In France, Eyes Without a Face ( 1960 ) continued the mad scientist theme, while in Italy director Mario Bava began his own series of horror films.

Bava Metzia iv. 9d ), Abbahu became not only popular with his coreligionists, but also influential with the proconsular government ( Hagigah 14a ; Ketubot 17a ).

The story of Hanukkah, along with its laws and customs, is entirely missing from the Mishna apart from several passing references ( Bikkurim 1: 6, Rosh HaShanah 1: 3, Taanit 2: 10, Megillah 3: 4 and 3: 6, Moed Katan 3: 9, and Bava Kama 6: 6 ).

The Talmud El Am contains Hebrew text, English translation and commentary by Rabbi Dr A. Ehrman, with short ' realia ', marginal notes, often illustrated, written by experts in the field for the whole of Tractate Berakhot, 2 chapters of Bava Mezia and the halachic section of Qiddushin, chapter 1.

7 ( it is to be interpreted thus according to Bava Batra 14a ), that Aaron's Rod, together with its blossoms and fruit, was preserved in the Ark.

Writing in 2000, Tim Lucas wrote that Bava is " the acknowledged smoking gun behind the ' body count ' movie phenomenon of the 1980s, which continues to dominate the horror genre two decades later with such films as Scream, I Know What You Did Last Summer and their respective sequels.

The Anthony Quinn film Attila ( directed by Pietro Francisci in 1954 ), the Kirk Douglas epic Ulysses ( co-directed by an uncredited Mario Bava in 1954 ) and Helen of Troy ( directed by Robert Wise with Sergio Leone as an uncredited second unit director in 1955 ) were the first of the big peplum films of the 1950s.

Four years later, Bava used my script to make Per Sempre and Fulci, who wasn't working much at the time, got angry with me and started hurling these accusations.

Piccoli has worked with Jean Renoir, Jean-Pierre Melville, Jean-Luc Godard, Claude Lelouch, Jacques Demy, Claude Sautet, Louis Malle, Agnès Varda, Leos Carax, Luis Buñuel, Costa-Gavras, Alfred Hitchcock, Marco Ferreri, Jacques Rivette, Otar Iosseliani, Nanni Moretti, Jacques Doillon, Mario Bava, Manoel de Oliviera, Raul Ruiz, Theodoros Angelopoulos and Alain Resnais.

However the Talmud ( Bava Batra 91a ) asserts that Ibzan is to be identified with Boaz from the story of Ruth, who lived in the Bethlehem of Judah, and that he consummated his marriage with Ruth on the last night of his life.

# Bava Kamma ( בבא קמא, First Gate ) deals with civil matters, largely damages and compensation.

# Bava Metzia ( בבא מציעא, Middle Gate ) deals with civil matters, largely torts and property law.

# Bava Batra ( בבא בתרא, Last Gate ) deals with civil matters, largely land ownership.

A new characteristic is that final / m / is often replaced with final / n / in the Mishna ( see Bava Kama 1: 4, " מועדין "), but only in agreement morphemes.

Bava became a cinematographer in his own right in 1939, shooting two short films with Roberto Rossellini.

Mario Bava was very disappointed with the distribution of some of his later films ( which caused him to retire in 1978 at age 63 ).

Bava retired in 1978 after co-directing his last horror film, Shock, with his son Lamberto ( although he did some special effects matte work on Dario Argento's 1980 movie Inferno ).

Some critics, such as Tim Lucas and Alan Upchurch, have also compared Ptushko to Italian filmmaker Mario Bava, who made fantasy and horror films with similarities to Ptushko's work and made similarly innovative use of color cinematography and special effects.

' Enki ' is a washer-woman who is in deep love with ' Naidu Bava '.

Among the directors represented with notable works in this genre are Mario Bava, Dario Argento, Lucio Fulci, Sergio Martino and Umberto Lenzi.

* A Blade in the Dark ( Lamberto Bava, 1982 ; Italian: La casa con la scala nel buio / The House with the Dark Staircase )

Lucas's critical biography Mario Bava All the Colors of the Dark ( ISBN 0-9633756-1-X ), a vast work thirty-two years in preparation, with a special introduction penned by Martin Scorsese, was published in August 2007 by Video Watchdog.

