" It's just a wonderful marriage of actor and character [...] He's giving us so many levels and such depth, that it's a challenge.

He preached that racism was a sin, and he said of atheists, "... we can learn from radical doubters [...] It is the heretics who have forced the church to clear its mind, opened up to it new insights, spurred it on to deeper thinking about God and Christ and man [...] Their concern is a challenge to our complacency.

" Phil Hardy's The Aurum Film Encyclopedia: Horror observed, " Bava's first ( and best ) film as a solo director [...] The movie derives its lyrical force and indeed its sense of horror from the knowledge that a woman's sexuality cannot be eliminated and will return, bearing the scars of the violence with which it was repressed, to challenge the order of things.

[...] Shakespeare isn't trying to " domesticate women "; he's not making any kind of case for how they ought to be treated or what sort of rights they ought to have.

Wilson for example, " There is no certain evidence that any dramatist before the defeat of the Spanish Armada in 1588 dared to put upon the public stage a play based upon English history [...] so far as we know, Shakespeare was the first.

* Young Ferdinand, whom they suppose is drown'd, [...] ( Shakespeare, The Tempest, III, 3 )

He wrote in 1882, " It makes one weep to think what English might have been ; for in spite of all that Shakespeare and Milton have done [...] no beauty in a language can make up for want of purity ".

Under Ambrose's major influence, emperors Gratian, Valentinian II and Theodosius I carried on a persecution of Paganism .< ref name = " MacMullen1984p100 "> MacMullen ( 1984 ) p. 100: ‘ The law of June 391, issued by Theodosius [...] was issued from Milan and represented the will of its bishop, Ambrose ; for Theodosius — recently excommunicated by Ambrose, penitent, and very much under his influence < sup > 43 </ sup > — was no natural zealot.

The sufficient reason [...] is found in a substance which [...] is a necessary being bearing the reason for its existence within itself.

Al Sharpton, former Pentecostal minister, now a Baptist minister and Civil rights leader, during his campaign for the Democratic presidential nomination in 2004 said that asking whether gays or lesbians should be able to get married was insulting: " That's like saying you give blacks, or whites, or Latinos the right to shack up – but not get married [...] It's like asking ' do I support black marriage or white marriage '...

[...] In my opinion it is better for the book to appear mutilated than for me to say what I don't believe.

[...] We should care about the interests of other people for the very same reason we care about our own interests ; for their needs and desires are comparable to our own.

[...] He does not look to revelation or tradition for guidance.

Linehan says, " if Ted is in a situation that is slightly embarrassing we get him out of it [...] by having him lying or cheating, basically digging a massive hole for himself ".

[...] I give a rule for the geometrical multiplication of graphs, i. e. for constructing a graph to the product of in-or co-variants whose separate graphs are given.

In chapter 16, " Hel's [...] relative or father " is given as a kenning for Loki.

He described Jack Benny as " very warm and approachable [...] He was a guy who dug the idea of other people on the show getting laughs, which sort of spoiled me for other people in comedy.

It appears to me, that the general conclusions established by Mesmer ’ s practice, with respect to the physical effects of the principle of imagination [...] are incomparably more curious than if he had actually demonstrated the existence of his boasted science " animal magnetism ": nor can I see any good reason why a physician, who admits the efficacy of the moral psychological agents employed by Mesmer, should, in the exercise of his profession, scruple to copy whatever processes are necessary for subjecting them to his command, any more than that he should hesitate about employing a new physical agent, such as electricity or galvanism.

" The notion of the cistron [...] must be replaced by that of a transcription unit containing regions which will be lost from the mature messenger-which I suggest we call introns ( for intragenic regions )-alternating with regions which will be expressed-exons.

“ It is a curious fact that with ‘ Looking-Glass ’ the faculty of making drawings for book illustrations departed from me, and [...] I have done nothing in that direction since .”

* " It is painful for me to see when criminal elements of all kinds fire from my weapon [...] I created this weapon primarily to safeguard our fatherland "

[...] There is absolutely no justification for this kind of war.

As for the objection [...] that the distance between two distinct real numbers cannot be infinitely small, G. W. Leibniz argued that the theory of infinitesimals implies the introduction of ideal numbers which might be infinitely small or infinitely large compared with the real numbers but which were to possess the same properties as the latter.

