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* 1927 – Gérard Brach, French director and screenwriter ( d. 2006 )
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1927 and –
Fifteen statuettes were awarded, honoring artists, directors and other personalities of the filmmaking industry of the time for their works during the 1927 – 1928 period.
Percy Bysshe Shelley composed a " Hymn of Apollo " ( 1820 ), and the god's instruction of the Muses formed the subject of Igor Stravinsky's Apollon musagète ( 1927 – 1928 ).
* 1927 – April 12 Incident: Chiang Kai-shek orders the Communist Party of China members executed in Shanghai, ending the First United Front.
* 1927 – The Federal Industrial Institute for Women opens in Alderson, West Virginia, as the first women's federal prison in the United States.
* 1927 – Douglas Fairbanks and Mary Pickford become the first celebrities to leave their footprints in concrete at Grauman's Chinese Theater in Hollywood.
* 1927 – Five Canadian women file a petition to the Supreme Court of Canada, asking, " Does the word ' Persons ' in Section 24 of the British North America Act, 1867, include female persons?
* 1927 – The Nanchang Uprising marks the first significant battle in the Chinese Civil War between the Kuomintang and Communist Party of China.
1927 and Gérard
Gérard Brach ( 23 July 1927 – 9 September 2006 ) was a French screenwriter best known for his collaborations with the film directors Roman Polanski and Jean-Jacques Annaud.
1927 and French
Initially producing illustrations for Belgian Scouting magazines, in 1927 he began working for the conservative newspaper Le XXe Siècle, where he adopted the pen name " Hergé ", based upon the French pronunciation of " RG ", his initials reversed.
* 1927 – Attempting to make the first non-stop transatlantic flight from Paris to New York, French war heroes Charles Nungesser and François Coli disappeared after taking off aboard The White Bird biplane.
He was influenced by the French philosopher Henri-Louis Bergson ( 1859 – 1941 ), who was awarded the Nobel Prize for Literature in 1927.
The visionary French director, Abel Gance, used the term " Polyvision " to describe his three-camera, three-projector technique for both widening and dividing the screen in his 1927 silent epic, Napoléon.
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