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* " The Hitch-Hiker "-First published in Atlantic Monthly in July 1977.
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Hitch-Hiker and July
Despite the dissension, the trio put its new work ethic to the test in the studio, releasing the Top 10 single " Sweet Hitch-Hiker " in July 1971, backed with Stu Cook's " Door to Door.
Hitch-Hiker and .
She does not appear in the best-known film she directed, The Hitch-Hiker ( 1953 ), developed by her company, The Filmakers, with support and distribution by RKO.
The Hitch-Hiker ( 1953 ) is a film noir directed by Ida Lupino about two fishing buddies who pick up a mysterious hitchhiker during a trip to Mexico.
In 1998, The Hitch-Hiker was selected for preservation in the United States National Film Registry as being " culturally, historically or aesthetically significant.
The Hitch-Hiker was her first hard-paced fast-moving picture after four " woman's " films about social issues.
Critic John Krewson lauded the work of Ida Lupino, and wrote, " As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in The Hitch-Hiker, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer.
In addition to her critical but compassionate sensibility, Lupino had a great filmmaker's eye, using the starkly beautiful street scenes in Not Wanted and the gorgeous, ever-present loneliness of empty highways in The Hitch-Hiker to set her characters apart.
Her earlier performance was in one of the first season's most unsettling episodes, " The Hitch-Hiker ", in which she played another tormented character, a lone driver who meets her inexorable fate in the personification of death.
He contributed the score to the famed 1941 radio presentation of Fletcher's original story, The Hitch-Hiker, on the Orson Welles Show ; and Fletcher helped to write the libretto for his operatic adaptation of Wuthering Heights.
After four " woman's " films about social issues – including Outrage ( 1950 ), a film about rape – Lupino directed her first hard-paced, fast-moving picture, The Hitch-Hiker ( 1953 ), making her the first woman to direct a film noir.
In her films The Bigamist and The Hitch-Hiker Lupino was able to reduce the male to the same sort of dangerous, irrational force that women represented in most male-directed examples of Hollywood film noir.
* In 1941, the Orson Welles Show presented the debut broadcast of Lucille Fletcher's The Hitch-Hiker, starring Orson Welles.
" The Hitch-Hiker ", an episode of The Twilight Zone, and the episode " RoadKill " of the TV series Supernatural, were notable television adaptations of this particular variation.
It is similar to Lucille Fletcher's original radio play, The Hitch-Hiker, which was first performed in 1941 on the Orson Welles Show starring Welles as the spooked driver.
Appearing in movies such as Goodbye, My Fancy ( 1951 ) with Joan Crawford, and The Hitch-Hiker ( 1953 ) directed by Ida Lupino, Lovejoy was effective playing the movie's everyman in extraordinary situations.
The fact that Mainwaring's work on Ida Lupino's film noir The Hitch-Hiker was not credited is most likely due to non-political reasons.
"-First and published
* " Low-lands "-First published in New World Writing, No. 16, Philadelphia: Lippincott, on 16 March 1960, pp. 85 – 108.
* " The Secret Integration "-First published December 26, 1964 in The Saturday Evening Post 237 No. 45, pp. 36 – 37, 39, 42-44, 46-49, 51.
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