* 1909 – Publication of the Futurist Manifesto in the French journal Le Figaro.

Filippo Tommaso Marinetti, author of the Futurist Manifesto ( 1908 ) and later the co-author of the Fascist Manifesto ( 1919 ).

Futurism that was both an artistic-cultural movement and initially a political movement in Italy led by Filippo Tommaso Marinetti who founded the Futurist Manifesto ( 1908 ), that championed the causes of modernism, action, and political violence as necessary elements of politics while denouncing liberalism and parliamentary politics.

In 1919, Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti created The Manifesto of the Italian Fasci of Combat ( a. k. a. the Fascist Manifesto ).

# REDIRECT Futurist Manifesto

Soon afterward a group of painters ( Giacomo Balla, Umberto Boccioni, Carlo Carrà, Luigi Russolo, and Gino Severini ) co-signed the Futurist Manifesto.

The Manifesto that was written by national syndicalist Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti.

This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 ( as they report in the Futurist Manifesto of Cinema ), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920.

" Manifesto of Futurist Musicians " from Apollonio, Umbro, ed.

The Futurist Manifesto had declared, " We will glorify war-the world's only hygiene-militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman.

Marinetti launched the movement in his Futurist Manifesto, which he published for the first time on 5 February 1909 in La gazzetta dell ' Emilia, an article then reproduced in the French daily newspaper Le Figaro on 20 February 1909.

The founding manifesto did not contain a positive artistic programme, which the Futurists attempted to create in their subsequent Technical Manifesto of Futurist Painting.

It illustrates the precepts of the Technical Manifesto of Futurist Painting that, " On account of the persistency of an image upon the retina, moving objects constantly multiply themselves ; their form changes like rapid vibrations, in their mad career.

His ideas on sculpture were published in the Technical Manifesto of Futurist Sculpture In 1915 Balla also turned to sculpture making abstract " reconstructions ", which were created out of various materials, were apparently moveable and even made noises.

The Futurist Manifesto had declared, " We will glorify war — the world's only hygiene — militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for woman.

Francesco Balilla Pratella joined the Futurist movement in 1910 and wrote a Manifesto of Futurist Musicians in which he appealed to the young ( as had Marinetti ), because only they could understand what he had to say.

Other composers offered more melodic variants of Futurist music, notably Franco Casavola, who was active with the movement at the invitation of Marinetti between 1924 and 1927, and Arthur-Vincent Lourié, the first Russian Futurist musician, and a signatory of the St Petersburg Futurist Manifesto in 1914.

Marinetti's Manifesto of Futurism ( 1909 ), as it delineated the various ideals Futurist poetry should strive for.

* Manifesto of Futurist Musicians by Francesco Balilla Pratella

Futurist Christians consider the " Abomination of Desolation " prophecy of Daniel mentioned by Jesus in and as referring to an event in the end time future, when a 7 year peace treaty will be signed between Israel and a world ruler called " the man of lawlessness ", or the " Antichrist " affirmed by the writings of the Apostle Paul in 2 Thessalonians.

In the Futurist approach, Revelation is chiefly seen as referring to events which as yet have not come to pass, but which will come to pass at the end of the age, and the end of the world.

* The Prometheus Award is given by the Libertarian Futurist Society for Libertarian science fiction.

The Prometheus Award is an award for libertarian science fiction novels given annually by the Libertarian Futurist Society, which also publishes a quarterly journal Prometheus.

L. Neil Smith established the award in 1979, but it was not awarded regularly until the newly founded Libertarian Futurist Society revived it in 1982.

Three novels from this period, Stranger in a Strange Land, The Moon is a Harsh Mistress, and Time Enough for Love, won the Libertarian Futurist Society's Prometheus Hall of Fame Award, designed to honor classic libertarian fiction.

* In 1910 – 11 Futurist artist Gino Severini painted " The Black Cat " in direct reference to Poe's short story.

The conjunction of such subject-matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà ; themselves made in response to early Cubism.