It was honored as Best Book of 2007 by The Rondo Hatton Classic Horror Awards and the Sex Gore Mutants website, as an Independent Publisher Book Award Bronze Medal winner in the Performing Arts category, and The Academy of Science Fiction, Fantasy & Horror Films recognized Mario Bava: All the Colors of the Dark by having actor John Saxon present Lucas and his wife Donna with the rarely-presented Saturn Award for Special Achievement.

This is true of the tractate Makkot, the concluding portions of which were composed by his son-in-law, Rabbi Judah ben Nathan, and of the tractate Bava Batra, finished ( in a more detailed style ) by his grandson, the Rashbam.

Almar Haflidason, reviewing the film for BBC Online, said that " Director Mario Bava stages all these murders with the flair and style that was to become a founding mantle for the giallo films ...

Since the completion of Mario Bava All the Colors of the Dark in 2007, Lucas has devoted his free time to pursuing a career in screenwriting.

Bava proved highly influential on Italian horror cinema and ushered in a new wave of Italian directors, including most notably Dario Argento, as well as prompting the release of numerous giallo films in the early 1970s.

Bava was forced to improvise numerous times during the production in order to get the technical results he wanted.

During the 1960s, Mitchell starred in numerous Italian horror, fantasy, and thriller films, several of which were directed by Mario Bava, including Erik the Conqueror ( 1961 ), Blood and Black Lace ( 1964 ), and Knives of the Avenger ( 1966 ).

During the 1960s and 70s, Italian filmmakers Mario Bava, Riccardo Freda, Antonio Margheriti and Dario Argento developed giallo horror films that become classics and influenced the genre in other countries.

Cunningham, inspired by John Carpenter's Halloween, and films by Mario Bava, wanted Friday the 13th to be shocking, visually stunning and " you jump out of your seat ".

A few examples include Five Dolls for an August Moon ( 1970 ) directed by Mario Bava, Identity ( 2003 ), Mindhunters ( 2004 ), made-for-television films ( Dead Man's Island, 1996 ), a miniseries ( Harper's Island, 2009 ), and episodic television such as The Avengers (" The Superlative Seven "), The Wild Wild West (" The Night of The Tottering Tontine ") both from 1967, and Remington Steele (" Steele Trap ") in 1982.

Giallo films that follow a murder mystery format include Five Dolls for an August Moon ( 1970 ) by Mario Bava, three by director Dario Argento: The Cat o ' Nine Tails, Four Flies on Grey Velvet ( both 1971 ), and Deep Red ( 1975 ) – as well as A Lizard in a Woman's Skin ( 1971 ), Black Belly of the Tarantula ( 1971 ), Who Saw Her Die?

Mario Bava ( 31 July 1914 – 25 April 1980 ) was an Italian director, screenwriter, special effects artist and cinematographer, remembered as one of the greatest names from the " golden age " of Italian horror films, and is considered to have kick-started the giallo film genre.

In the aforementioned Il Fatto Quotidiano interview of 2010, Quentin Tarantino hailed Mario Bava All the Colors of the Dark as " the best book on films ever written.

Lamberto Bava ( born 3 April 1944 ) is an Italian film director, specializing in horror, giallo and fantasy films.

In the mid-1980s, Bava was hired to direct six episodes of the Turno di Notte Italian TV series ( 1986 ), four films in the Brivido Giallo TV series ( 1987 ), and four films in the Alta Tensione TV series ( 1988 ).

Although Bava more recently made 2 violent horror films entitled Ghost Son and The Torturer, it seems he strongly favors the made-for-TV fantasy films.

Dario Argento hired Lamberto Bava to direct the first two films in his Demons series, but the third film in the series was directed by Michele Soavi instead of Bava.

He never finished either of the two horror films he was assigned in the Fifties (" I VAMPIRI " and " CALTIKI "), but rather allowed his cinematographer Mario Bava to complete them.

Bava did not receive director screen credit for any of his work on the three troubled Galatea films.

However, the resultant screenplay ( by Bava, Ennio De Concini and Mario Serandrei ) in fact owed very little to Gogol at all, and seemed to be more a tribute to the atmospheric black-and-white gothic horror films of the 1930s, especially those produced by Universal Studios.