" Beginning in the 1940s, Afro-Cuban groups such as Septeto Habanero and Trio Matamoros gained widespread popularity in the Congo region as a result of airplay over Radio Congo Belge, a powerful radio station based in Léopoldville ( now Kinshasa DRC ).

A. Rodríguez, From Afro-Cuban Music to Salsa, Piranha, Berlin, 1998.

* Clave ( rhythm ), a rhythmic pattern found in some Afro-Cuban Music

Salsiology: Afro-Cuban Music and the evolution of Salsa in New York City.

She is adept at skeet shooting, trout fishing, Afro-Cuban and Oriental dancing and Southwestern archaeology.

Various cults and religions, such as Danza del Cordon and Afro-Cuban religion, incorporate Taíno spiritual practices.

As the music has developed and spread around the world it has drawn on many different national, regional and local musical cultures giving rise, since its early 20th century American beginnings, to many distinctive styles: New Orleans jazz dating from the early 1910s, big band swing, Kansas City jazz and Gypsy jazz from the 1930s and 1940s, bebop from the mid-1940s and on down through West Coast jazz, cool jazz, avant-garde jazz, Afro-Cuban jazz, modal jazz, free jazz, Latin jazz in various forms, soul jazz, jazz fusion and jazz rock, smooth jazz, jazz-funk, punk jazz, acid jazz, ethno jazz, jazz rap, cyber jazz, Indo jazz, M-Base, nu jazz, urban jazz and other ways of playing the music.

" Bring it Up " has an Afro-Cuban guajeo-like structure.

On Bartholomew's 1949 tresillo-based " Oh Cubanas " we clearly hear an attempt to blend African American and Afro-Cuban music.

While some of these early experiments were awkward fusions, the Afro-Cuban elements were eventually integrated fully into the New Orleans sound.

" He was especially enamored with Afro-Cuban music.

In several of his early recordings, Professor Longhair blended Afro-Cuban rhythms with rhythm and blues.

Afro-Cuban music was the conduit by which African American music was " re-Africanized ," through the adoption of two-celled figures like clave and Afro-Cuban instruments like the conga drum, bongos, maracas and claves.

Ahmet Etregun, producer for Atlantic Records, is reported to have said that " Afro-Cuban rhythms added color and excitement to the basic drive of R & B.

Later bandleaders pioneered the performance of various Brazilian and Afro-Cuban styles with the traditional big band instrumentation, and big bands led by arranger Gil Evans, saxophonist John Coltrane ( on the album Ascension from 1965 ) and electric bassist Jaco Pastorius introduced cool jazz, free jazz and jazz fusion, respectively, to the big band domain.

Rei Momo ( 1989 ) was the first solo album by Byrne, after leaving Talking Heads, that features mainly Afro-Cuban, Afro-Hispanic, and Brazilian song styles including popular dances including merengue, Cuban Son, samba, mambo, cumbia, cha-cha-chá, bomba, and charanga.

In one scene, the Afro-Cuban folkloric genres of batá and rumba are shown being performed in Puerto Rico, implying that they originated there.

Sometimes there are references to Afro-Cuban religions, such as Santeria, even by artists who are not themselves practitioners of the faith.

Clave is also the name of the patterns played on claves ; two hardwood sticks used in Afro-Cuban music ensembles.

The five-stroke clave represents the structural core of many Afro-Cuban rhythms, both popular and folkloric.

The two most common five-stroke African bell parts, which are also the two main clave patterns used in Afro-Cuban music, are known to salsa musicians as son clave and rumba clave.

The timbale bell comes from a stick pattern ( cáscara ) used in the Afro-Cuban folkloric rhythm guaguancó.

The two bands were the main proponents of NY-style mozambique, drew inspiration from the classic Cuban composers, and Afro-Cuban folkloric rhythms, while pushing the limits of salsa, and incorporating jazz elements.

" The Cuban super group Irakere fused bebop and funk with batá drums and other Afro-Cuban folkloric elements.

As salsa grew and flourished in other countries, removed by both time and space from the New York epicenter, it adopted local sensibilities and drifted away from its Afro-Cuban moorings.

