime, as suggested by the following table :< ref group = A >

Schematic representation :< table style =" background: transparent ">< tr >< td >( 1 ) Video camera </ td >< td >( 2 ) Shroud </ td ></ tr >< tr >< td >( 3 ) Video monitor </ td >< td >( 4 ) Clear glass or beam splitter </ td ></ tr >< tr >< td >( 5 ) Image from subject </ td >< td >( 6 ) Image from video monitor </ td ></ tr ></ table >

:< table >

See footnote 1 for the table of contents .< ref > From the table of contents for Harmonium in Frank Kermode and Joan Richards, editors, ix-xi :< ul >< li > Earthy Anecdote < li > Invective Against Swans < li > In the Carolinas < li > The Paltry Nude Starts on a Spring Voyage < li > The Plot Against the Giant < li > Infanta Marina < li > Domination of Black < li > The Snow Man < li > The Ordinary Women < li > The Load of Sugar-Cane < li > Le Monocle de Mon Oncle < li > Nuances of a Theme by Williams < li > Metaphors of a Magnifico < li > Ploughing on Sunday < li > Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges < li > Hibiscus on the Sleeping Shores < li > Fabliau of Florida < li > The Doctor of Geneva < li > Another Weeping Woman < li > Homunculus et La Belle Etoile < li > The Comedian as the Letter C < li > From the Misery of Don Joost < li > O Florida, Venereal Soil < li > Last Look at the Lilacs < li > The Worms at Heaven's Gate < li > The Jack-Rabbit < li > Anecdote of Men by the Thousand < li > The Silver Plough Boy < li > The Apostrophe to Vincentine < li > Foral Decorations for Bananas < li > Anecdote of Canna < li > Of the Manner of Addressing Clouds < li > Of Heaven Considered as a Tomb < li > Of the Surface of Things < li > Anecdote of the Prince of Peacocks < li > A High-Toned Old Christian Woman < li > The Place of the Solitaires < li > The Weeping Burgher < li > The Curtains in the House of the Metaphysician < li > Banal Sojourn < li > Depression Before Spring < li > The Emperor of Ice-Cream < li > The Cuban Doctor < li > Tea at he Palaz of Hoon < li > Exposition of the Contents of a Cab < li > Disillusionment of Ten O ' Clock < li > Sunday Morning < li > The Virgin Carrying a Lantern < li > Stars at Tallapoosa < li > Explanation < li > Six Significant Landscapes < li > Bantams in Pine-Woods < li > Anecdote of the Jar < li > Palace of the Babies < li > Frogs Eat Butterflies.

:< table width =" 80 %">< tr >< td width =" 50 %"> Inceptis grauibus plerumque et magna professispurpureus, late qui splendeat, unus et alteradsuitur pannus, cum lucus et ara Dianaeet properantis aquae per amoenos ambitus agrosaut flumen Rhenum aut pluuius describitur arcus ; sed nunc non erat his locus.

The first officers of the organization were :< table border =" 0 " cellspacing =" 1 " cellpadding =" 1 ">< tr >< td > President :</ td >< td > </ td >< td > Hon.

Membership in the RCGA was :< table border =" 0 " cellspacing =" 1 " cellpadding =" 1 ">< tr >< td > 1895 </ td >< td > 10 clubs </ td >< td > </ td ></ tr >< tr >< td valign =" top "> 1898 </ td >< td > Associates: Allied :</ td >< td > 113 </ td ></ tr >< tr >< td > 1902 </ td >< td > 20 </ td >< td > </ td ></ tr >< tr >< td > 1905 </ td >< td > 33 </ td >< td > </ td ></ tr >< tr >< td > 1961 </ td >< td > 512 </ td >< td > </ td ></ tr >< tr >< td > 1990 </ td >< td > 1500 </ td >< td > </ td ></ tr ></ table >

:< table >< tr >< th >- tsiaq -</ th >< td > well </ td ></ tr >< tr >< th >- junnaq -</ th >< td > be able to </ td ></ tr >< tr >< th >- nngit -</ th >< td > not < td ></ tr >< tr >< th >- tualuu -</ th >< td > very much </ td ></ tr >< tr >< th >- junga </ th >< td > 1st pers.

