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Page "Robert Jones (composer)" ¶ 8
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first and set
Mother and son recognize each other and, in Mann's version of this legend, make a remarkable confession of guilt to each other, the confession of unconscious motive and unconscious knowledge of their true identities from the time they had first set eyes on each other.
But the real beginnings of this development in him go back to the opposing of grammar school, and probably if it had not been this occasion and these Latin lines it would have been some others, such as the first prolusion, that set off this streak in him of unbridled and scathing verbal attack on an enemy.
Even to be `` from hope and fear set free '' is at least better than to have lost the first without having got rid of the second.
This central episode consists of a series of staccato scenes set in the period from the beginning of the present century up to the first World War.
Demand for parts for home entertainment was strong in the first half, but purchases were cut back to lower levels during the fall as set manufacturers reduced their own operating rates.
The first substantially complete stereo Giselle ( and the only one of its scope since Feyer's four-sided LP edition of 1958 for Angel ), this set is, I'm afraid, likely to provide more horrid fascination than enjoyment.
You can save all that shimming time if you set your windows in one, two, three order -- first the stud on one side, then the window, then the stud on the other side.
We first define a function b{t} as follows: given the set of squares such that each has three corners on C and vertex at t, b{t} is the corresponding set of positive parametric differences between T and the backward corner points.
The purpose set forth at the beginning of this book was first to introduce the reader to a general background knowledge of the various types and capabilities of the forecasting methods already in use, so that he might then be in a position to evaluate for himself the validity of the rather astonishing empirical correlation that is to follow, and to appraise the forecast that its interpretation suggests for the future of farm prices over the years immediately ahead.
At any rate, Manchester did not lag far behind the first commercial system which was set up in 1844 between Baltimore and Washington.
In our own practice, to have the last `` intonaco '' plaster coat thick enough to match, and at the same time to avoid fine cracks in drying, we found that it had to be put on in two layers, letting the first set awhile before applying the second.
The `` Barre Aviation Field '' was set to receive its first aircraft the Sunday following the flood.
The first few days Bob Fogg set his plane down on Towne field back of the State House when the wind was right, and used Wilson flat above Barre when it wasn't.
This is in honor of John Ledyard, class of 1773, who scooped a canoe out of a handy tree and first set the course way back in his own student days.
As he left the bandstand to return to his office, the slender, sun-tanned Chief Executive paused along the way to shake hands with the members of the audience in wheel chairs forming the first row under the field tent set up for the guests.
The first Saturday in each month is set aside for new recordings.
Henrietta looked down at her bouquet, still lively with its color and scent, and set her feet on their journey's way again, leaving the village street and crossing the first field, Folly dancing ahead of her.
* In the year 1000, the Icelander Leif Ericson was the first European to set foot on North American soil, corresponding to today's Eastern coast of Canada, i. e. the province of Newfoundland and Labrador, including the area of land named " Vinland " by Ericson.
Note that " completeness " has a different meaning here than it does in the context of Gödel's first incompleteness theorem, which states that no recursive, consistent set of non-logical axioms of the Theory of Arithmetic is complete, in the sense that there will always exist an arithmetic statement such that neither nor can be proved from the given set of axioms.
The first is the literal level ; the second signifies a related set of concepts and events.
* The set of real algebraic numbers is linearly ordered, countable, densely ordered, and without first or last element, so is order-isomorphic to the set of rational numbers.
The first book assumes that gamemasters will set their campaigns after the Patternfall war ; that is, after the end of the fifth book in the series, The Courts of Chaos, but uses material from the following books to describe those parts of Zelazny's cosmology that were featured there in more detail.

first and madrigals
* Orlande de Lassus ' first book of madrigals is published, in Antwerp.
The great achievements generally ascribed to him are the further development of the recitative, introduced by Monteverdi, and of infinite importance in the history of dramatic music ; the further development of the chamber-cantata, by which Carissimi superseded the concertato madrigals which had themselves replaced the madrigals of the late Renaissance ; and the development of the oratorio, of which he was the first significant composer.
* Il primo libro de madrigali ( first book of madrigals ) ( opus 1, Venice, 1611 )
Musical settings of pastoral poetry became increasingly common in first polyphonic and then monodic madrigals: these later led to the cantata and the serenata, in which pastoral themes remained on a consistent basis.
Because of his activity in Florence, the numerous intermedi that he wrote for the Medici and other members of the aristocracy, his dedication of a book of ricercars to Count Giovanni de ' Bardi, and the dedication of a book of madrigals to Emilio de ' Cavalieri, it is likely that he was a member of the Florentine Camerata, the group of progressive musicians and poets who, in attempting to recreate the music of ancient Greece, created the first monody and ultimately the first opera.
In addition to his output of sacred music as the director of St. Mark's, he wrote numerous madrigals, a secular form ; he is considered a Flemish madrigal composer of the first rank.
The 1560s were productive years for Wert musically, as he produced his first four books of five-voice madrigals during this time, and his first book for four voices.
It was during this period that he began to acquire fame as a composer, publishing, with the assistance of the Venetian printer Scotto, his first book of madrigals in 1542, as well as two books of motets in 1544 and 1545.
The first madrigals were written in Florence, either by native Florentines or by Franco-Flemish musicians in the employment of the Medici family.
The earliest madrigals were probably those by Bernardo Pisano, in his 1520 Musica di messer Bernardo Pisano sopra le canzone del Petrarcha, which was also the first secular music collection ever printed containing only the works of a single composer.
The first book of madrigals labeled as such was the Madrigali de diversi musici: libro primo de la Serena of Philippe Verdelot, published in 1530 in Rome.
In 1533 and 1534 he published two books of four voice madrigals in Venice ; these were to become extremely popular, so much so that their 1540 reprint was one of the most widely printed and distributed music books of the first half of the 16th century.
Particularly popular was the first collection of madrigals by Jacques Arcadelt.
One of the prominent composers of madrigals in the solo with continuo style, related to monody and descended directly from the experimental music of the Florentine Camerata, was Giulio Caccini, who published the first collection of solo madrigals with his Le nuove musiche in 1601 / 2.
The last book of solo madrigals which did not contain any arias appeared in 1618 ; that was also the first year in which a group of arias was published which contained no madrigals.
Domenico Mazzocchi's 1638 book splits madrigals into continuo and ensemble works specifically intended to be performed a cappella ; Mazzocchi's instructions are precise, and he even includes, for the first time in any printed music collection, symbols for crescendo and decrescendo.
The first native Italian composer of madrigals
His Secondo Libro, 1602, is the first example of madrigals published with continuo.
Based on Frescobaldi's preface to his first publication, the 1608 volume of madrigals, the composer also visited Antwerp, where local musicians, impressed with his music, persuaded him to publish at least some of it.
In 1600, in the first two of his five madrigal books, Rossi published the earliest continuo madrigals, an innovation which partially defined the beginning of the Baroque era in music ; these particular compositions included tablature for chitarrone.

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