Help


[permalink] [id link]
+
Page "Pop music" ¶ 35
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Middleton and Richard
The latter title is especially suggestive of his role in forming several Franciscans who later became influential thinkers in the faculty, among them Saint Bonaventure, John of La Rochelle, Odo Rigaldus, William of Middleton and Richard Rufus of Cornwall.
* Middleton, Richard.
This was owned by John Middleton Murry, who had released editorial control to Max Plowman and Sir Richard Rees.
** Richard Middleton, English theologian and philosopher
* Richard of Middleton, Norman theologian and philosopher of the Franciscan Order ( b. 1249 )
According to Richard Middleton, the strongest criticism of ( historical ) musicology has been that it generally ignores popular music.
Cited in Middleton, Richard ( 1990 / 2002 ).
While the Regulators at various times consisted of dozens of American and Mexican cowboys, the main dozen or so members were known as the " iron clad ", including McCarty, Richard " Dick " Brewer, Frank McNab, Doc Scurlock, Jim French, John Middleton, George Coe, Frank Coe, Jose Chavez y Chavez, Charlie Bowdre, Tom O ' Folliard, Fred Waite ( a Chickasaw ), and Henry Newton Brown.
For Dick Hebdige polysemy means that, " each text is seen to generate a potentially infinite range of meanings ," making, according to Richard Middleton, " any homology, out of the most heterogeneous materials, possible.
In a pamphlet of " Remarks " ( 1742 ), he replied to John Tillard, and Remarks on Several Occasional Reflections ( 1744 – 1745 ) was an answer to Akenside, Conyers Middleton ( who had been his friend ), Richard Pococke, Nicholas Mann, Richard Grey, Henry Stebbing and other of his critics.
Middleton was one of the thirty fellows of Trinity College who on 6 February 1710 petitioned the Bishop of Ely, as visitor of the college, to take steps against Richard Bentley the Master, at odds with the fellowship.
This work led to an attack from the Catholic side by Richard Challoner, in the preface to The Catholic Christian instructed in the Sacraments, Sacrifice and Ceremonies of the Church ( 1737 ); Challoner in particular accused Middleton of misrepresenting the articles of the Tridentine Creed that applied to saints and images.
In 1726, prompted by the Harveian Oration by Richard Mead, with an appendix by Edmund Chishull, Middleton offended the medical profession with a dissertation contending that the healing art among the ancients was exercised only by slaves or freedmen.
* Richard of Middleton
* Middleton, Richard ( 1990 / 2002 ).
Sir Richard Assheton raised one such company from Middleton, near Manchester.
# Richard Middleton ( 1990 ).
One quotation, from the poet Richard Middleton, was not publicly identified until 1981, 33 years after the publication of The Loved One.
* Middleton, Richard ( 1990 / 2002 ).
Musicologist Richard Middleton describes form through repetition and difference: difference is the distance moved from a repeat ; a repeat being the smallest difference.
* Middleton, Richard, and Anne Lombard.
* Richard of Middleton
* Middleton, Richard.

Middleton and 1990
" ( Middleton 1990, p. 172 ) See Nattiez ( 1976, 1987, 1989 ), Stefani ( 1973, 1986 ), Baroni ( 1983 ), and Semiotica ( 66: 1 – 3 ( 1987 )).
In 1990, handwriting expert Charles Hamilton, after seeing a 1611 manuscript known as The Second Maiden's Tragedy ( usually attributed to Thomas Middleton ), identified it as a text of the missing Cardenio in which the characters ' names had been changed.
According to Middleton ( 1990 ), Schenkerian analysis of music corresponds to the Chomskyan notion of deep structure, applying to a two-level generative structure for melody, harmony, and rhythm, of which the analysis by Lee ( 1985 ) of rhythmical structure is an instance.
Cited in Middleton ( 1990 ).
* Middleton, Richard ( 1990 / 2002 ).
Bennett ( 1980, p. 114 ) describes the development of recording consciousness, the consequence of " a society which is literally wired for sound " in which, according to Middleton ( 1990, p. 88 ) " this consciousness defines the social reality of popular music.
" ( Middleton 1990, p. 88 )
* Middleton, Richard ( 1990 / 2002 ).
" ( Middleton 1990, p. 9 )
Richard Middleton ( 1990, p. 9-10 ) argues that " such theories always end up in some kind of reductionism-' upwards ', into an idealist cultural spirit, ' downwards ', into economism, sociologism or technologism, or by ' circumnavigation ', in a functionalist holism.
* Middleton, Richard ( 1990 / 2002 ).
The term was brought to popularity by Philip Tagg, derived from the work of Charles Seeger ( Middleton 1990, p. 189 ).
* Middleton, Richard ( 1990 / 2002 ).
Ruwet argued that the most striking characteristic of musical syntax was the central role of repetition-and, by extension, of varied repetition or transformation ( Ruwet 1987 )" ( Middleton 1990 / 2002, p. 183 ).
* Middleton, Richard ( 1990 / 2002 ).
* Middleton, Richard ( 1990 / 2002 ).
* Middleton, Richard ( 1990 / 2002 ).
Latin rhythm transformation ( Middleton 1990, p. 212-13 )
* Middleton, Richard ( 1990 / 2002 ).
Backbeat rhythm transformation ( Middleton 1990, p. 212-13 )

0.318 seconds.