A brief but vague reference to the NSA first appeared in the United States Government Organization Manual from 1957, which described it as " a separately organized agency within the Department of Defense under the direction, authority, and control of the Secretary of Defense [...] for the performance of highly specialized technical functions in support of the intelligence activities of the United States.

By contrast, when Bertrand Russell writes, in The Principles of Mathematics, " A class [...] is neither a predicate nor a class-concept, for different predicates and different class-concepts may correspond to the same class.

Kevin Lally of the Film Journal International commented in his review for the film that " in an ironic casting twist, the Spanish actress Penelope Cruz [...] is much more appealing as Josepha in her previous roles.

[...] Bonhoffer called persistently for ' Religionless Christianity '.

They are not directly listed in the Torah ; elsewhere, the Mishnah observes that " the laws of Shabbat [...] are like mountains hanging by a hair, for they are little Scripture but many laws ".

I suppose we were post-punk when we came out, but in total it's impossible [...] I just play Cure music, whatever that is.

The play within the play has been presented only after all the preliminaries have encouraged us to take it as a farce [...] the main purpose of the Induction was to set the tone for the play within the play – in particular, to present the story of Kate and her sister as none-too-serious comedy put on to divert a drunken tinker.

Concerning the matter, Hepburn stated: " There was a lovely part for Kathy, my niece [...] She would play Spencer's and my daughter.

A review in The Daily Telegraph argued that the play misrepresented Poles as " just itching for the German invasion as the excuse to give violent vent to their deep-rooted anti-Semitism " and " too often [...] looked like an object lesson in gross simplification.

Drummer Jo Jones, who recorded a 1956 trio session with Tatum and bassist Red Callender is quoted as quipping, " I didn't even play on that session [...] all I did was listen.

Williams notes that " students preoccupied with fingerings and not notes, much less sounds "; some are able " to play [...] difficult solo works from memory ", but " have a very poor sense of ensemble or timing ".

He notes that students play works from the solo repertoire that is often still too difficult, so that the teachers often put more " emphasis [...] on getting through the notes rather than playing the real substance of each note ".

" The English continually refer to her as a witch and a whore, the French as a saint and a saviour, and the play itself seems to waver between these two poles: " Joan first appears in a state of beatitude, patient, serene, the " Divinest creature " of Charles ' adoration, the object of the Virgin Mary's miraculous intercession, chosen by her to rescue France, and so made beautiful, courageous and wise [...] on the other hand, and virtually at the same time, she's clearly an early combination of the demonic, the Machiavellian, and the Marlovian.

Of this scene, Michael Hattaway has commented, " the feudal ritual of trial by combat is reduced to the grotesque fights between the drunken armourer and his apprentice [...] It serves to mirror the realities of the play: instead of seeing justice determined by God with regards to the rights of the adversaries, here we see simply a trial of might.

According to court testimony by Ma Ava ( Ava Avalos ), a prominent disciple, Sheela played associates a tape recording of a meeting she had had with Osho about the " need to kill people " in order to strengthen wavering sannyasins resolve in participating in her murderous plots: " She came back to the meeting and [...] began to play the tape.

According to bassist / singer Randy Jackson, jazz fusion is an exceedingly difficult genre to play ; " I [...] picked jazz fusion because I was trying to become the ultimate technical musician-able to play anything.

[...] But he is that easy to play with, and his skills are so fundamentally sound that other people can fit in.

Stuart Kesten, President of American Multiple Industries ( Mystique ), stated " our object is not to arouse, our object is to entertain [...] When people play our games, we want them smiling, we want them laughing.

[...] In a way, Special Force offers a mental and personal training for those who play it, allowing them to feel that they are in the shoes of the fighters.

Earl Lloyd, the first black player to play in the NBA, said: " Red Auerbach convinced his players that he loved them [...] so all they wanted to do was please him.

[...] he wishes to develop the visual field by multiplying it, to inscribe them all in the space of the same canvas: it is then that the cube will play a role, for Metzinger will utilize this means to reestablish the equilibrium that these audacious inscriptions will have momentarily broken.

[...] ere too the concept of privacy comes in to play.

[...] You'll want to play through again and again even after you've beaten it.

Doran remarks that while " The Minor failed in Dublin, very much to the credit of an Irish audience, [...] they condemned it on the ground of its grossness and immorality " English society, nevertheless, while hearing condemnations of the play, filled the theatres.