:< table class =" wikitable " border =" 1 " width =" 100 %">< tr >< th width =" 15 %"/>< th width =" 25 %"> Singular </ th >< th width =" 25 %"> Dual </ th >< th width =" 35 %"> Plural </ th ></ tr >< tr >< th > First person </ th >< td > pisuktunga ( I am walking )</ td >< td > pisuktuguk ( we are walking )</ td >< td > pisuktugut ( we than two are walking )</ td ></ tr >< tr >< th > Second person </ th >< td > pisuktutit ( you are walking )</ td >< td > pisuktusik ( you are walking )</ td >< td > pisuktusi ( you than two are walking )</ td ></ tr >< tr >< th > Third person </ th >< td > pisuktuq ( he / she / it is walking )</ td >< td > pisuktuuk ( they are walking )</ td >< td > pisuktut ( they than two are walking )</ td ></ tr ></ table >

:< table class =" wikitable " border =" 1 " width =" 100 %">< tr >< th width =" 15 %"/>< th width =" 25 %"> Singular </ th >< th width =" 25 %"> Dual </ th >< th width =" 35 %"> Plural </ th ></ tr >< tr >< th > First person </ th >< td > anijunga ( I have just gone out )</ td >< td > anijuguk ( we have just gone out )</ td >< td > anijugut ( we than two have just gone out )</ td ></ tr >< tr >< th > Second person </ th >< td > anijutit ( you have just gone out )</ td >< td > anijusik ( you have just gone out )</ td >< td > anijusi ( you than two have just gone out )</ td ></ tr >< tr >< th > Third person </ th >< td > anijuq ( he / she / it has just gone out )</ td >< td > anijuuk ( they have just gone out )</ td >< td > anijut ( they than two have just gone out )</ td ></ tr ></ table >

:< table >< tr >< td > Quviasukpit?

:< table >< tr >< th align =" left "> Piita anijuq </ th >< td > </ td >< td > Peter just went out .</ td ></ tr >< tr >< th align =" left "> Lui quviasuktuq </ th >< td > </ td >< td > Louis is happy </ td ></ tr ></ table >

:< table class =" wikitable " border =" 1 ">< tr >< th colspan =" 3 "> Indefinite suffixes </ th ></ tr >< tr >< td > Singular </ td >< th >- mik </ th >< td >/ m / nasalises a preceding consonant </ td ></ tr >< tr >< td > Dual </ td >< th >- rnik </ th >< td > deletes any preceding consonant and doubles the length of the preceding vowel </ td ></ tr >< tr >< td > Plural </ td >< th >- nik </ th >< td >/ n / nasalises a preceding consonant </ td ></ tr ></ table >

:< table >< tr >< td > Singular :</ td >< td > Inuvini < u > rmik </ u > takujunga </ td >< td > </ td >< td > I see a dead person .</ td ></ tr >< tr >< td > Dual :</ td >< td > Inuvin < u > iirnik </ u > takujunga </ td >< td > </ td >< td > I see two dead people .</ td ></ tr >< tr >< td > Plural :</ td >< td > Inuvini < u > rnik </ u > takujunga </ td >< td > </ td >< td > I see dead people .</ td ></ tr ></ table >

:< table class =" wikitable " border =" 1 ">< tr >< td > Singular </ td >< th >- up </ th >< td >/ u / disappears when it is preceded by a double vowel </ td ></ tr >< tr >< td > Dual </ td >< th >- k </ th >< td > doubles the preceding vowel, if it is not already double </ td ></ tr >< tr >< td > Plural </ td >< th >- it </ th >< td >/ i / disappears when it is preceded by a double vowel </ td ></ tr ></ table >

:< code >< character >=< value ></ code >

:< tt >< a href =" URL " title =" link title " target =" link target " class =" link class "> link label </ a ></ tt >

:< code >< nowiki >< a href =" http :// example. com /"> Example </ a ></ nowiki ></ code >

:< big >< big ></ big ></ big >

As a result, the Cup trustees issued more specific rules on how the trophy should be defended and awarded :< ref >< nowiki > Diamond, Zweig, and Duplacey </ nowiki >, p. 17 – 18 </ ref >

:< tt >< nowiki >: fr: Littérature française du XVIIIe siècle or: ja: Wikipedia: 井戸端 </ nowiki ></ tt >

:< tt >< nowiki > Littérature française du XVIIIe siècle or Wikipedia: 井戸端 </ nowiki ></ tt >

:< small >< u > Article 72 </ u >: All < nowiki >[...]</ nowiki > offices filled by popular vote are subject to revocation .</ small >

:< code >< nowiki > DCC CHAT < protocol > < ip > < port ></ nowiki ></ code >

:< code >< nowiki > DCC CHAT wboard < ip > < port ></ nowiki ></ code >

:< code >< nowiki > DCC SEND < filename > < ip > < port ></ nowiki ></ code >

:< code >< nowiki > DCC SEND < filename > < ip > < port > < file size ></ nowiki ></ code >

:< code >< nowiki > DCC RESUME < filename > < port > < position ></ nowiki ></ code >

:< code >< nowiki > DCC ACCEPT < filename > < port > < position ></ nowiki ></ code >

:< code >< nowiki > DCC XMIT < protocol > < ip > < port >

It follows that the flows generated by the vector fields are given by :< ul >< li ></ li >< li ></ li ></ ul > Since these flows are globally defined, every left-and right-invariant vector field on is complete.

