“ A church is the place, par excellence, of architecture ,” he said in an interview with architectural historian Judith Dupré.

In the humanities and in the social sciences, the term discourse describes a formal way of thinking that can be expressed through language, a social boundary that defines what can be said about a specific topic ; as Judith Butler said, “ the limits of acceptable speech ”, the limits of possible truth.

* Krasner, Stephen D .: “ Westphalia and all that ” in Judith Goldstein & Robert Keohane ( eds ): Ideas and Foreign Policy ( Ithaca, NY: Cornell UP, 1993 ), pp. 235-264

Professor Judith Stacey, of New York University, stated: “ Rarely is there as much consensus in any area of social science as in the case of gay parenting, which is why the American Academy of Pediatrics and all of the major professional organizations with expertise in child welfare have issued reports and resolutions in support of gay and lesbian parental rights ”.

A New York Air National Guard major poses with Rudy and Judith Giuliani at the “ New ” Yankee Stadium in April 2009

To quote Judith Grabiner, “ Berkeley ’ s criticisms of the rigor of the calculus were witty, unkind, and — with respect to the mathematical practices he was criticizing — essentially correct ”.

In medieval Christian art, the predominance of church patronage assured that Judith ’ s patristic valences as “ Mulier Sancta ” and Virgin Mary prototype would prevail: from the eighth century frescoes in Santa Maria Antigua in Rome through innumerable later bible miniatures.

Both Protestants and Catholics draped themselves in the protective mantle of Judith and cast their “ heretical ” enemies as Holofernes.

In China Eggs, an unpublished autobiography that she wrote in 1955, Sage stated that “ these were the happiest days of my life ,”, and she told friend and gallery owner Julien Levy in 1961 that her campagna experience shaped her “ perspective idea of distance and going away .” Nonetheless, in later years Sage usually claimed that she was self-taught, perhaps because, as one of her biographers, Judith Suther, states, most of what she had learned in Rome bore so little relationship to the kind of painting she eventually did that “ she felt as if she had studied with no one .”

In A House of Her Own, her 1997 biography of Sage, Judith Suther describes these works as “ experimental abstract compositions .”

“ Again and again Sage is described people who knew her as imperious, forbidding, moody, quick to anger, remote, private, solitary, aloof, contradictory, and unapproachable ,” Judith Suther writes.

More recent feminist scholars have stated that the influence more likely was mutual — what Judith Suther calls “ a constant, usually unconscious interchange .” Suther and others also point out differences between the two artists: for example, the large architectural constructions that dominate Sage ’ s paintings are quite unlike the smaller biomorphic or metallic forms that people Tanguy ’ s landscapes.

Many point to one song, in fact, as the essence of their festival experience, for MWMF has an anthem of sorts — the late Maxine Feldman ’ s composition “ Amazon ,” later adapted into an upbeat version by longtime performer and opening ceremonies director Judith Casselberry.

: Cambell ’ s writing details many differences between the Vulgate ’ s “ Judith ” and the Old English poem “ Judith .” Campbell offers a clearer perspective on the character of Judith as it is represented quite differently by the two works.

: Chamberlain ’ s section on “ Judith ” includes an introduction to the work, which discusses its history and significance.

Additionally, Chamberlain includes the Old English text of “ Judith ,” along with several insightful footnotes and vocabulary assistance.

: Cook offers the original manuscript of “ Judith ” in Old English, followed by his own in-depth translation.

His personal analysis of “ Judith ” also relates the writing to others of the time period as well as works that have influenced and been influenced by the poem.

After recapitulating the " walking " themes, Gershwin overlays the slow blues theme from section B in the final “ Grandioso .”

A study on the relationship happiness to various character strengths showed that “ a conscious focus on gratitude led to reductions in negative affect and increases in optimistic appraisals, positive affect, offering emotional support, sleep quality, and well-being .”

Without such a declaration, Paine concluded, “ he custom of all courts is against us, and will be so, until, by an independence, we take rank with other nations .”

* Grzega, Joachim: “ On the Description of National Varieties: Examples from ( German and Austrian ) German and ( English and American ) English .” In: Linguistik Online 7 ( 2000 ).

* Grzega, Joachim: “ Nonchalance als Merkmal des Österreichischen Deutsch .” In: Muttersprache 113 ( 2003 ): 242-254.

This definition of agrarianism is commonly known as “ agrarian reform .”

Rousseau believed that young boys should avoid formal schooling and pursue instead an “ education direct from nature .” Ampère ’ s father actualized this ideal by allowing his son to educate himself within the walls of his well-stocked library.

* J. J. Bellermann thinks it a compound of the Egyptian words abrak and sax, meaning “ the honorable and hallowed word ,” or “ the word is adorable .”

* Samuel Sharpe finds in it an Egyptian invocation to the Godhead, meaning “ hurt me not .”

B. Passerius derives it from abh, “ father ,” bara, “ to create ,” and a-negative —“ the uncreated Father .”

* According to a note of Isaac de Beausobre ’ s, Jean Hardouin accepted the first three of these, taking the four others for the initials of the Greek anthrōpoussōzōn hagiōi xylōi, “ saving mankind by the holy cross .”

* Isaac de Beausobre derives Abrasax from the Greek habros and saō, “ the beautiful, the glorious Savior .”

Perhaps the word may be included among those mysterious expressions discussed by Adolf von Harnack, “ which belong to no known speech, and by their singular collocation of vowels and consonants give evidence that they belong to some mystic dialect, or take their origin from some supposed divine inspiration .”

Anaximenes () of Miletus ( b. 585 BCE, d. 528 BCE ) was an Archaic Greek Pre-Socratic philosopher active in the latter half of the 6th century BC .< ref name =" lindberg28 "> Lindberg, David C. “ The Greeks and the Cosmos .” < u > The Beginnings of Western Science </ u >.

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“ The Milesians: Anaximenes .” < u > A History of Greek Philosophy </ u >.

“ Anaximenes of Miletus .” < u > The Presocratic Philosophers </ u >.

“ Anaximenes of Miletus .” < u > The Presocratic Philosophers </ u >.

Individuals who survived to this, the latest and highest stage of evolutionary progress would be “ those in whom the power of self-preservation is the greatest — are the select of their generation .” Moreover, Spencer perceived governmental authority as borrowed from the people to perform the transitory aims of establishing social cohesion, insurance of rights, and security.

Pinchot wrote McCreight, “ we shall all be indebted to you for having made the suggestion .”