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Page "Nakhi people" ¶ 47
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Dongba and shaman
Historians have traced origins to a Bön shaman from eastern Tibet named Dongba Shilo, who lived in a cave near Baishuitai 900 years ago.

Dongba and is
Dongba script used without Geba decorating is an example of a real ideogram ( it is also a pictogram ).
*: * Dongba script written with Geba script: Naxi language ( Dongba itself is pictographic )
Dongba writing is a complex hieroglyphic system made of phonetic and symbolic notations that have existed for over a thousand years ( before the T ’ ang Dynasty ).
Dongba is one of only a few hieroglyphic system still in use today.
The Dongba religion is based on the relationship between nature and man.
Their attitude towards nature is clearly illustrated by the story of He Shun, a Dongba priest, who forbade his three sons to cut down more trees than they needed, as this would anger the gods and bring misfortune to his family.
The core of the Dongba religion is based on the belief that both man and nature are two half-brothers born of two mothers and the same father.
Dongba is largely a mnemonic system, and cannot by itself represent the Naxi language ; different authors may use the same glyphs with different meanings, and it may be supplemented with the geba syllabary for clarification.

Dongba and priest
The ritual was conducted if somebody was stricken with illness or bad luck, when a Dongba priest would be consulted.
On many occasions, the result would show that the person had carried out logging or washing of dirty things in the forest, and the family or person concerned would have to ask the Dongba priest to hold the ritual near where the activity had taken place, and apologise to the nature god Shu.

Dongba and who
The term Dongba ( ²dto¹mba ) refers to the religious priests, the culture, and script of the Nakhi people, who are found in southwestern China.

Dongba and religious
By the early nineteenth century, the Dongba priests had created a huge religious vocabulary accompanied by a variety of rituals, and had largely displaced the Llü-bu.

Dongba and were
Adherents of Dongba had no places of worship, and so they were not officially recognized as a religion by the Communists following their arrival to the region.

Dongba and by
The Nakhi have their own writing, pictographs which have been compared to native Yi writing and native Pumi writing, a tradition taught by and used by Dongba ( Nakhi shamans ).
* A series of Dongba Culture artworks by Dongba ethnic artist Cun Liusan.
The Dongba, Tomba or Tompa symbols are a system of pictographic glyphs used by the ²dto¹mba ( Bon priests ) of the Naxi people in southern China.

Dongba and most
One of the most widely practised Dongba rituals, Zzerq Ciul Zhuaq ( literally, to repay the debts of a tree ), has been described in the village of Shuming.

Dongba and Nakhi
There are many arts which are native to the Nakhi People, such as the rarely seen Nakhi handmade embroidery, Dongba painting, Dongba wooden carving and so on.
Dongba religion was rooted in the beliefs of the Tibetan Bön religion ; the word " Dongba " literally means " wise man " in the Nakhi language.

Dongba and are
The mural paintings depict Dongba gods, and stylistically are derived from Han Chinese interpretations of Tibetan Buddhist themes.
Anthropologists claim that many of the Dongba rituals show strong influences from the Bön religion, and are not native in origin.
In Dongba mythology, " Nature " and " Man " are half-brothers, having different mothers.
The Dongba, also known as wise men, are believed to be the priests of the Bön religion.

Dongba and their
The Dongba priests practice rituals such as the " Shv Gu " to appease these spirits and prevent their anger from boiling into natural disasters such as earthquakes and droughts.

Dongba and .
The dress of the Dongba lamas sometimes resembles that of the Bön priests of Tibet ; some dongbas wear conical hats like those of the lamas of the Black Hat sect, with a piece of red cloth.

shaman and is
The initiate is also tested for their unwavering commitment to ayahuasca and the shaman who oversees the training.
A practitioner of traditional mushroom use is the shaman or curandera ( priest-healer ).
In Shamanism in the Hmong culture, a shaman may use a rooster in religious ceremony as it is said that the rooster shields the shaman from " evil " spirits by making him invisible as the evil spirits only see the rooster's spirit.
A shaman is a person regarded as having access to, and influence in the world of benevolent and malevolent spirits, who typically enters into a trance state during a ritual, and practices divination and healing.
The word " shaman " is based upon the Evenk language word " šamán ".
This process is important to the young shaman.
These spirit guides are always present within the shaman though others only encounter them when the shaman is in a trance.
Usually in most languages a different term other than the one translated " shaman " is applied to a religious official leading sacrificial rites (" priest "), or to a raconteur (" sage ") of traditional lore ; there may be more of an overlap in functions ( with that of a shaman ), however, in the case of an interpreter of omens or of dreams.
Despite these functions, the jardalanin is not a shaman.
The shaman is able to " release " game animals, or their souls, from their hidden abodes.
By engaging in their work, a shaman is exposed to significant personal risk, from the spirit world, from enemy shamans, or from the means employed to alter the shaman's state of consciousness.
Hilda Ellis Davidson says that " the eight-legged horse of Odin is the typical steed of the shaman " and that in the shaman's journeys to the heavens or the underworld, a shaman " is usually represented as riding on some bird or animal.
" Davidson says that while the creature may vary, the horse is fairly common " in the lands where horses are in general use, and Sleipnir's ability to bear the god through the air is typical of the shaman's steed " and cites an example from a study of shamanism by Mircea Eliade of an eight-legged foal from a story of a Buryat shaman.
Alti is a Northern Amazon shaman driven out of her Siberian tribe by Queen Cyane, because of her hunger for power.
In Kalevala, Antero Vipunen is a giant shaman that possesses mighty spells dating to the creation.
Spike is also seen speaking / understanding Latin, Luganda ( a language of Uganda, where he meets the demon shaman ), and the language of Fyarl Demons, two of whom he once employed as underlings during his pre-Sunnydale days.
When she is angered, the shaman travels to wash and comb her hair for her, after which she is placated and releases the animals to the hunters.

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