* Anne Friedberg, Windowshopping: Cinema and the Postmodern ( Berkeley, 1993 ).

" The Decomposing Voice of Postmodern Music ".

" Other than Postmodern ?-- Foucault, Pynchon, Hybridity, Ethics " in Postmodern Culture, vol.

Armantrout's poems have appeared in many anthologies, including In The American Tree ( National Poetry Foundation ), Language Poetries ( New Directions ), Postmodern American Poetry: A Norton Anthology, From the Other Side of the Century ( Sun & Moon ), Out of Everywhere ( Reality Street ), American Women Poets in the 21st Century: Where Language Meets the Lyric Tradition, ( Wesleyan, 2002 ), The Oxford Book of American Poetry ( Oxford, UP, 2006 ) and The Best American Poetry of 1988, 2001, 2002, 2004 and 2007.

* Horstkotte, Martin, " The Worlds of the Fantastic Other in Postmodern English Fiction ", Journal of the Fantastic in the Arts, 14: 3 ( 2003 Fall ), pp. 318-32, ISSN 0897-0521

“ Narrative, Ethics, and Postmodern Art in Siri Hustvedt ’ s What I Loved .” In Ethics in Culture: The Dissemination of Values through Literature and Other Media, edited by Astrid Erll, Herbert Grabes and Angsar Nünning.

The Contemporary Horror Film and Postmodern Theory ", in Tania Modleski ( ed.

Postmodern critical research is also characterized by what is called, the crisis of representation, which rejects the idea that a researcher ’ s work is considered an “ objective depiction of a stable other ” ( Lindlof & Taylor, 2002, p. 53 ).

* ( edited with Carl E. Braaten ) The Strange New World of the Gospel: Re-Evangelizing in the Postmodern World ( 2002 )

* The A to Z of Postmodern Life: Essays on Global Culture in the Noughties, Vision, 2002

* More Ready Than You Realize: Evangelism as Dance in the Postmodern Matrix ( Zondervan, 2002 )

* SCIPOLICY, “ Popper, Postmodern and Falsification in Research ” avec réponse de Val Dusek, www. scypolicy. net 2002.

Postmodern also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism ( Simonsen 1990 ).

Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups ( Goodchild 1990 ).

Postmodern music, on the other hand, shares characteristics with postmodernist art — that is, art that comes after and reacts against modernism ( see Modernism in Music ).

: Identified in The Postmodern Condition a crisis in the ' discourses of the Human Sciences ' latent in Modernism but catapulted to the fore by the advent of the " computerized " or " telematic " era ( see Information Revolution ).

* Bielskis, Andrius ( 2005 ) Towards a Postmodern Understanding of the Political: From Genealogy to Hermeneutics ( Palgrave Macmillan, 2005 ).

In 1997, Sokal and Jean Bricmont co-wrote Impostures Intellectuelles ( US: Fashionable Nonsense: Postmodern Intellectuals ' Abuse of Science, UK: Intellectual Impostures, 1998 ).

2005 ), and Postmodern Social Theory ( 1997 ).

For convenient access to many of Ritzer ’ s substantive contributions to modern and postmodern social theorizing, see Explorations in Social Theory: From Metatheorizing to Rationalization ( 2001 ) as well as more recent work often co-authored with his many students, such as ( with J. Michael Ryan ) “ Postmodern Social Theory and Sociology: On Symbolic Exchange with a ‘ Dead ’ Theory ,” in Reconstructing Postmodernism: Critical Debates ( 2007 ).

* Albert Borgmann, Crossing the Postmodern Divide ( 1992 ).

Her work is often classified as Postmodern because it expands traditional notions of genre ( fiction, essay, prose and poetry ).

* Hoover, Paul ( ed ): Postmodern American Poetry-A Norton Anthology ( 1994 ).

Dance improvisation is not only about creating new movement but is also defined as freeing the body from habitual movement patterns ( see Postmodern dance and Judson Dance Theater ).

* Eleonora Federici ( 1997 ) " The Ecriture Féminine of a ' Hideous Progeny ': Marge Piercy's He, She and It as a Postmodern Intertext of Mary Shelley's Frankenstein ", Versus: Quaderni di Studi Semiotici, v. 77-78, pp. 119 – 143 ( May-Dec 1997 ).

# Postmodern dance falls under two catergories due to its complex nature ( see Postmodernism ).

Tuma is an American academic, and author of the somewhat despairing Fishing by Obstinate Isles: Modern and Postmodern British Poetry and American Readers ( 1998 ), on the topic of the perceived gap between ' mainstream ' British poetry and the possible American reception ( particularly in academia ).

He was the founder and editor of the monthly journal First Things and the author of several books, including The Naked Public Square: Religion and Democracy in America ( 1984 ), The Catholic Moment: The Paradox of the Church in the Postmodern World ( 1987 ), and Catholic Matters: Confusion, Controversy, and the Splendor of Truth ( 2006 ).

* Prophecy and Mysticism-the heart of the Postmodern Church ( T & T Clark 1997 ).

Postmodern Culture, v. 1 n. 3 ( May, 1991 ).

He is author of On Diplomacy: A Genealogy of Western Estrangement ( 1987 ) and Antidiplomacy: Spies, Terror, Speed, and War ( 1992 ); editor of International Theory: Critical Investigations ( 1995 ) and The Virilio Reader ( 1998 ); co-editor with Michael Shapiro of International / Intertextual Relations: Postmodern Readings of World Politics ( 1989 ); Global Voices: Dialogues In International Relations ( with others ) ( 1993 ); and, Virtuous War: Mapping the Military-Industrial-Media-Entertainment Network ( 2001 ; 2nd edition, 2009 ).