Items found in the burial chamber can be grouped into several categories :< ref > Reeves, C. N., < cite > Valley of the Kings </ cite > ( Kegan Paul, 1990 ) p. 46-47 </ ref >< ref > Bell, M. R., < cite >" An Armchair Excavation of KV 55 ", JARCE 27 ( 1990 )</ cite > p. 110-119 </ ref >

The Carolingian Empire at its greatest extent, with borders displaying the three territorial divisions of 843, from left to right :< ul >< li > West Francia or the West Frankish Kingdom: Charles the Bald, King of the West Franks .</ li >< li > Middle Francia or the Middle Frankish Kingdom: Lothair I, King of the Middle Franks, nominally titled Emperor.

* Stråhle ( 1743 ) p. 285-286 :< p >" Enligit detta påfund, har jag bygt et Monochordium, i så måtto, at det fullan hafver 13 strängar, ock skulle dy snarare heta Tredekachordium, men som alla strängarna, äro af en nummer, längd ock thon ; så behåller jag det gamla namnet .</ p >< p >" Til dessa tretton strängar, är lämpadt et vanligit Manual, af en Octave ; men under hvar sträng, sedan de noga äro stämde i unison, sätter jag löfa stallar, å de puncter, ock till de längder fra crepinerne, som min nu beskrefne Linea Musica det äfkar: derefter hvar sträng undfår sin behöriga thon .</ p >< p >" Det Claver, som jag här til förfärdigat är jämnväl i de tre högre Octaverne, noga rättadt efter min Linea Musica, til strängarnes längd ock skilnad: ock på det stämningen, må utan besvär, kunna ske ; så är mit Monochordium så giordt, at det kan ställas ofvan på Claveret, då en Octav på Claveret stämmes, thon för thon, mot sina tillhöriga thoner på Monochordium, derefter alla de andra thonerne, å Claveret, stämmas Octavs-vis ; den stamningen, är ock för örat lättast at värkställa, emedan den bör vara fri för svängningar.

:< code >< URN > ::= " urn :" < NID > ":" < NSS ></ code >

< tr >< td > Baso Minangkabau :< td > Ba ' a kaba?

< tr >< td > Indonesian / Malay :< td > Apa kabar?

< tr >< td > English :< td > How are you ?.

< tr >< td > Baso Minangkabau :< td > Lai elok-elok se nyo.

< tr >< td > Indonesian / Malay :< td > Saya baik-baik saja.

< tr >< td > English :< td > I'm very well.

< tr >< td > Baso Minangkabau :< td > Sia namo sanak?

< tr >< td > Indonesian / Malay :< td > Siapa nama anda?

< tr >< td > English :< td > What is your name ?.

< tr >< td > Baso Minangkabau :< td > Namo ambo John

< tr >< td > Indonesian / Malay :< td > Nama saya John

< tr >< td > English :< td > My name is John.

< tr >< td > Baso Minangkabau :< td > Tarimo Kasih

< tr >< td > Indonesian / Malay :< td > Terima Kasih

< tr >< td > English :< td > Thank you.

< tr >< td > Baso Minangkabau :< td > Sadang kayu di rimbo ndak samo tinggi, kok kunun manusia ( expression )

< tr >< td > Indonesian / Malay :< td > Sedangkan pohon di hutan tidak sama tinggi, apalagi manusia

< tr >< td > English :< td > Even the trees in the jungle are not all of the same height, let alone the people.

< tr >< td > Baso Minangkabau :< td > Co a koncek baranang co itu inyo ( expression )

< tr >< td > Indonesian / Malay :< td > Bagaimana katak berenang seperti itulah dia.

< tr >< td > English :< td > The way a frog swims, the way he does.

< tr >< td > Baso Minangkabau :< td > Indak buliah mambuang sarok disiko!

< tr >< td > Indonesian / Malay :< td > Tidak boleh membuang sampah di sini!

< tr >< td > English :< td > Do not dump rubbish here!

< tr >< td > Baso Minangkabau :< td > Ijan di pacik!