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Aulë and is
Melkor is jealous of Aulë, though the two are very similar: they both love to make things.
But Aulë is faithful to Eru and understands how his ' creations ' belong ultimately to Eru, while Melkor is left making twisted imitations that can never attain independent being.
Yavanna – (‘ Giver of Fruits ’) She is the Earth Mother, and espoused to Aulë.
He was a Maia originally attached to Aulë, and thus is a great Craftmaster and maker of devices.
In Tolkien's pantheon of Middle-earth, Aulë is a knowledge deity, sometimes worshipped as a god by men, representing skill and craftsmanship, who is also thematically associated with Earth, stone, metal and the dwarves.
Because of his associations with smithing and skill, Aulë is similar in thematic role to the Greek god Hephaestus, the Roman god Vulcan and the Norse god Thor.
Aulë the Smith is a Vala and one of the Ainur.
Aulë is given lordship over the matter that composes Arda and is a master of all the crafts that shape it.
As Aulë is a smith, he is the Vala most similar in thought and powers to Melkor, in that they each gloried in the fashioning of artful and original things.
The Dwarves believe that after they die their spirits remove to halls Aulë has set aside for them, and their role will be to rebuild Arda after the Final Battle that is yet to come.
It is interesting to note that two of the greatest Maiar sent to Middle-earth, that fell, were in the beginning both aligned with Aulë.
* Aulëan, named after the god Aulë, father of the Dwarves, is the origin of the Khuzdul language.
* Aulë the Smith makes the Dwarves but is not allowed to awaken them ; Yavanna thinks of the Ents in response.
It is told in The Silmarillion that the Vala Aulë created the Dwarves because he was impatient for the arising of the Children of Ilúvatar ( Elves and Men ).
In earlier conceptions of the legendarium ( see: The History of Middle-earth ) Salmar is often called by the title Noldorin, and sometimes Lirillo, and was envisioned as a Vala in the service of Aulë.

Aulë and fictional
* Aulë, a fictional character from J. R. R. Tolkien's legendarium, also named Mahal

Aulë and from
They were created by the Vala Aulë, in secret from the other Valar, intended to be his children to whom he could teach his crafts.
* Melkor's spies and secret friends, chief among them a great craftsman of the folk of Aulë, later named Sauron, inform him that the Valar are weary from their labours.

Aulë and .
Another Vala, Aulë, creates the Dwarf race as an act of subcreation that honoured Eru Ilúvatar ( The equivalent of God in Tolkien's writings ), and which Eru accepted and made real, just as Niggle's Tree was made real.
Unlike Elves and Men, created by the supreme God Ilúvatar, Dwarves were created by the Vala ( angelic being ) Aulë.
From their creation, the Dwarves spoke Khuzdul, a constructed language made for them by Aulë.
Aulë sealed the seven Fathers of the Dwarves in stone chambers in far-flung regions of Middle-earth to await their awakening.
The most important of the Ainur who move into Earth are called the Valar (‘ Those with Power ’, singular ' Vala '), of which there are fourteen principal characters: Manwë, Ulmo, Aulë, Oromë, Mandos, Lórien, Tulkas, Varda, Yavanna, Nienna, Estë, Vairë, Vána, and Nessa.
Aulë – (' Invention ', ' The Smith ') Master of Earth-matter.
Durin was created by Aulë the Vala during the First Age.
Ulmo was second in majesty of the Valar, after Manwë and before Aulë ; in other words, he was the second of the Aratar.
But while Aulë strove to be true to the original intent of the Music of the Ainur, and submitted all that he did to the will of Ilúvatar, Melkor wished to control and subvert all things, and was jealous of the creations of others so that he would try to twist or destroy all that they made.
There was long strife between Aulë and Melkor both before and after the creation of Arda.
Aulë, however, traditionally opposed attempts to fight Melkor, for fear of the damage that would be wrought to Arda.

