He said: `` If it's all right with you, Mr. Morgan, I'll sleep out here on the couch.

`` He stuck with me all these years.

He did that with all the Nations.

Was it not possible, after all, that the forest was in league with her and her child that its sympathy lay with the Culvers that she had erred in failing to understand this??

one with blood all over it, Arbuckle's blood ''.

`` Sally '', admonished her mother, `` you've got all evening to visit with Dan.

But with Bill O'Connor on the fiddle, and Gran Harrow exuberantly shouting `` Glory Be '' and `` Hallelujah '' above their united chant of the lilting old ballads, they played their quaint folk games with all the fervor and abandon of a real celebration.

With Rod on his way and Matilda visiting with Mrs. Jackson while they searched out familiar names on the face of the cliff, Harmony settled on the edge of the grub box, to ease the pressure of her swollen body on her bone-weary legs, and worried about all that might have happened to Sally.

`` Moriarty '', my driver suddenly exclaimed with something so definite, so final in his tone I once more repeated the absurdity, mustering all my latent powers of hypocrisy to sound convinced.

He caught up with me once and grabbed me, but I was all covered with zing -- it's very slippery, you know ''.

`` Yes, I'm still all covered with that soap.

this is not so, for education offers all kinds of dividends, including how to pull the wool over a husband's eyes while you are having an affair with his wife.

His presence there, asleep in the grass, confirmed all that Mary Jane believed it was in his power to teach her: freedom from the tedium of needs such as hotels, the meaning of nature, how to live, simply, with the angels.

Mary Jane belonged to a world acquainted with small attractive hotels and pensions in all the major and minor cities.

The husband points the steps out with his flashlight: `` Its white stare filling her pale eyes To the blind brim with appetite, Bleaching her hands that grazed my thighs And sent us from the table in surprise To let the dishes soak all night, '' ( Mary Jane asked herself if Meredith was blushing at this line, or was it the fire??

As cheerfully as possible, he said, `` Well, I guess we could all do with a little drink ''.

At noontime, remembering what the teacher had said about maybe playing with the kids, Jack stayed close to the schoolhouse while all the other big boys, except Charles, went off out the road to play ball.

They have pulled out all my teeth and now she will carve out my tongue with her hacksaw!!

Real big, with shoulders out to here, and hair all over him like a grizzly.

Everything was burnished with sweat and grease so that all of the objects seemed to have been carved from the same material and to be ageless.

`` As my wife puts it '', he said, again with a twinkle in his eyes, `` all you know is your music.

Smith's style on fast tempo pieces combined bluesy " licks " with bebop-based single note runs.

`` What is with this vow jazz ''??

Instead of giving themselves spontaneously to the orgiastic release that jazz can give them, they undergo psychoanalysis or flirt with mysticism or turn to prostitutes for satisfaction.

The mystique of sex, combined with marijuana and jazz, is intended to provide a design for living.

Johnny Mercer practically grew up with the sound of jazz and the blues in his ears.

Lawrence Ferlenghetti and Bruce Lippincott have concentrated on writing a new poetry for reading with jazz that is very closely related to both the musical forms of jazz, and the vocabulary of the musician.

In San Francisco he has worked with Brew Moore, Charlie Mingus, and other `` swinging '' musicians of secure reputation, thus placing himself within established jazz traditions, in addition to being a part of the San Francisco `` School ''.

Although Patchen has given previous evidence of an interest in jazz, the musical group that he works with, the Chamber Jazz Sextet, is often ignored by jazz critics.

However, his subject matter and basic themes have remained surprisingly consistent, and these, together with certain key poetic images, may be traced through all his work, including the new jazz experiments.

It was logical that he would come up with the figure of the modern jazz musician.

he usually draws some kind of comparison with the jazz tradition and the poem he is reading -- for instance, he draws the parallel between a poem he reads about an Oriental courtesan waiting for the man she loves, and who never comes, and the old blues chants of Ma Rainy and other Negro singers -- but usually the comparison is specious.

Patchen does read some of his earlier works to music, but he has written an entire book of short poems which seem to be especially suited for reading with jazz.

In his recent book, Hurray For Anything ( 1957 ), one of the most important short poems -- and it is the title poem for one of the long jazz arrangements -- is written for recital with jazz.

Similarly, the innovations of bop, and of Parker particularly, have been vastly overrated by people unfamiliar with music, especially by that ignoramus, the intellectual jitterbug, the jazz aficionado.

What Parker and his contemporaries -- Gillespie, Davis, Monk, Roach ( Tristano is an anomaly ), etc. -- did was to absorb the musical ornamentation of the older jazz into the basic structure, of which it then became an integral part, and with which it then developed.

In modern jazz, the saxophone is treated as a woodwind and played with conventional embouchure.

But she does indicate festivities will start early, that a jazz combo will `` give with the Basin Street beat '' during the cocktail and dinner hours and that Lester Lanin's orchestra will take over during the dancing.

Television has yet to work out a living arrangement with jazz, which comes to the medium more as an uneasy guest than as a relaxed member of the family.

If so, it might be worth while to assign a future jazz show to a different department -- one with enough confidence in the musical material to cut down on the number of performers and give them a little room to display their talents.

For example, there was sheet music with the word `` jazz '' in the title, to illustrate how a word of uncertain origin took hold.

The Percussive Twenties ( SP-44006 ) stirs pleasant memories with well-known songs of that day, and Johnny Keating's Kombo gives forth with tingling jazz in Percussive Moods ( SP-44005 ).

He met with enthusiastic audience approval, especially when he swung from jazz to Latin American things like the Mambo.