The Voice in Cinema, translated by Claudia Gorbman, New York & Chichester: Columbia University Press.

* The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema ( Indiana University Press, 1988 )

Other popular attractions include the annual Grand Illumination ( see also here ) in Oak Bluffs ; the Martha's Vineyard Film Society which screens independent and world cinema all year long ; the Martha's Vineyard Film Festival which runs its Summer Film Series and Cinema Circus every Wednesday in July and August, the second week in August, The Run & Shoot Filmworks Martha's Vineyard African-American Film Festival < http :// www. mvaaff. com > which showcases the works of independent and established African-American filmmakers and its winter festival in March ; Martha's Vineyard International Film Festival in September, Katama Farm in Edgartown ; and the Flying Horses Carousel in Oak Bluffs, the oldest carousel in the United States.

Other notices include the 1930s Kings Road, Chelsea, London, Odeon Cinema, with its iconic facade, which carries high upon it a large sculptored head-and-shoulders medallion of " William Friese-Greene " and his year of birth and death.

Other lost theatres on Strand include the Gaiety Theatre ( closed in 1939, building demolished in 1957 ), Terry's Theatre ( converted into a cinema 1910, demolished 1923 ), and the Tivoli ( closed 1914 and later demolished ; in 1923 the Tivoli Cinema opened on the site and was closed and demolished in 1957 to make way for Peter Robinson's store ).

Other events included free films and an evening of music at the Paramount Cinema, an exhibition at St John's Community Centre and Hartcliff Tower was open to the public again.

Other relevant films during these years include Espaldas mojadas ( Wetbacks ) by Alejandro Galindo, Aventurera a melodrama starred by Ninón Sevilla, Dos tipos de cuidado ( 1951 ), El Rebozo de Soledad ( 1952 ) and Los olvidados ( The Young and the Damned ) ( 1950 ), a story about impoverished children in Mexico City directed by the Mexican of Spanish ascendent director Luis Buñuel, a very important figure in the course of the Mexican Cinema of the 1940s and 1950s.

Other notable films that Kroitor directed or co-directed in the Cinema Verite style included Glenn Gould: On the Record, Glenn Gould: Off the Record, Stravinsky, among many others.

She addressed many of her critics, and changed some of her opinions, in a follow-up article, " Afterthoughts on ' Visual Pleasure and Narrative Cinema '" ( which also appears in the Visual and Other Pleasures collection ).

* Cinema Europe: The Other Hollywood

Other alumni who went on to become chef-owners of renowned restaurants include Charlie Hallowell, chef-owner of local pizza restaurant Pizzaiolo, Michael Tusk of Quince, Mary Jo Thoresen of Jojo, Gayle Pirie of Foreign Cinema, Christopher Lee of Eccolo, Joyce Goldstein of Square One, Amaryll Schwertner of Boulettes Larder, Alison Barakat of Bakesale Betty's, and Russell Moore and Allison Hopelain of Camino in Oakland, all in the San Francisco Bay Area, and Mark Peel of Campanile Restaurant in Los Angeles, California.

* Lopez, Ana M. “ An ‘ Other ’ History: The New Latin American Cinema .” Radical History Review 1988. 41 ( 1988 ): 93-116.

Other local facilities include The Phoenix Theatre, Mill Chase Leisure Centre, and Forest Community Cinema, along with numerous community centres and halls.

Other bands from Ireland that formed in the 2000s include The Coronas, The Blizzards, Royseven, Two Door Cinema Club, The Answer, Codes, The Chakras, Fred, Hybrasil and Heathers.

* Aliens R Us: The Other in Science Fiction Cinema, Pluto Press, London, 2002 ( Edited with Sean Cubitt )

Winterbottom's television career included such diverse projects as the pilot of Jimmy McGovern's mystery series Cracker, four television movies, an episode of the Inspector Alleyn Mysteries, two documentaries about Ingmar Bergman and an episode of the documentary series Cinema Europe: The Other Hollywood focusing on Scandinavian silent cinema.

* Time Machine ( 1970 ) on Music from the Soundtrack of ' Destination Moon ' and Other Themes, Cinema Records LP-8005

This was followed by Unknown Chaplin ( 1983 ) ( Charlie Chaplin ), Buster Keaton: A Hard Act to Follow ( 1987 ) ( Buster Keaton ), Harold Lloyd: The Third Genius ( 1989 ) ( Harold Lloyd ) and Cinema Europe: the Other Hollywood ( 1995 ), among others.

* Cinema Europe: The Other Hollywood ( TV series 1996 )

All ten of the current top 10 highest grossing Filipino films of all time are all from Star Cinema with titles such as The Unkabogable Praybeyt Benjamin ( 2011 ), No Other Woman ( 2011 ), You Changed My Life ( 2009 ), A Very Special Love ( 2008 ), One More Chance ( 2007 ) ÜnOfficially Yours ( 2012 ), My Amnesia Girl ( 2010 ), Miss You Like Crazy ( 2010 ) and Caregiver ( 2008 ).

During the past few years Chris T-T has composed music for an interactive exhibit at the Natural History Museum ; scored a short animated film for the World Health Organisation's Global Health Workforce Alliance ; written and performed a live re-soundtracking of Battle Royale at London's Other Cinema ; facilitated Northampton University students to re-soundtrack work by Claire Denis for Northampton's Royal & Derngate Arts Centre ; and curated an evening of political documentaries at Greenwich Film Festival.