* Messe des pauvres by Erik Satie, arrangement by Louis Andriessen for choir, 15 solo strings, accordion, contrabass clarinet and harp ( 1980 )

( He considered his Requiem his best work, however: " If I were threatened with the destruction of the whole of my works save one, I should crave mercy for the Messe des morts ".

The full ASO Chorus has thrice visited Berlin, giving three performances on each occasion of Benjamin Britten's War Requiem ( 2003 ), Hector Berlioz's Grande Messe des Morts ( 2008 ), and Johannes Brahms's Ein Deutsches Requiem ( 2009 ) with the Berlin Philharmonic Orchestra under ASO Principal Guest Conductor Donald Runnicles.

During the 1930s the orchestra presented rarely-heard large-scale works from the past, including Berlioz's Grande Messe des morts and Grande symphonie funèbre et triomphale.

* Hector Berlioz – Grande Messe des Morts

* Schubert, Deutsche Messe, with Wolfgang Sawallisch and the Orchester des Bayerischen Rundfunks on the Capitol label

* François Joseph Gossec – Grande Messe des Morts

Other recordings included Parry's Job, Haydn's The Creation, Paroles tissées by Lutosławski, Offenbach's Vert-Vert, Berlioz's Grande Messe des Morts, Op.

Other recordings include Berlioz ( Grande Messe des Morts, Symphonie Fantastique ), Bizet ( Symphony in C, Roma ), Delalande ( Psalms 12 and 144 ), Fauré ( Requiem ), Ibert ( Bacchanale, Bostoniana, Louisville Concerto, Divertissement ), Poulenc ( Gloria, Piano Concerto ), Saint-Saens ( Symphony No 3, works for cello and orchestra ) and Walton ( Glora, Te Deum, Facade, The Wise Virgins ).

* Messe des morts ( 1994 )

* Messe des morts / Angel Cunt ( 1999 ) ( with Archgoat )

de: Communion – Messe des Grauens

** Messe à l ' usage ordinaire des paroisses ( 1689 – 90 )

** Messe du 8e Ton pour l ' Orgue à l ' Usage des Dames Religieuses ( 1703 )

That same year, her debut in the grands concerts began when she appeared at the Concerts du Conservatoire followed by performances in Gabriel Fauré's La Naissance de Vénus and Camille Saint-Saëns ' Messe de Requiem.

: JA 125 – Messe de Requiem, pour quatre voix mixtes

His Messe de Requiem, Op. 7 is dedicated to the memoray of Berton, Chérubini, Habeneck.

His completions of several unfinished Mozart works, including the Requiem in D minor and Große Messe in C minor, are considered his most important achievements.

* Saint-Saëns ( Messe de Requiem )

* 1959: Gondol des morts

fr: La Voix des morts ( roman )

: Braves, morts au feu des cannons,

fr: Fête des morts

Hector Berlioz (; 11 December 1803 – 8 March 1869 ) was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts ( Requiem ).

The foremost of these are the Symphonie fantastique ( 1830 ), Harold en Italie ( 1834 ), the Grande messe des morts ( Requiem ) ( 1837 ) and Roméo et Juliette ( 1839 ).

One of his most enduring pieces followed Benvenuto Cellini — the Grande messe des morts, first performed at Les Invalides in December of that year.

Amongst his more vocally oriented works, the song cycle Les nuits d ' été and the oratorio L ' enfance du Christ have retained enduring appeal, as have the quasi-liturgical Te Deum and Grande messe des morts.

She also appeared in the Garrel films Anathor ( 1972 ); the silent Jean Seberg feature Les Hautes Solitudes, released in 1974 ; Un ange passe ( 1975 ); Le Berceau de cristal ( 1976 ), starring Pierre Clémenti, Nico and Anita Pallenberg ; and Voyage au jardin des morts ( 1978 ).

On November 2, All Souls Day ( La Fête des morts ), the French traditionally bring chrysanthemums to the tombs of departed family members.

* Raquel Capurro, Le positivisme est un culte des morts: Auguste Comte, Epel, 1999 ( traduit en français en 2001 ): l ' étude la plus récente sur la vie d ' Auguste Comte, la vision sans complaisance d ' une psychanalyste de l ' école de Lacan ;

: 1938: H 131 La danse des morts, ( The Dance of the Dead ) libretto by Paul Claudel

fr: Livre des morts des Anciens Égyptiens

fr: Le Musée des morts

But it was by his Nouveaux Dialogues des morts ( 1683 ) that Fontenelle established a genuine claim to high literary rank ; and that claim was enhanced three years later by what has been summarised as the most influential work on the plurality of worlds in the period, Entretiens sur la pluralité des mondes ( 1686 ).

Two French writers of eminence borrowed the title of Lucian ’ s most famous collection ; both Fontenelle ( 1683 ) and Fénelon ( 1712 ) prepared Dialogues des morts (" Dialogues of the Dead ").

A French inscription mentions the citizens of Ypres: " Erigé par les nations de l ' Empire Britannique en l ' honneur de leurs morts ce monument est offert aux citoyens d ' Ypres pour l ' ornement de leur cité et en commémoration des jours où l ' Armée Britannique l ' a défendue contre l ' envahisseur ", which translated into English means: " Erected by the nations of the British Empire in honour of their dead this monument is offered to the citizens of Ypres for the ornament of their city and in commemoration of the days where the British Army defended it against the invader.

fr: La Maison des 1 000 morts

fr: Souvenirs de la maison des morts

* Bernadette Liou-Gille, " Divinisation des morts dans la Rome ancienne ", in: Revue Belge de Philologie vol.

He may have studied counterpoint under Ockeghem, whom he greatly admired throughout his life: this is suggested both by the testimony of Gioseffo Zarlino and Lodovico Zacconi, writing later in the 16th century, and by Josquin's eloquent lament on the death of Ockeghem in 1497, Nymphes des bois / Requiem aeternam, based on the poem by Jean Molinet.

* Requiem / Battalia-Jordi Savall, La Capella Reial de Catalunya, Le Concert des Nations-Alia Vox 9825

* Geistliche Musik ( Requiem, Offertorium zu Ehren des Heiligen Johann von Nepomuk, Lauretanische Litanei ), Regensburger Domspatzen, Consortium musicum München, Georg Ratzinger, 1996 + 1987, Freiburger Musikforum / ars musici AM 1158-2

*" Requiem K 626 & Maurerische Trauermusik, K 477 " by Jordi Savall, Le Concert des Nations and La Capella Reial de Catalunya-Alia Vox AVSA 9880

He wrote a requiem for six voices ( Requiem in memoriam Josquin des Prez, 1532 ), masses, motets, settings of the Magnificat, two secular motets, and chansons.

* Requiem des pauvres bougres for chorus, orchestra, piano, organ and Ondes Martenot op. 161 ( 1936 – 37 )