The gap between the Imagist and Futurist groups was defined partly by Aldington's critical disapproval of the poetry of Filippo Marinetti.

Primo Conti ( October 16, 1900 — November 12, 1988 ) was an Italian Futurist artist.

His attraction to the latest innovations was expressed in almost completely Futurist forms in his drawings, while he developed a unique style in his painting that was a mixture of Art Nouveau, Fauvism, Expressionism and Orphism.

It was not until 1917, after meeting with Giacomo Balla in Rome, and with Filippo Tommaso Marinetti in Naples ( who later enthusiastically praised Conti's book Imbottigliature which was about to be printed ) that Conti became part of the Futurist movement.

Futurist Ray Kurzweil has speculated that by the end of the 21st century it may be possible by using femtotechnology to create new chemical elements composed of exotic baryons that would eventually constitute a new periodic table of elements in which the elements would have completely different properties than the regular chemical elements.

" Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art.

Futurist Paul Raskin has hypothesized that a new, more legitimate form of global politics could be based on “ constrained pluralism .” This principle guides the formation of institutions based on three characteristics: irreducibility, where some issues must be adjudicated at the global level ; subsidiarity, which limits the scope of global authority to truly global issues while smaller-scope issues are regulated at lower levels ; and heterogeneity, which allows for diverse forms of local and regional institutions as long as they meet global obligations.

* For a New Liberty: The Libertarian Manifesto ( 1973 ), by Murray Rothbard

In the Preface of Humanist Manifesto II, in 1973, the authors Paul Kurtz and Edwin H. Wilson assert that faith and knowledge are required for a hopeful vision for the future.

* Humanist Manifesto II ( 1973 )

The name of the book is intended to position its thesis as a Christian answer to The Communist Manifesto of 1848 and the Humanist Manifesto documents of 1933 and 1973.

A signatory of the Russell – Einstein Manifesto, he was secretary general of the Pugwash Conferences on Science and World Affairs from its founding until 1973.

Stephen Koch, who in 1973 wrote a study of Warhol's film, stated: " Valerie lives in terror of dependence: That is what the SCUM Manifesto is about, an absolute terror before the experience of need.

Compiled by Paul Kurtz, it is largely a restatement of the content of the American Humanist Association's 1973 Humanist Manifesto II, of which he was co-author with Edwin H. Wilson.

They are the original Humanist Manifesto ( 1933, often referred to as Humanist Manifesto I ), the Humanist Manifesto II ( 1973 ), and Humanism and Its Aspirations ( 2003, a. k. a. Humanist Manifesto III ).

The second Manifesto was written in 1973 by Paul Kurtz and Edwin H. Wilson, and was intended to update and replace the previous one.

Among the oft-quoted lines from this 1973 Manifesto are, " No deity will save us ; we must save ourselves ," and " We are responsible for what we are and for what we will be ," both of which may present difficulties for members of certain Christian, Jewish, and Muslim sects, or other believers in doctrines of submission to the will of an all-powerful God.

In it, Kurtz argues for many of the points already formulated in Humanist Manifesto 2, of which he had been co-author in 1973.

* Humanist Manifesto II ( 1973 )

Two manifestos followed: Humanist Manifesto II in 1973 and Humanism and Its Aspirations in 2003.

The second Humanist Manifesto was written in 1973 by Paul Kurtz and Edwin H. Wilson, and was intended to update the previous one.

The Humanist Manifesto II first appeared in The Humanist September / October, 1973, when Paul Kurtz and Edwin H. Wilson were editor and editor emeritus respectively.

George Lakey in his 1973 book and in his 1976 " A Manifesto for Nonviolent Revolution ", laid out a five stage strategy for nonviolent revolution.

Edwin Henry Wilson ( August 23, 1898 – March 26, 1993 ) was an American Unitarian leader and humanist who helped draft the Humanist Manifesto of 1973.

He helped write both the Humanist Manifesto I of 1933 and Humanist Manifesto II of 1973.

In 1933, Mondale was the youngest to sign A Humanist Manifesto and was also signatory to the 1973 Humanist Manifesto II.