Kenshō ( Japanese ) is a term used in Zen traditions meaning " seeing into one's true nature.

Kenshō () is a Japanese term from the Zen tradition.

Kenshō is an initial insight or awakening, not akin to to full Buddhahood.

Kenshō is a Japanese term commonly used for an enlightenment experience ; in many cases, it is used synonymously with satori.

Kenshō is used to describe the first breakthrough in kōan study.

Kenshō is described as appearing suddenly, upon an interaction with someone else, at hearing or reading some significant phrase, or at the perceiving of an unexpected sound or sight.

Kenshō refers to the perception of the Buddha-Nature or emptiness.

Kenshō may be attained without the aid of a teacher, as in the case of mushi-dokugo.

However, following a Japanese popularity survey, the staff in charge hired Kenshō Ono to replace Takeda as fans wanted him to appear in Dissidia 012.

The true artist is like one of those scientists who, from a single bone can reconstruct an animal's entire body.

What is the history of criticism but the history of men attempting to make sense of the manifold elements in art that will not allow themselves to be reduced to a single philosophy or a single aesthetic theory??

The connective system, or network, is tailored to meet the requirements of the objective, and it is therefore not surprising that a military body acting as a single coordinated unit has a different communication network than a factory, a college, or a rural village.

Of course, there must be clarity: a single distinct impression is more valuable than many fuzzy ones.

The rocking, I realized, is the single element in the story that carries the erotic message, the unspoken and unconscious undercurrent that would mar the innocence of a child's fantasy and disturb the effects of the work if it were made explicit.

No attempt is made by Ptolemy to weld into a single scheme ( a-la-Aristotle ), these independent predicting-machines.

This arrangement was for Copernicus literally monstrous: `` With ( the Ptolemaists ) it is as though an artist were to gather the hands, feet, head and other members for his images from divers models, each part excellently drawn, but not related to a single body ; ;

`` History has this in common with every other science: that the historian is not allowed to claim any single piece of knowledge, except where he can justify his claim by exhibiting to himself in the first place, and secondly to any one else who is both able and willing to follow his demonstration, the grounds upon which it is based.

But the secretary insists that the success of the American farmer is the `` greatest single source of strength '' in the struggle to insure freedom around the world.

What we must have, if the United Nations is to survive, is as nonpolitical, nonpartisan an organization at the top as human beings can make it, subject to no single nation's direction and subservient to no single nation's ambition.

It is another question whether `` they '' -- or a single general, off in a corner of China, secure for a few ( galvanizing??

First, the present situation is too varied to be systematized by any single formula.

These factors practically insure that no single financing formula is feasible ; ;

The Machine Tool Division is currently producing Brown & Sharpe single spindle automatic screw machines, grinding machines of many types, and knee and bed-type milling machines.

A true university, like most successful marriages, is a unity of diversities Without forcing all components into a single pattern, the preparation of a master plan is an opportunity to consider interrelation of knowledge at its highest level, which a university -- in contrast to a multiversity -- should stand for.

The last exercise of Roland Claude's prescribed program for Henri is a single exercise, done in individual sets with a bit longer pause between sets.

Every single problem touched on thus far is related to good marketing planning.

Obviously, such a Northern tourist's purpose is somewhat akin to a child's experience with Disneyland: he wants to see a world of make-believe.

The test of form is fidelity to the experience, a gauge also accepted by the abstract expressionist painters.

The approach to the depiction of the experience of creation may be analytic, as it is for Miss Litz, or spontaneous, as it is for Merle Marsicano.

An order can be chanced rather than chosen, and this approach produces an experience that is `` free and discovered rather than bound and remembered ''.

The style of life chosen by the beat generation, the rhythm and ritual they have adopted as uniquely their own, is designed to enhance the value of the sexual experience.

Love is the crucial dilemma of experience for Mann's heroes.

In the first instance, `` mimesis '' is here used to mean the recalling of experience in terms of vivid images rather than in terms of abstract ideas or conventional designations.

Mimesis is the nearest possible thing to the actual re-living of experience, in which the imagining person recovers through images something of the force and depth characteristic of experience itself.

As in experience one is seized by given entities and their interrelations and is forced to respond in value feelings to them, so one is similarly seized in the mimetic presentation of images.

Neither is primary experience understood according to the attitude of modern empiricism in which nothing is thought to be received other than signals of sensory qualities producing their responses in the appropriate sense organs.

The principal defender of this view of primary experience as `` causal efficacy '' is Alfred North Whitehead.

Whitehead is here questioning David Hume's understanding of the nature of experience ; ;

he is questioning, also, every epistemology which stems from Hume's presupposition that experience is merely sense data in abstraction from causal efficacy, and that causal efficacy is something intellectually imputed to the world, not directly perceived.

In this respect experience is broader and full of a richer variety of potential meanings than the mind of man or any of his arts or culture are capable of making clear and distinct.

A chief characteristic of experience in the mode of causal efficacy is one of derivation from the past.

This, however, cannot be done by a community whose very experience of truth is confused and incoherent: it has no absolute standard, and consequently cannot distinguish the absolute from the contingent.

To experience them, it is not necessary for a people to be actively aware of what is happening to it.