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Beiderbecke's music was featured in three British comedy drama television series, all written by Alan Plater: The Beiderbecke Affair ( 1984 ), The Beiderbecke Tapes ( 1987 ), and The Beiderbecke Connection ( 1988 ).
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Beiderbecke's and music
In some respects, Beiderbecke's playing was sui generis, but he nevertheless listened to and studied the music around him: from Armstrong and Joe " King " Oliver to the Original Dixieland Jazz Band and the New Orleans Rhythm Kings to Claude Debussy and Maurice Ravel.
The New Republic critic Otis Ferguson wrote two short articles for the magazine, " Young Man with a Horn " ( July 29, 1936 ) and " Young Man with a Horn Again " ( November 18, 1940 ), that worked to revive interest not only in Beiderbecke's music but also in his biography.
In Blackboard Jungle, a 1955 film starring Glenn Ford and Sidney Poitier, Beiderbecke's music is briefly featured, but as a symbol of cultural conservatism in a nation on the cusp of the rock and roll revolution.
At the beginning of the 21st century, Beiderbecke's music continues to reside mostly out of the mainstream and some of the facts of his life are still debated, but scholars largely agree — due in part to the influence of Sudhalter and Evans — that he was an important innovator in early jazz ; jazz cornetists, including Sudhalter ( before his death in 2008 ), and Tom Pletcher, closely emulate his style.
Condon, for instance, wrote of being amazed by Beiderbecke's piano playing: " All my life I had been listening to music … But I had never heard anything remotely like what Beiderbecke played.
Beiderbecke's and was
Beiderbecke's father, the son of German immigrants, was a well-to-do coal and lumber merchant, named after the Iron Chancellor of his native Germany.
Beiderbecke's mother was the daughter of a Mississippi riverboat captain.
Until recently, biographers have largely ignored this incident in Beiderbecke's life, and Lion was the first, in 2005, to print the police blotter and affidavit associated with the arrest.
The headmaster informed Beiderbecke's parents by letter that following his expulsion school officials confirmed that Beiderbecke " was drinking himself and was responsible, in part at least, in having liquor brought into the School.
Beiderbecke's style was very different from that of Louis Armstrong according to The Oxford Companion to Jazz:
Paul Mares of the New Orleans Rhythm Kings insisted that Beiderbecke's chief influence was the New Orleans cornetist Emmett Hardy, who died in 1925 at the age of 23.
For Beiderbecke, the downside of being with Whiteman was the relentless touring and recording schedule, exacerbated by Beiderbecke's alcoholism.
On November 30, 1928, in Cleveland, Beiderbecke suffered what Lion terms " a severe nervous crisis " and Sudhalter and Evans suggest " was in all probability an acute attack of delirium tremens ," presumably triggered by Beiderbecke's attempt to curb his alcohol intake.
While he was away, Whiteman famously kept a chair empty in Beiderbecke's honor.
" The guy didn't have an enemy in the world ," recalled Beiderbecke's friend Russ Morgan, " ut he was out of this world most of the time.
In 1971, on the 40th anniversary of Beiderbecke's death, the Bix Beiderbecke Memorial Jazz Festival was founded in Davenport, Iowa, to honor the musician.
The critic and musician Digby Fairweather sums up Beiderbecke's musical legacy, arguing that " with Louis Armstrong, Bix Beiderbecke was the most striking of jazz's cornet ( and of course, trumpet ) fathers ; a player who first captivated his 1920s generation and after his premature death, founded a dynasty of distinguished followers beginning with Jimmy McPartland and moving on down from there.
Beiderbecke's most famous solo was on " Singin ' the Blues ", recorded February 4, 1927.
" He argues that this stubbornness was behind Beiderbecke's decision not to switch from cornet to trumpet when many other musicians, including Armstrong, did so.
In addition, Gioia highlights Beiderbecke's precise timing, relaxed delivery, and pure tone, which contrasted with " the dirty, rough-edged sound " of King Oliver and his protégé Armstrong, whose playing was often more energetic and whose style held more sway early in the 1920s than Beiderbecke's.
Gioia further wonders whether the many hyperbolic and quasi-poetic descriptions of Beiderbecke ’ s style — most notably Condon's " like a girl saying yes "— may indicate that Beiderbecke's sound was muddled on recordings.
" Jazz Me Blues " was also important because it introduced what has been called the " correlated chorus ," a method of improvising that Beiderbecke's Davenport friend Esten Spurrier attributed to both Beiderbecke and Armstrong.
He was also influenced by Beiderbecke's impressionistic and classical musical ideas.
This time, Kapp was out of town and Norvo went ahead and recorded two of the earliest, most modern pieces of chamber jazz yet recorded: Bix Beiderbecke's " In a Mist " and Norvo's own " Dance of the Octopus ".
Beiderbecke's and featured
For instance, on February 4, 1927, Frank Trumbauer and His Orchestra recorded " Trumbology ", " Clarinet Marmalade ", and " Singin ' the Blues ", all three of which featured some of Beiderbecke's best work.
Beiderbecke's and all
The notice appeared in October 1931 and began with a bit of hyperbole and an incorrect fact, two hallmarks of much of the subsequent writing about Beiderbecke: " The announcement of Bix Beiderbecke's death plunged all jazz musicians into despair.
Beiderbecke's and by
The Whiteman period also marked a precipitous decline in Beiderbecke's health, brought on by the demand of the bandleader's relentless touring and recording schedule in combination with Beiderbecke's persistent alcoholism.
