Dorian's " poisonous French novel " that leads to his downfall is believed to be Joris-Karl Huysmans ' novel À rebours.

He is most famous for the novel À rebours ( published in English as Against the Grain or Against Nature ).

First considered part of Naturalism in literature, he became associated with the decadent movement with his publication of À rebours.

Huysmans ' novel À rebours ( Against the Grain or Against Nature or Wrong Way ) ( 1884 ) became his most famous, or notorious.

Huysmans began to drift away from the Naturalists and found new friends among the Symbolist and Catholic writers whose work he had praised in À rebours.

Barbey d ' Aurevilly told Huysmans that after writing À rebours, he would have to choose between " the muzzle of a pistol and the foot of the Cross.

It also displays an encyclopaedic erudition, ranging from the catalogue of decadent Latin authors in À rebours to the discussion of the iconography of Christian architecture in La cathédrale.

* À rebours ( 1884 )

Joris-Karl Huysmans ' 1884 novel À rebours ( English title: Against Nature ) explored many themes that became associated with the symbolist aesthetic.

Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled À rebours ( Against Nature ).

** À rebours

* Against the Grain, one English title of À rebours, Symbolist novel by Joris-Karl Huysmans, also known as Against Nature, the second English title

This " yellow book " is understood by critics to be À rebours by Joris-Karl Huysmans, a representative work of Parisian decadence that heavily influenced British aesthetes like Beardsley.

In his 1884 novel À rebours Frenchman Joris-Karl Huysmans describes the depiction of Salome in Moreau's painting:

The novel À rebours by Joris-Karl Huysmans includes these fevered imaginings about an image of Salome in a Moreau painting:

* 1884-In Huysmans's " À rebours " the persistent odor of frangipani troubles Jean des Esseintes.

* À rebours, a French novel by Joris-Karl Huysmans

À rebours (; translated Against Nature or Against the Grain ) ( 1884 ) is a novel by the French writer Joris-Karl Huysmans.

À rebours contains many themes that became associated with the Symbolist aesthetic.

À rebours marked a watershed in Huysmans's career.

Des Esseintes as in the 1931 illustrated edition of À rebours

It is widely believed that À rebours is the " poisonous French novel " that leads to the downfall of Dorian Gray in Oscar Wilde's The Picture of Dorian Gray.

* Original French text of À rebours

fr: À rebours

A week before its theatre opening, À Hauteur d ' homme gained much media attention.

The title is never revealed in the novel, but at Oscar Wilde's trial he admitted that he had ' had in mind ' Joris-Karl Huysmans's À Rebours (' Against Nature ').

The @ symbol was not used in continental Europe and the committee expected it would be replaced by an accented À in the French variation, so the @ was placed in position 40 < sub > hex </ sub > next to the letter A.

SLON's first film was about a strike at a Rhodiacéta factory in France, À bientôt, j ' espère ( Rhodiacéta ) in 1968.

Some of the first films of this new genre were Godard's Breathless ( À bout de souffle, 1960 ), starring Jean-Paul Belmondo, Rivette's Paris Belongs to Us ( Paris nous appartient, 1958-distributed in 1961 ), starring Jean-Claude Brialy and Truffaut's The 400 Blows ( Les Quatre Cent Coups, 1959 ) starring Jean-Pierre Léaud.

Food writing can also refer to poetry and fiction, such as Marcel Proust ’ s À la recherche du temps perdu ( In Search of Lost Time ), with its famous passage in which the narrator recollects his childhood memories as a result of sipping tea and eating a madeleine.

In 2010 Geneva City Council was made up of two representatives of the SDP ( Social Democratic Party, one of whom is the mayor ), one member of the FDP ( Free Democratic Party ), one member of the Green Party and one member of the À gauche Toute party.

À travers champs, 2005, 440 p. ISBN 2-7099-1564-2 Open Archives: book in free access / in French

" Balzac's story Une Heure de ma Vie ( An Hour of my Life, 1822 ), in which minute details are followed by deep personal reflections, is a clear ancestor of the style which Proust used in À la recherche du temps perdu.

His admiration for American jazz is echoed in L ' enfant et les sortilèges, the Violin Sonata and the Piano Concerto in G, while the Russian school of music inspired homage in " À la manière de Borodin " and the orchestration of Mussorgsky's Pictures at an Exhibition.

In his À la manière de ... Borodine ( In the manner of ... Borodin ), Ravel plays with the ability to both mimic and remain original.

For example, in the “ Summarise Proust Competition ”, Jones plays a cheesy game show host who gives contestants 15 seconds to condense Marcel Proust's lengthy work À la recherche du temps perdu.

The intensity of this " war of pamphlets " was heightened severely by Corneille's boastful poem Excuse À Ariste, in which he rambled and boasted about his talents, while Corneille claimed no other author could be a rival.

He said that their theme song: " À partir d ' aujourd ' hui, demain nous appartient ," was a Nazi song, " Tomorrow belongs to me ...," the Hitler Youth song featured in the American musical Cabaret.

" À partir d ' aujourd ' hui " was written by the well-known songwriter Stéphane Venne when he was asked to compose a song for an advertisement of the Caisses populaires Desjardins credit union.

The climax of his early work is the novella À vau-l ' eau ( 1882 ) ( Downstream or With the Flow ), the story of a downtrodden clerk, Monsieur Folantin, and his quest for a decent meal.

* À Paris, edited and introduced by Patrice Locmant, Paris, Éditions Bartillat, 2005.

* Bernard Bonnejean " Huysmans avant À Rebours: les fondements nécessaires d ' une quête en devenir ", in Le Mal dans l ' imaginaire français ( 1850 – 1950 ), éd.

The word comes from the Old French À l ' arme meaning " To the arms ", " To the weapons ", telling armed men to pick up their weapons and get ready for action, because an enemy may have suddenly appeared.

The film exhibits notable similarities to a 1931 French film directed by René Clair entitled À nous la liberté ( Liberty for Us ) — the assembly line sequence is a clear instance.