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Cocteau and Jean
It was paired with a Darius Milhaud opera, `` The Poor Sailor '', set to a libretto by Jean Cocteau, a kind of Grand Guignol by the sea, a sailor returns, unrecognized, and gets done in by his wife.
She states in Volume One of her diaries that she drew inspiration from Marcel Proust, André Gide, Jean Cocteau, Paul Valéry, and Arthur Rimbaud.
It developed from the earlier magazine Revue du Cinéma ( Review of the Cinema ) involving members of two Paris film clubs — Objectif 49 ( Objective 49 ) ( Robert Bresson, Jean Cocteau and Alexandre Astruc, among others ) and Ciné-Club du Quartier Latin ( Cinema Club of the Latin Quarter ).
Cahiers du Cinema authors also championed the work of directors Jean Renoir, Roberto Rossellini, Kenji Mizoguchi, Max Ophüls, and Jean Cocteau, by centering their critical evaluations on a film's mise en scène.
Jean Maurice Eugène Clément Cocteau (; 5 July 1889 – 11 October 1963 ) was a French poet, novelist, dramatist, designer, playwright, artist and filmmaker.
Portrait of Jean Cocteau by Federico de Madrazo de Ochoa
Tribute to René Clair: I Married a Witch, Jean Cocteau ( 1945 ), a set design for the Théâtre de la Mode.
In the 1930s, Cocteau had an affair with Princess Natalie Paley, the daughter of a Romanov grand duke and herself a sometime actress, model, and former wife of couturier Lucien Lelong .. Cocteau's longest-lasting relationships were with the French actors Jean Marais and Édouard Dermit, whom Cocteau formally adopted.
Stained glass windows of Jean Cocteau, Saint-Maximin church, Metz, France
* 1973 Jean Cocteau par Jean Cocteau ( posthumous ; A discussion with William Fielfield )
* 1925: Jean Cocteau fait du cinéma
* 1950: Les Enfants terribles directed by Jean-Pierre Melville, script by Jean Cocteau based on his novel
* 1965: Thomas l ' imposteur directed by Georges Franju, script by Jean Cocteau based on his novel
* Colette par Jean Cocteau, discours de réception à l ' Académie Royale de Belgique, Ducretet-Thomson 300 V 078 St.
* Collection of three vinyl recordings of Jean Cocteau including La Voix humaine by Simone Signoret, 18 songs composed by Louis Bessières, Bee Michelin and Renaud Marx, on double-piano Paul Castanier, Le Discours de réception à l ' Académie Française, Jacques Canetti JC1, 1984
* Derniers propos à bâtons rompus avec Jean Cocteau, 16 September 1963 à Milly-la-Forêt, Bel Air 311035
* Les Enfants terribles, radio version with Jean Marais, Josette Day, Silvia Monfort and Jean Cocteau, CD Phonurgia Nova ISBN 2-908325-07-1, 1992
* Anthology, 4 CD containing numerous poems and texts read by the author, Anna la bonne, La Dame de Monte-Carlo and Mes sœurs, n ' aimez pas les marins by Marianne Oswald, Le Bel Indifférent by Edith Piaf, La Voix humaine by Berthe Bovy, Les Mariés de la Tour Eiffel with Jean Le Poulain, Jacques Charon and Jean Cocteau, discourse on the reception at the Académie française, with extracts from Les Parents terribles, La Machine infernale, pieces from Parade on piano with two hands by Georges Auric and Francis Poulenc, Frémeaux & Associés FA 064, 1997

Cocteau and Human
* The Human Voice ( after Jean Cocteau ) ( 2004 )
Alison Moyet ( Alf ), The Art of Noise, The Assembly, The Associates, Aztec Camera, Big Country, Bon Jovi, The Boomtown Rats, Cardiacs, Cliff Richard, Cocteau Twins, The Cramps, Culture Club, Cyndi Lauper, The Damned, Dennis Brown with Sly & Robbie, Depeche Mode, Dexys Midnight Runners, Die Ärzte, Dire Straits, Divine, Stephen Duffy, Duran Duran, Echo & the Bunnymen, Vow Wow, Elvis Costello, The Fall, Fatal Charm, Frankie Goes to Hollywood, Charged G. B. H., Gregory Isaacs & The Roots Radics, Gun Club, Hanoi Rocks, Heaven 17, Howard Jones, The Human League, Icicle Works, Iggy Pop, INXS, Judas Priest, Killing Joke, Level 42, Lloyd Cole & the Commotions, Madness, Madonna, Magnum, Meat Loaf, Motörhead, Ofra Haza, Paul Young, Pet Shop Boys, The Pretenders, The Proclaimers, Propaganda, The Psychedelic Furs, The Rainmakers, Robert Palmer, R. E. M., Scraping Foetus off the Wheel, Silent Running, Simple Minds, Simply Red, Siouxsie and the Banshees, Soft Cell, Spear of Destiny, SPK, Squeeze, The Style Council, Tears for Fears, Terence Trent D ' Arby, Terry & Gerry, The Smiths, The Cult, The Cure, The Dream Academy, The Jam, The Mission, The Pogues, The Pretenders, The Stranglers, The Toy Dolls, Then Jericho, Thin Lizzy, Thomas Dolby, Tina Turner, Twisted Sister, U2, Ultravox, Voice of the Beehive, Tom Waits, Wall of Voodoo, Wham !, Whitney Houston, XTC, Yazoo, ZZ Top.