Critics of salsa romántica, especially in the late 80s and early 90s, called it a commercialized, diluted form of Latin pop, in which formulaic, sentimental love ballads were simply put to Afro-Cuban rhythms — leaving no room for classic salsa's brilliant musical improvisation, or for classic salsa lyrics that tell stories of daily life or provide social and political commentary.

The dilution of Afro-Cuban rhythmic principles created problems for some.

One exception was the BVSC spin-off, the Afro-Cuban All Stars.

* The Boy Comes Home ( 1918 )

*" When Johnny Comes Marching Home " ( sometimes " When Johnny Comes Marching Home Again ") is a popular song of the American Civil War that expressed people's longing for the return of their friends and relatives who were fighting in the war.

The Irish anti-war song " Johnny I Hardly Knew Ye " and " When Johnny Comes Marching Home " share the same melodic material.

Based on internal textual references, " Johnny I Hardly Knew Ye " apparently dates from the early 1820s, while When Johnny Comes Marching Home was first published in 1863.

The first Japanese film in color was Carmen Comes Home directed by Keisuke Kinoshita and released in 1951.

Coupled with other Old Glory-related artifacts and memorabilia from the state library and archives, it was shown from March to November, in an exhibit entitled Old Glory: An American Treasure Comes Home.

* A Man Comes Home / En mand kommer hjem ( 2007 )

Robinson composed the jazz standard " Eccentric " (" That Eccentric Rag "), " Margie ", " Jazzola ", " Singin ' the Blues ( Till My Daddy Comes Home )", which was recorded by Bix Beiderbecke, Frankie Trumbauer, and Eddie Lang, " Mary Lou ", " Pan Yan ( And His Chinese Jazz Band )", " How Many Times?

#" Singin ' the Blues ( Till My Daddy Comes Home )" was recorded in 1931 with Rex Stewart on cornet

The Opry returned to the Grand Ole Opry House on September 28, 2010 in a special edition of the Opry entitled Country Comes Home that was televised live on Great American Country.

* The Bride Comes Home ( 1935 )

His first appearance was in the episode " Uncle Matt Comes Home " where he conducts a song to welcome Uncle Traveling Matt back to Fraggle Rock.

* The Wildest Comes Home ( 1962 )-Marks Prima's return to Capitol Records.

* The Ghost Comes Home ( 1940 )

For example, John Lodge had gone from writing powerfully reflective mystical or humanitarian themed pieces such as " House of Four Doors ", " Candle of Life " and " One More Time To Live " to quirkier items such as " Here Comes The Weekend ", " Rock and Roll Over You " and " Love is On The Run ( From Me )", while Hayward's songs seemed less the deeper drama of numbers such as " The Actor ", " Dawning is the Day ", " You Can Never Go Home ", " The Land of Make Believe ", etc., to pleasant ( and more radio-friendly ) perennial far simpler songs about lost love and romance (" Your Wildest Dreams ", " No More Lies ", " I Know You're Out There Somewhere " etc .).

At the Embassy Theatre in March 1937 he played Anderson in a mystery play, The Bat, before returning to the Old Vic in April, succeeding Marius Goring as Chorus in Henry V. Other roles that year included Christopher Drew in Daisy Fisher's comedy A Ship Comes Home at the St Martin's Theatre in May and Larry Starr in Philip Leaver's comedy Three Set Out at the Embassy in June, before joining John Gielgud's Company at the Queen's Theatre, September 1937 to April 1938, where he played Bolingbroke in Richard II, Charles Surface in The School for Scandal and Baron Tusenbach in Three Sisters.

In the episode " When Cotton Comes Marching Home ", his Silver Star is displayed in a case at the VFW.

( When Cotton Comes Marching Home )

* " When My Dreamboat Comes Home " w. m.

* " Oh How I Wish I Could Sleep Until My Daddy Comes Home " w. Sam M. Lewis & Joe Young m. Pete Wendling

*" Keep the Home Fires Burning (' Till the Boys Comes Home )" by James F. Harrison