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Baldus and de
* April 28 Baldus de Ubaldis, Italian jurist ( b. 1327 )
** Baldus de Ubaldis, Italian jurist ( d. 1400 )
A member of the noble family of the Ubaldi ( Baldeschi ), Baldus was born at Perugia in 1327, and studied civil law there under Bartolus de Saxoferrato, being admitted to the degree of doctor of civil law at the early age of seventeen.
Baldus was the master of Pierre Roger de Beaufort, who became pope under the title of Gregory XI, and whose immediate successor, Urban VI, summoned Baldus to Rome to assist him by his consultations in 1380 against the anti-pope Clement VII.
Baldus ' view on the legal issues relating to the schism are laid down in the so called Questio de schismate.
It is probably due to confusion between Baldus and his brother Petrus that the famous jurist's name is sometimes given as Petrus Baldus de Ubaldis.
* J. Canning, The Political Thought of Baldus de Ubaldis ( Cambridge University Press, 1987 )
de: Baldus de Ubaldis
la: Baldus de Ubaldis
nl: Baldus de Ubaldis
pl: Baldus de Ubaldis
sl: Baldus de Ubaldis
fi: Baldus de Ubaldis
sv: Baldus de Ubaldis
* Baldus de Ubaldis, jurist
In 1855, Baron James de Rothschild, President of Chemin de Fer du Nord, commissioned Baldus to do a series of photographs to be used as part of an album that was to be a gift to Queen Victoria and Prince Albert as a souvenir of their visit to France that year.
File: Cathédrale Notre-Dame de Paris, east facade by Édouard Baldus c1860s. jpg
File: Édouard Baldus, Panorama de la Cité, circa 1860. jpg
de: Édouard Baldus
In Perugia Baldus de Ubaldis and his brothers Angelus and Petrus became pupils of Bartolus.

Baldus and Ubaldis
# REDIRECT Baldus de Ubaldis
* Petrus Baldus de Ubaldis
He studied under Baldus de Ubaldis at Perugia, and was a fellow-pupil with Cardinal de Zabarella.
* Baldus de Ubaldis, ( its figure is represented on all diplom certificates )

Baldus and Baldo
His first work, under the pseudonym Merlino Coccajo, was the macaronic narrative poem Baldo ( 1517 ), which relates the adventures of a fictitious hero named Baldo (" Baldus "), a descendant of French royalty and something of a juvenile delinquent who encounters imprisonment ; battles with local authorities, pirates, shepherds, witches, and demons ; and a journey to the underworld.

Baldus and
Édouard-Denis Baldus ( June 5, 1813, Grünebach, Prussia 1889, Paris ) was a French landscape, architectural and railway photographer.

Baldus and 1400
Baldus had two brothers, Angelus ( 1328 — 1400 ) and Petrus ( 1335 — 1400 ).

Baldus and was
" It was commented upon by Giovanni Andrea ( in 1346 ), and by Baldus.
Baldus was originally trained as a painter and had also worked as a draughtsman and lithographer before switching to photography in 1849.
Baldus was renowned for the sheer size of his pictures, which ranged up to eight feet long for one panorama from around 1855, made from several negatives.
Despite the documentary nature of many of his assignments, Baldus was no purist when it came to technique.
Nineteenth century archaeologist John Beasly Greene, for example, traveled to Nubia in the early 1850s to photograph the major ruins of the region ; One early documentation project was the French Missions Heliographiques organized by the official Commission des Monuments historiques to develop an archive of France's rapidly-disappearing architectural and human heritage ; the project included such photographic luminaries as Henri Le Secq, Edouard Denis Baldus, and Gustave Le Gray.