Cocteau and translated
* Cocteau, Jean, The Holy Terrors ( Les Enfants terribles ), translated by Rosamond Lehmann, New Directions.
* Cocteau, Jean, Opium: The Diary of a Cure, translated by Margaret Crosland and Sinclair Road, Grove Press Inc., New York, 1958
* Cocteau, Jean, The Infernal Machine And Other Plays, translated by W. H.
* Cocteau, Jean, The Art of Cinema, edited by André Bernard and Claude Gauteur, translated by Robin Buss, Marion Boyars, London, 1988
* Cocteau, Jean, Diary of an Unknown, translated by Jesse Browner, Paragon House Publishers, New York, 1988
* Cocteau, Jean, The White Book ( Le Livre blanc ), sometimes translated as The White Paper, translated by Margaret Crosland, City Lights Books, San Francisco, 1989

Cocteau and by
Nevertheless, Prokofieff was much influenced by Paris during the Twenties: the Paris which was the artistic center of the Western World -- the social Paris to which Russian aristocracy migrated -- the chic Paris which attracted the tourist dollars of rich America -- the avant-garde Paris of Diaghileff, Stravinsky, Koussevitzky, Cocteau, Picasso -- the laissez-faire Paris of Dadaism and ultramodern art -- the Paris sympathique which took young composers to her bosom with such quick and easy enthusiasms.
Admiring of Radiguet's great literary talent, Cocteau promoted his friend's works in his artistic circle and arranged for the publication by Grasset of Le Diable au corps ( a largely autobiographical story of an adulterous relationship between a married woman and a younger man ), exerting his influence to have the novel awarded the " Nouveau Monde " literary prize.
Cocteau was supported throughout his recovery by his friend and correspondent philosopher Jacques Maritain.
Cocteau acknowledged in the introduction to the script that the play was motivated, in part, by complaints from his actresses that his works were too writer / director-dominated and gave the players little opportunity to show off their full range of talents.
According to one theory about how Cocteau was inspired to write La Voix humaine, he was experimenting with an idea by fellow French playwright Henri Bernstein.
* Poems by Jean Cocteau read by the author, CD EMI 8551082, 1997
* Hommage à Jean Cocteau, mélodies d ' Henri Sauguet, Arthur Honegger, Louis Durey, Darius Milhaud, Erik Satie, Jean Wiener, Max Jacob, Francis Poulenc, Maurice Delage, Georges Auric, Guy Sacre, by Jean-François Gardeil ( baryton ) and Billy Eidi ( piano ), CD Adda 581177, 1989
* Cocteau, Jean, Le Numéro Barbette, an influential essay on the nature of art inspired by the performer Barbette, 1926

Cocteau and Vision
* Cocteau, Jean, The Eagle Has Two Heads, adapted by Ronald Duncan, Vision Press Ltd., Great Britain, 1947

Cocteau and .,
" Rock acts that have cited The Birthday Party as an influence include LCD Soundsystem, White Zombie, The Jesus And Mary Chain, The Mars Volta, Coil, My Bloody Valentine, Deerhunter, Eugene Hutz of Gogol Bordello, Cocteau Twins, The Jesus Lizard, Scratch Acid, Melt-Banana, 16 Horsepower, Big Boys, Dinosaur Jr., and Tindersticks.
Art films were also influenced by films by Spanish avant-garde creators such as Luis Buñuel and Salvador Dalí ( e. g., L ' Age d ' Or from 1930 ) and by the French playwright and filmmaker Jean Cocteau ( e. g., The Blood of a Poet, also from 1930 ).
Artists featured in this later phase included The Smiths, U2, Billy Bragg, Julian Cope, Lloyd Cole, the Cocteau Twins, Echo and the Bunnymen, R. E. M., The Specials, Everything But The Girl, Madness and more.
Barrès, Proust, Maurras, Colette, Giraudoux, Morand, Cocteau, Malraux, etc., ( Portraits )
Blanco y Negro was home to such artists as Bananarama, Everything but the Girl, The Jesus and Mary Chain, Eddi Reader, The Dream Academy, Dinosaur Jr., Sudden Sway, Bernthøler, A House, Catatonia, The Veils and, reportedly, Elizabeth Fraser, former vocalist of the Cocteau Twins.
Harris has cited Discharge circa 1979-1984, Disorder, Chaos UK, Siege, Killing Joke, Joy Division, Swans circa 1983-1995, Cocteau Twins, Membranes, Public Image Limited, Zoviet France, Nurse with Wound, Skinny Puppy, Meat Beat Manifesto, old school and darkside jungle, drum & bass circa 1993-1996, early Aphex Twin, Brian Eno, Lee Scratch Perry, Scientist, Jon Hassell, Miles Davis up to 1975, John Coltrane and Alice Coltrane, Moritz Von Oswald and Berlin Dub Experimentalists, Jeff Mills, Robert Hood, minimal and hard techno, John Zorn, electroacoustic and musique concrète, Found Sounds, Japanese hardcore bands Kuro and Gai ( also known as Swankys ), Celtic Frost, Death Strike, Genocide, Repulsion, Death, Kid Creole and the Coconuts, Showbiz and A. G., A Tribe Called Quest as prominent inspirations.

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