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* Aelbert Cuyp ( 1620 – 91 ) Milking Cows 1640s?
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Aelbert and Cuyp
Aelbert Jacobsz Cuyp ( October 20, 1620 – November 15, 1691 ) was one of the leading Dutch landscape painters of the Dutch Golden Age in the 17th century.
The development of Aelbert Cuyp, who was trained as a landscape painter, may be roughly sketched in three phases based on the painters who most influenced him during that time and the subsequent artistic characteristics that are apparent in his paintings.
While it is assumed that the younger Cuyp did work with his father initially to develop rudimentary talents, Aelbert became more focused on landscape paintings while Jacob was a portrait painter by profession.
In addition to the scarcely documented and confirmed biography of Cuyp ’ s life, and even more so than his amalgamated style from his three main influences, there are yet other factors that have led to the misattribution and confusion over Aelbert Cuyp ’ s works for hundreds of years.
Common among the mislabeled works are all of the reasons identified for misattributing Cuyp ’ s works: the lack of biography and chronology of his works made it difficult to discern when paintings were created ( making it difficult to pinpoint an artist ); contentious signatures added to historians ’ confusion as to who actually painted the works ; and the collaborations and influences by different painters makes it hard to justify that a painting is genuinely that of Aelbert Cuyp ; and finally, accurate identification is made extremely difficult by the fact that this same style was copied ( rather accurately ) by his predecessor.
Upon close examination of the works attributed to Aelbert Cuyp it is easily understood why his unique style developed the way it did, and how his works have been misinterpreted over the years.
Such a thin chronology and little background knowledge has led to gross misinterpretations of his works, and thus further investigation must always be done to conclude with confidence that Aelbert Cuyp is the genuine source of such great paintings.
It is this reluctance which was felt by the Rijksmuseum to reattribute works to other painters ( Abraham van Calraet does not even appear in a Museum catalogue until 1926, and even then he is not given his own entry ) which shows how important it is to art historians that painters are accurately connected to their works — and this is continuously necessary for those of Aelbert Cuyp, as Dordrecht ’ s most famous painter may not in fact be Dordrecht ’ s most famous painter.
Jacob van Ruisdael, Aelbert Cuyp, Hendrick Avercamp, Ludolf Backhuysen, Meindert Hobbema, Aert van der Neer.
Adriaen and Isaac van Ostade, David Teniers, Aelbert Cuyp, Johannes Vermeer and Pieter De Hooch were among the many painters specializing in genre subjects in the Netherlands during the 17th century.
The dining room, now decorated with what appear to be Dutch tiles but is in fact trompe l ' oeil, contains a collection of small, mainly Dutch, paintings from the 16th and 17th centuries by such artists as Aelbert Cuyp, Adrian van Ostade and Jan Steen.
It consists of 84 paintings and includes some outstanding works by artists including Hendrick Avercamp, Gerard Ter Borch, Pieter Claesz, Aelbert Cuyp, Frans Hals, Pieter de Hooch, Jacob van Ruisdael, Jan Steen, David Teniers the Younger and Willem van de Velde.
Cuyp and 1620
Cuyp and –
Cuyp ( 1594 – 1651 / 52 ), he is especially known for his large views of the Dutch countryside in early morning or late afternoon light.
Cuyp and 1640s
Cuyp was one of the first Dutch painters to appreciate this new leap forward in style and while his own Both-inspired phase was quite short ( limited to the mid 1640s ) he did, more than any other contemporary Dutch artist, maximize the full chromatic scale for sunsets and sunrises.
1620 and –
* 1620 – Marguerite Bourgeoys, French founder of the Congregation of Notre Dame of Montreal ( d. 1700 )
* 1620 – The Mayflower departs from Southampton, England on its first attempt to reach North America.
* 1620 – Plymouth Colony: William Bradford and the Mayflower Pilgrims land on what is now known as Plymouth Rock in Plymouth, Massachusetts.
Fabritio Caroso da Sermoneta ( 1526 / 1535 – 1605 / 1620 ) was an Italian Renaissance dancing master and a composer or transcriber of dance music.
Over time it became clear these privileges would be open to abuse and when in 1620 the Huguenots proclaimed a constitution for the ' Republic of the Reformed Churches of France ', the Prime Minister Cardinal Richelieu ( 1585 – 1642 ) invoked the entire powers of the state.
John Alden ( 1599 – September 12, 1687 ) is said to be the first person from the Mayflower to set foot on Plymouth Rock in 1620.
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