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Scholars of ballads are often divided into two camps, the ‘ communalists ’ who, following the line established by the German scholar Johann Gottfried Herder ( 1744 – 1803 ) and the Brothers Grimm, argue that ballads arose by a combined communal effort and did not have a single author, and ‘ individualists ’, following the thinking of English collector Cecil Sharp, who assert that there was a single original author.
The communalist position tends to lead to the view that more recent, particularly printed broadside ballads, where we may even know the author, are a debased form of the genre.
The individualists position has tended to lead to the view that later changes in the words of ballads are corruptions of an original text.
More recently scholars have pointed to the interchange of oral and written forms of the ballad.

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