He would later become an early contributor to Bazin's Cahiers du cinéma.

Cahiers du Cinéma (, Notebooks on Cinema ) is an influential French film magazine founded in 1951 by André Bazin, Jacques Doniol-Valcroze and Joseph-Marie Lo Duca.

* Bickerton, E. ( 2009 ), A Short History of Cahiers du Cinéma.

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* Interview in Cahiers du Cinema ( Paris ), July – August 1980

In the magazine Cahiers du cinéma founded by André Bazin, critics and lovers of film would discuss film and why it worked.

This branch of criticism, begun by François Truffaut and the other young film critics writing for Cahiers du cinéma, was created for two reasons.

Hitchcock primarily made thrillers, which, according to the Cahiers du cinema crowd, were popular with the public but were dismissed by the critics and the award ceremonies, although Hitchcock's Rebecca won the Oscar for Best Picture at the 1940 Academy Awards.

French film historian John Raeburn, editor of Cahiers du cinéma, notes that that Capra's films were unknown in France, but there too his films underwent a fresh discovery by the public.

While his career had ended without fanfare, his American and later German works were championed by the critics of the Cahiers du cinéma.

Although his work was not initially taken seriously by British critics of the Sight and Sound circle, he was venerated by French critics associated with Cahiers du cinéma, who intellectualized his work in a way Hawks himself was moderately amused by, and he was also admired by more independent British writers such as Robin Wood.

Lewis has long remained popular in Europe: he was consistently praised by some French critics in the influential magazine Cahiers du Cinéma for his absurd comedy, in part because he had gained respect as an auteur who had total control over all aspects of his films, comparable to Howard Hawks and Alfred Hitchcock.

* Abdou Bontianti et Issa Abdou Yonlihinza, La RN 6: un exemple d ’ intégration économique sous-régionale et un facteur de désenclavement du Niger, Les Cahiers d ’ Outre-Mer, 241-242 January – June 2008.

He was an acknowledged master for the critics of Cahiers du Cinema in general and André Bazin, François Truffaut, Jean-Luc Godard in particular.

By the 1960s many film theorists, such as writers at Cahiers du Cinema in France, held the film in high esteem.

Out of this encounter she fashioned a two-part article, " La Nuit Viennoise ," published in Cahiers du Cinema, Paris, 1965 – 1966, in which she wrote about that evening, mentioning Selwart as having been a part of the festivities.

André Bazin, founder of the influential journal Cahiers du cinéma, wrote in his 1957 essay, " Fifteen Years of French Cinema ", that ...

These ideas would have a pivotal importance on the development of the auteur theory, the manifesto for which was François Truffaut's 1954 Cahiers article " A Certain Tendency of the French Cinema ".

) Cahiers du cinéma writers critiqued the classic " Tradition of Quality " style of French Cinema.

Godard said of Rouch in the Cahiers du Cinéma ( Notebooks on Cinema ) n ° 94 April 1959, " In charge of research for the Musée de l ' Homme ( French, " Museum of Man ") Is there a better definition for a filmmaker?

In 1951 Rohmer joined the staff of the newly founded film magazine Cahiers du Cinema, of which he would eventually become the editor in 1956.

There, Rohmer established himself as a critic with a distinctive voice ; fellow Cahiers du Cinema contributor and French New Wave filmmaker Luc Moullet later remarked that, unlike the more aggressive and personal writings of younger critics like Francois Truffaut and Jean-Luc Godard, Rohmer favored a rhetorical style that made extensive use of questions and rarely used the first person singular.

By 1963 Rohmer was becoming more at odds with some of the more radical left-wing critics at Cahiers du Cinema.

After being driven out of his editor position at Cahiers du Cinema, Rohmer began making short documentaries for French television.

Film critics at Cahiers du Cinema also praised the film in the 1950s as a quintessential example of the auteur theory.

He helped fund Film-Makers ’ Cinematheque Film Culture magazine, and Cahiers du cinéma, and was involved in the Spoleto Festival in 1961 and the International Exposition of the New American Cinema.

: Cahiers du Cinema Livres.

: Cahiers du Cinema Livres.

: Cahiers du Cinema.

: Cahiers du Cinema Livres.

: Cahiers du Cinema Livres.

: Cahiers du Cinema Livres.

Noted critic and filmmaker Jean-Luc Godard was kinder to the film, placing it fifth in his list of the best films of 1956 in Cahiers du Cinema.