Lane's piano suites and orchestral arrangements were both self-consciously American and influenced by the French Impressionists, and it is said to have greatly influenced Beiderbecke's style, especially on " In a Mist.
On January 26, 1925, Bix and His Rhythm Jugglers set two tunes to wax: " Toddlin ' Blues ," another number by LaRocca and Shields, and Beiderbecke's own composition, " Davenport Blues.
For a while, Beiderbecke's only income came from a radio show booked by Whiteman, The Camel Pleasure Hour.
These themes were repeated by Beiderbecke's friends in various memoirs, including The Stardust Road ( 1946 ) and Sometimes I Wonder ( 1965 ) by Hoagy Carmichael, Really the Blues ( 1946 ) by Mezz Mezzrow, and We Called It Music ( 1947 ) by Eddie Condon.
In 2003, to mark the hundredth anniversary of his birth, the Greater Astoria Historical Society and other community organizations, spearheaded by Paul Maringelli and The Bix Beiderbecke Sunnyside Memorial Committee, erected a plaque in Beiderbecke's honor at the apartment building in which he died in Queens.
That same year, Frederick Turner published his novel 1929, which followed the facts of Beiderbecke's life fairly closely, focusing on his summer in Hollywood and featuring appearances by Al Capone and Clara Bow.
Beiderbecke's cornet style is often described by contrasting it with Armstrong's markedly different approach.
" Richard Hadlock describes Beiderbecke's contribution to " Jazz Me Blues " as " an ordered solo that seems more inspired by clarinetists Larry Shields of the ODJB and Leon Roppolo of the NORK than by other trumpet players.
Beiderbecke's and Beiderbecke
A few stints in rehabilitation centers, as well as the support of Whiteman and the Beiderbecke family in Davenport, did not check Beiderbecke's decline in health.
Beiderbecke's childhood home at Leon Bismark Beiderbecke House | 1934 Grand Avenue in Davenport, Iowa, is listed on the National Register of Historic Places.
Beiderbecke apparently spent time with them, but the degree to which Hardy's style influenced Beiderbecke's is difficult to know because Hardy never recorded.
" They were inseparable for much of the rest of Beiderbecke's career, with Trumbauer acting as a father figure to Beiderbecke.
Beiderbecke's and ),
Carmichael appeared as an actor in a total of 14 motion pictures, always performing at least one of his songs, including Young Man with a Horn ( based on friend Bix Beiderbecke's life ) with Bacall and Kirk Douglas, and multi-Academy Award winner The Best Years of Our Lives with Myrna Loy and Fredric March ), in which he teaches a disabled veteran with metal prostheses to play " Chop Sticks ".
music and was
On a shelf in the office behind the counter was a small radio dialed permanently on a station which broadcast only vulgar commercials and cheap popular music.
`` There was always and at all times a contemporary music and it expresses the era in which it was created.
But his prime interest, apart from music, he insisted seriously, was his family -- his wife, daughter and son.
In due time Sandburg was a walking thesaurus of American folk music.
With her son evidencing so strong a musical bent his mother could do little else but get him started on the study of music -- though she waited until he was ten -- beginning with the piano and following that with the trumpet.
The music drove them off, or away, and he was free to walk on air in a very few moments, humming and jiving within, beating the rhythm within.
That after all his years of effort to become a composer, he should now, now when he was still stoutly replying to the critics of his Discourse on the Arts and Sciences, be so close to a success in music and have to reject it.
For it was Rameau's type of music that he had been trying to write, and that he couldn't write.
All these emotions were screwed up to new heights when, after acceptance and the first rehearsals, there ensued such a buzz of excitement among Parisian music lovers that Duclos had to come running to Rousseau to inform him that the news had reached the superintendent of the King's amusements, and that he was now demanding that the work be offered first at the royal summer palace of Fontainebleau.
the college was one of the first to recognize the importance of music not only as a definite part of the curriculum but as a vital adjunct to campus life.
Dan Beam presented music and the bride was given in marriage by her father.
She was not present yesterday, however, to enjoy the music or watch the faces of the delighted audience.
There was in the Brahms none of the mysterious and marvelous alchemy by which a great conductor can bring soloist, orchestra and music to ultimate fusion.
One of the script's big problems was how to blend pictures and music of the past with live performances by musicians of today.
For example, there was sheet music with the word `` jazz '' in the title, to illustrate how a word of uncertain origin took hold.
So, what was the deepest music on her program had the poorest showing.
The book is by Jerome Weidman and George Abbott, music by Jerry Bock, lyrics by Sheldon Harnick, choreography by Peter Gennaro, scenery, costumes and lighting by William and Jean Eckart, musical direction by Jack Elliott, and the production was directed by Mr. Abbott.
The music sang nicely, sprinted evenly when necessary, was properly accented and balanced.
What is interesting about these chamber works here is how they all reveal the aspect of French music that was moving toward the rococo.
Rococo music -- a lot of it -- was played in Carnegie Recital Hall on Saturday night in the first of four concerts being sponsored this season by a new organization known as Globe Concert Arts.
Before her chore was finished she was rescuing wind-blown sheets of music, trundling microphones about the stage, helping to move the piano and otherwise joining in the informal atmosphere.
A very casual, pleasant program -- one of those easy-going things that make Newport's afternoon programs such a relaxing delight -- was held again under sunny skies, hot sun, and a fresh breeze for an audience of at least a couple of thousands who came to Newport to hear music rather than go to the beach.
The entrance of the Stadtisches Gesangverein ( Bonn's civic chorus ) was worth all the waiting, however, as the young Rhenish voices finally brought the music to life.
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