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Sylvano and Bussotti
Italian composer Sylvano Bussotti, whose composing career spans from the 1930s to the first decade of the 21st century, wrote a solo work for bass in 1983 entitled Naked Angel Face per contrabbasso.
* Italian — Bixio, Cesare Andrea: " So Cries Pierrot " ( 1925 ; voice and piano ; text by composer ); Bussotti, Sylvano: " Pierrot " ( 1949 ; voice and harp ).
By the middle decades of the 20th century, composers like Henry Cowell, Earle Brown, David Tudor, La Monte Young, Jackson Mac Low, Morton Feldman, Sylvano Bussotti, Karlheinz Stockhausen, and George Crumb, re-introduced improvisation to classical music, with compositions that allowed or even required musicians to improvise.
Lorenzaccio, which takes place in Medici's Florence, was set to music by the musician Sylvano Bussotti in 1972.
Sylvano Bussotti ( born 1 October 1931 ) is an Italian composer of contemporary music whose work is unusually notated and often creates special problems of interpretation.
"" Bussotti, Sylvano ".
" Bussotti, Sylvano ".
" Sylvano Bussotti: B. O. B .— Bussottioperaballet / Stratégies dissipatives dans Questo fauno et Tieste ".
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# REDIRECT Sylvano Bussotti
She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky.
Sylvano Bussotti, John Cage, Hans Werner Henze, William Walton, Igor Stravinsky, and Anthony Burgess also composed works for her voice.
* Sylvano Bussotti ( b. 1931-) whose prolific compositional output includes La Racine, pianobar pour Phèdre, Nympheo, Bozzetto siciliano, and La passion selon Sade
Composers represented at its concerts included Boulez, Karlheinz Stockhausen, Luciano Berio, John Cage, Sylvano Bussotti, Mauricio Kagel, Hans Werner Henze, Henri Pousseur, Ernst Krenek, Gilbert Amy, Peter Schat and Gilles Tremblay, as well as earlier composers considered part of the Modernist movement in music.

Sylvano and with
* August 25 – September 5 – Darmstädter Ferienkurse held in Darmstadt, with lectures by Włodzimierz Kotoński, György Ligeti, Andrzej Markowski, Yoritsune Matsudaira, Werner Meyer-Eppler, Luigi Nono, Henri Pousseur, Karlheinz Stockhausen, and Bo Wallner, and world premieres of Claude Baillif's Mouvements pour deux, Sylvano Bussotti's Piano Pieces for David Tudor, Cornelius Cardew's Two Books of Study for Pianists and Piano Piece 1959, Niccolo Castiglioni's Cangiati per pianoforte, Roman Haubenstock-Ramati's Interpolation: Mobile pour flûte, Mauricio Kagel's Transición II, Angelo Paccagnini's Canti brevi: secondo libro, and Stockhausen's Zyklus.

Sylvano and by
Although named after Rigobert Bonne ( 1727 – 1795 ), the projection was in use prior to his birth, in 1511 by Sylvano, Honter in 1561, De l ' Isle before 1700 and Coronelli in 1696.

Sylvano and .
Jarman was the stage director of Sylvano Bussotti's opera L ' Ispirazione, first staged in Florence in 1998.
His other vocalists included Frank Sylvano, Billy Scott, Arthur Jarrett and Stone beginning in 1929 and in 1932, he added Joe Martin, another of the band's violinists, as a frequent vocalist.
Both Sylvano and Honter ’ s usages were approximate, however, and it is not clear they intended to be the same projection.

Bussotti and by
" Uccidere Bussotti ", edited by ilmiolibro. it, ISBN 2120005685913.
Oversaw the label's recordings of works by 49 composers from 16 countries, among them Ives, Cage, Nono, Maderna, Stockhausen, Luciano Berio and Iannis Xenakis and the first commercial recordings of Scelsi, Wolff and Bussotti.
World premières he presided over included works by Bussotti, Ferneyhough, Górecki, Ligeti, Rihm, Stockhausen and Xenakis, and he gave the French premières of Hindemith's Symphony Mathis der Maler and Stravinsky's The Rake's Progress and the European premiere of Susman's Trailing Vortices.

Bussotti and .
In 1930, the Venice Biennale initiated the First International Festival of Contemporary Music, which brought such composers as Stravinsky and Britten, and more recently Berio, Nono and Bussotti, to write for La Fenice.
* In the movie The Red Violin, the lot number of the Bussotti red violin at the DuVal auction house.
Born in Florence, Bussotti learned to play the violin as a child, becoming a prodigy.
Bussotti is also a well-known film director, actor, and singer.
His uncle Tono Zancanaro and his older brother Renzo Bussotti strongly influenced his style in painting.
Outspoken and openly gay, Bussotti expressed his sexuality in his music as early as 1958.

ritratti and e
* Tempeste e ritratti ( Storms and portraits ) ( 2001 )

ritratti and .
* R. Zapperi, " I ritratti di Antonio Carracci " in Paragone, XXXVIII / 449 ( 1987 ), pp. 3 – 22

e and sketches
He completed ( but later destroyed ) another opera, Ero e Leandro, and left incomplete a further opera, Nerone, which he had been working at, on and off, between 1877 and 1915 ; excluding its last act, for which Boito left only a few sketches, Nerone was finished after his death by Arturo Toscanini and Vincenzo Tommasini and premiered at La Scala, 1924.
Hughes reproduces the draft fragment given below ( i. e., the fifth through eighth lines of the song ) and writes, " His sketches, preserved in the Vienna National Library, show the self-denial and economy with which he struggled to achieve song's seemingly inevitably climax, pruning the earlier and more obviously interesting version of the fifth and sixth lines, which would have anticipated, and so lessened, its overwhelming effect.
His association with this group subsequently allowed him to become involved with the Isham shows through the two group ’ s coalition – the partnered shows predominantly consisted of comedy sketches, vaudeville specialty acts ( i. e. jugglers, singers, and comedians ), and ending with a variety of opera-like singers.
) or comedic sketches ( e. g., General Mathpital, a parody of General Hospital ; Nobody's Inn, a parody of Fawlty Towers ; Late Afternoon with David Numberman, a parody of Late Night with David Letterman ; etc.
), though it is possible some of the lighter sketches from the Greek ( e. g. I. 10, a hymn to the god Mercury ) are contemporary with Horace's earlier Epodes and Satires.
Before leaving New Zealand he presented a precious collection of sketches and etchings by old European masters, e. g. Rembrandt, Rubens, Dürer and van Dyck, to the New Zealand Government.
The show lists funny moments and people that are not intended to be funny, i. e., no sketches or jokes, etc.
Several of the sketches, many of which are included for the first time since their original transmissions, had been discussed in biographies of Adams ( e. g. Don't Panic by Neil Gaiman and Wish You Were Here by Nick Webb ).
La mer, trois esquisses symphoniques pour orchestre ( French for The sea, three symphonic sketches for orchestra ), or simply La mer ( i. e. The Sea ), is an orchestral composition ( L 109 ) by the French composer Claude Debussy.
The moments selected were originally not intended to be funny, i. e. no sketches or jokes, etc.
He produced a large number of sketches and watercolours during this time ( e. g. the picture of the Althing ), and published an illustrated account of his expedition in 1899 under the title A Pilgrimage to the Sagasteads of Iceland ( Ulverston: W. Holmes ).

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