Baldus and .
Many of Baldus ' works are incomplete.
In addition to these commentaries, Baldus wrote a number of treatises on specialised legal topics.
In the summer of 1851, along with photographers Édouard Baldus, Henri Le Secq, Gustave Le Gray, and O. Mestral, Bayard travelled throughout France to photograph architectural monuments at the request of the Commission des Monuments Historiques.
Foreign professors such as Claude Levi-Strauss, Fernand Braudel, Roger Bastide, Willems, Donald Pierson, Pierre Monbeig and Herbert Baldus, broadcast in two institutions new standards for teaching and research, creating new generations of social scientists in Brazil.
In 1856, Baldus set out on a brief assignment to photograph the destruction caused by torrential rains and overflowing rivers in Lyon, Avignon, and Tarascon.
Baldus used wet and dry paper negatives as large as 10x14 inches in size.

de and Ubaldis
fr: Balde de Ubaldis

de and Italian
* 1972 Andrea de Rossi, Italian rugby player and coach
* 1667 Anna Maria Luisa de ' Medici, Italian wife of Johann Wilhelm, Elector Palatine ( d. 1743 )
Of his Italian works one, La scuola de ' gelosi ( The School for Jealousy ), a witty study of amorous intrigue and emotion, would prove a popular and lasting international success.
In 1783 the Italian opera company was revived with singers partly chosen and vetted by Salieri during his Italian tour, the new season would open with a slightly re-worked version of Salieri's recent success La scuola de ' gelosi.
Vicious air bombings were targeted on Alicante during the three years of civil conflict, most notably the bombing by the Italian Aviazione Legionaria of the Mercado de Abastos in 25 May 1938 in which more than 300 civilians perished.
The rebels, led by generals Bento Gonçalves da Silva and Antônio de Sousa Neto with the support of the Italian fighter Giuseppe Garibaldi, surrendered to imperial forces in 1845.
Her mother was born Countess Maria-Luisa Yvonne Radha de Wendt de Kerlor, better known as Gogo Schiaparelli, a socialite of Italian, Swiss, French, and Egyptian ancestry.
* According to culinary writer Giuliano Bugialli, the term comes from the Italian bagno maria, named after Maria de ' Cleofa, who developed the technique in Florence in the sixteenth century.
Non-English names include Treno suburbano in Italian, Cercanías in Spanish, Rodalies in Catalan, Nahverkehrszug in German ( and in most larger cities S-Bahns though these trains also often include city centre metro-like sections where lines have merged and services become more frequent, and stations are closer together to better distribute passengers into the city core ), Train de banlieue in French, Příměstský vlak in Czech and Elektrichka in Russian.
Some Chaosium products have been translated into French, Portuguese, Japanese, German, Spanish and Italian, and were available in France from Jeux Descartes, in Germany from Pegasus Press, in Spain from Joc Internacional and La factoría de ideas and in Italy from Stratelibri and Grifo Edizioni.
* 1697 Giuseppe de Majo, Italian composer and organist ( d. 1771 )
Dance of Death, also variously called Danse Macabre ( French ), Danza de la Muerte ( Spanish ), Dansa de la Mort ( Catalan ), Danza Macabra ( Italian ), Dança da Morte ( Portuguese ), Totentanz ( German ), Dodendans ( Dutch ), Surmatants ( Estonian ), is an artistic genre of late-medieval allegory on the universality of death: no matter one's station in life, the Dance of Death unites all.
Prince Eugene of Savoy ( French: François-Eugène de Savoie, German: Eugen von Savoyen, Italian: Principe Eugenio di Savoia-Carignano ; 18 October 1663 21 April 1736 ), was one of the most successful military commanders in modern European history, rising to the highest offices of state at the Imperial court in Vienna.
* 1653 Luigi de Rossi, Italian composer ( b. 1597 )
* 1471 Piero di Lorenzo de ' Medici, Italian ruler ( d. 1503 )
In the 1920s, Fascist Italy pursued an aggressive foreign policy that included an attack on the Greek island of Corfu, aims to expand Italian territory in the Balkans, plans to wage war against Turkey and Yugoslavia, attempts to bring Yugoslavia into civil war by supporting Croat and Macedonian separatists to legitimize Italian intervention, and making Albania a de facto protectorate of Italy, which was achieved through diplomatic means by 1927.
* 1534 Giovanni de ' Bardi, Italian writer ( d. 1612 )
* Aramaic di or de-( which, of ), and Italian di and Spanish and French de ( of )
The Spanish text is preceded by a note claiming that it was translated from Italian by Mustafa de Aranda, an Aragonese Muslim resident in Istanbul.
During the 16th century Italian Renaissance, the Questione della lingua was the discussion on the status and ideal form of the Italian language, initiated by Dante's de vulgari eloquentia ( Pietro Bembo, Prose della volgar lingua Venice 1525 ).

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