Aulë and who
On the Flight of the Noldor, the Noldor who returned to Valinor under Finarfin named themselves the Aulendur, Followers of Aulë.
Several Maiar were associated with Aulë: Sauron, before being corrupted by Melkor ; and Curumo ( Saruman ), who later went to Middle-earth as an Istar to combat Sauron.
Sauron was among the mightiest, if not the mightiest of the Maiar who served Aulë and used his knowledge of the metaphysical structure of Arda to great effect as a servant of Morgoth in the First Age of Middle-earth and then was his own master in the Second and Third Ages.
Nearby were the Mansions of Aulë, the Smith who created the Dwarves, and who was the spouse of Yavanna.
Fëanor was the student of Mahtan, who was himself a student of the Vala Aulë.
Aulë offered his creations to Ilúvatar, who accepted them and gave them life.

Aulë and other
Aulë repented, answering that the drive to create was kindled in him by Ilúvatar, and that he only wished for other beings to love and teach, with whom to share in the beauty of the world.
The other Fathers did: references are made by Tolkien to the " Thirteen Dwarves " created by Aulë ( Durin and the six pairs ).

is and fictional
It is from this unpromising background that the fictional private detective was recruited.
As a free-lance investigator, the fictional detective is responsible to no one but himself and his client.
Thus the fictional detective is much more than a simple businessman.
In short, the fictional private eye is a specialized version of Adam Smith's ideal entrepreneur, the man whose private ambitions must always and everywhere promote the public welfare.
Now time is also the concern of the fictional narrative, which is, at its simplest, the story of an action with, usually, a beginning, a middle, and an end -- elements which demand time as the first condition for their existence.
In some fictional works, the difference between a robot and android is only their appearance, with androids being made to look like humans on the outside but with robot-like internal mechanics.
Abdul Alhazred is a fictional character created by American horror writer H. P. Lovecraft.
Hercule Poirot (; ) is a fictional Belgian detective, created by Agatha Christie.
On publication of the latter, Poirot was the only fictional character to be given an obituary in the New York Times ; 6 August 1975 " Hercule Poirot is Dead ; Famed Belgian Detective ".
Jane Marple, usually referred to as Miss Marple, is a fictional character appearing in twelve of Agatha Christie's crime novels and in twenty short stories.
The Amber Diceless Roleplaying Game is a role-playing game created and written by Erick Wujcik, set in the fictional universe created by author Roger Zelazny for his Chronicles of Amber.
The Dodo is a fictional character appearing in Chapters 2 and 3 of the book Alice's Adventures in Wonderland by Lewis Carroll ( Charles Lutwidge Dodgson ).
* Patrick O ' Brian's fictional British sea captain Jack Aubrey is described as owning a " fiddle far above his station, an Amati no less ," in The Surgeon's Mate.
The term " fictional autobiography " has been coined to define novels about a fictional character written as though the character were writing their own biography, of which Daniel Defoe's Moll Flanders, is an early example.
Salinger's The Catcher in the Rye is a well-known modern example of fictional autobiography.
Charlotte Brontë's Jane Eyre is yet another example of fictional autobiography, as noted on the front page of the original version.
Edited, with an Afterword, by Sharrar, Avery Hopwood's The Great Bordello, a Story of the Theatre, is a roman à clef that tells the story of Edwin Endsleigh — Hopwood ’ s fictional counterpart — who graduates from the University of Michigan and heads for Broadway to earn his fortune and the security to pursue his one true dream of writing the great American novel.
" In the same article, the Reverend Al Sharpton ( whose fictional analogue in the novel is " Reverend Bacon ") asserts that " twenty years later, the cynicism of The Bonfire of the Vanities is as out of style as Tom Wolfe's wardrobe.
Big Brother is a fictional character in George Orwell's novel Nineteen Eighty-Four.
Andy Medhurst wrote in his 1991 essay " Batman, Deviance, and Camp " that Batman is interesting to gay audiences because " he was one of the first fictional characters to be attacked on the grounds of his presumed homosexuality ," " the 1960s TV series remains a touchstone of camp ," and " merits analysis as a notably successful construction of masculinity.
Obviously as a fictional character he ’ s intended to be heterosexual, but the basis of the whole concept is utterly gay.
In the fictional world of Ghosts of Albion, Queen Bodicea is one of three Ghosts who once were mystical protectors of Albion and assists the current protectors with advice and knowledge.

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