A relative newcomer in outdoor signs is Mylar polyester film, now used as a printed overlay for trans-illuminated signs ( see below ).

The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.

For example, when the film is only four minutes old, Neitzbohr refers to a small, Victorian piano stool as `` Wilhelmina '', and we are thereupon subjected to a flashback that informs us that this very piano stool was once used by an epileptic governess whose name, of course, was Doris ( the English equivalent, when passed through middle-Gaelic derivations, of Wilhelmina ).

The effect, needless to say, is almost terrifying, and though at times a bit obscure, the film is certainly a much-needed catharsis for the `` repressed '' movie-goer.

Since the removal force is a function of coating thickness, a differential transformer pickup has been incorporated into the instrument to accurately measure film thickness.

If the force required to remove the coatings is plotted against film thickness, a graph as illustrated schematically in Fig. 5 may characteristically result.

Here, H is the coatings removal force measured parallel to the surface of the substrate and T is the film thickness.

If the cutting force, Af, is plotted against film thickness, a straight line should result passing through the origin and having slope Af.

This signifies that **yc, the rake angle, is no longer a constant to zero film thickness.

The resultant friction force, Af is thus directly proportional to Af and consequently also to film thickness.

The first two forces are directly interrelated and depend upon film thickness, whereas Af is independent of these two and is a constant for a given knife/coating combination.

Of the two, Porter is justly the better known, for he went far beyond the vital finding of fiction for films to take the first step toward fashioning a language of film, toward making the motion picture the intricate, efficient time machine that it has remained since, even in the most inept hands.

In a series of fairy tales and fantasies, Melies demonstrated that the film is superbly equipped to tell a straightforward story, with beginning, middle and end, complications, resolutions, climaxes, and conclusions.

In narrative, time is essential, as it is in film.

Almost everything about the movies that is peculiarly of the movies derives from a tension created and maintained between narrative time and film time.

The Great Train Robbery is a one-reel film.

The material of the Porter film is simplicity itself ; ;

The plane of the action in the scene is not parallel with the plane of the film in the camera or on the screen.

The physical film is cut with a knife at the end of one complete sequence, and the cut edge is joined physically, by cement, to the cut edge of the beginning of the next sequence.

The `` chase '' as a standard film device probably dates from The Great Train Robbery, and there is a reason for the continued popularity of the device.

There still remained the need for one great film artist to explore the full potential of the new form and to make it an art.

The film is ultimately significant insofar as it displays the first enunciation of De Palma's style in all its major traits – voyeurism, guilt, and a hyper-consciousness of the medium are all on full display, not just as hallmarks, but built into this formal, material apparatus itself.

They also released a full length album soundtrack for the film He Got Game in 1998.

He said he was promised a minimum of one percent of the producers ' net profits of the film and did not receive the full amount.

Do the Right Thing ( 1989 ), Spike Lee's debut film, and The Color Purple ( 1985 ) were full character studies of African American culture and history.

The film exists in at least 10 different versions ranging from a sub-90 minute television edit version of TV-14 ( later TVMA ) for cable television to an unrated full XXX pornographic version exceeding 3. 5 hours.

Todd McCarthy of Variety gave the film a B + judging that " Coppola finds creative nirvana, he frequently has trouble delivering the full goods.

When shooting is finished, the director can then turn his full attention to collaborating with the editor and further refining the cut of the film.

* 1940 – The second full length animated Walt Disney film, Pinocchio, premieres.

Kennedy wrote to president Roosevelt that " in foreign countries this film must inevitably strengthen the mistaken impression that the United States is full of graft, corruption and lawlessness.

Capra's personal papers and some of his film related materials are contained in the Wesleyan University Cinema Archives, which allows scholars and media experts from around the world full access.

For writer Moodysson, it was his directorial debut in a full length film.

Certain of his film related material and personal papers are contained in the Wesleyan University Cinema Archives to which scholars and media experts from around the world may have full access.

To help promote the film abroad, Caprino and Sandemose built a full scale replica of Il Tempo Gigante that is legal for public roads, but is usually exposited at Hunderfossen Familiepark.

Introducing methods of photographing high-speed auto racing that had never been seen before, mounting cameras on the cars, at full speed and putting the stars in the actual cars, instead of against rear-projections, the film was an international success and won three Oscars, for editing, sound and sound effects.

In more recent years, restoring the full title has become increasingly common, particularly to distinguish the novel from the Hollywood film.

She appeared in full Apache clothing and stated that owing to the " poor treatment of Native Americans in the film industry ", Brando would not accept the award.

* Extended placement: full episodes of television talkshows ( Oprah ), entertainment news programs ( ET ), or network news programs ( 20 / 20 ), devoted to compensated exposure of the film, stars, clips, director, etc.

The full collaboration of the Eskimos was key to Flaherty's success as the Eskimos were his film crew and many of them knew his camera better than he did.

Any tampering with the original image of a film, particularly to crop it to fit a television screen, implies a compromise of the original image, and the cropping of a widescreen image to a full screen image for standard televisions requires skill by a film editor to prevent undue loss of elements of the composition.

Flaherty also brought full developing, printing and projection equipment to show the Inuit his film, while he was still in the process of filming.

Once full features became commonplace, however, music was compiled from photoplay music by the pianist, organist, orchestra conductor or the movie studio itself, which included a cue sheet with the film.